This is the third album from Lucifer’s Hammer, a heavy metal band from Chile.
The Trip contains 32 minutes of traditional heavy metal. Continue reading “Lucifer’s Hammer – The Trip (Review)”
Category: Metal
Go Ahead and Die – Go Ahead and Die (Review)
This is the debut album from Go Ahead and Die, a death/thrash metal band.
Go Ahead and Die treats us to 44 minutes of old-school thrash metal, with some death metal, punk, and grindcore thrown in for good measure. Continue reading “Go Ahead and Die – Go Ahead and Die (Review)”
Somnuri – Nefarious Wave (Review)
Somnuri are a sludge metal band from the US. and this is their second album.
Featuring an ex-member of Cleanteeth, Somnuri’s sound can best be described as something like progressive sludge metal. The promo blurb mentions bands such as High on Fire, Mastodon, Converge, Torche, and Baroness, and this sets the scene nicely. However, while all of the Continue reading “Somnuri – Nefarious Wave (Review)”
Burning Witches – The Witch of the North (Review)
This is the fourth album from Swiss heavy metallers Burning Witches.
I always enjoy hearing some new material from this band. Can they follow up 2018’s Hexenhammer and 2020’s Dance with the Devil with another slab of prime heavy metal goodness?
The answer is Continue reading “Burning Witches – The Witch of the North (Review)”
Impure Wilhelmina – Antidote (Review)
This is the seventh album from Impure Wilhelmina, a Swiss post-metal band.
The music takes progressive post-metal/rock, post-hardcore, and indie/alt-rock, throws in a healthy amount of goth influences, and even has a blackened veneer in places. Continue reading “Impure Wilhelmina – Antidote (Review)”
Yautja – The Lurch (Review)
This is the second album from US sludge metal band Yautja.
The Lurch is a 46-minute hybrid of ugly sludge metal, vicious grind, and filthy punk. With less grindcore on display than on their previous 2014 album Songs of Descent, The Lurch is still a gnashing, biting thing. This Continue reading “Yautja – The Lurch (Review)”
Dordeduh – Har (Review)
This is the second album from Dordeduh, a progressive metal band from Romania.
Featuring current/ex-members of Argus Megere/Negură Bunget, Har treats the listener to 62 minutes of blackened progressive metal. Continue reading “Dordeduh – Har (Review)”
The Ember, the Ash – Fixation (Review)
This is the second album from solo blackened metalcore act The Ember, the Ash.
Fixation is an interesting blend of symphonic black metal and breakdown-heavy metalcore. Only a few bands are playing around with blackened elements in metalcore, to varying degrees of success, so it’s always good to hear another such act throw their interpretation of this unusual subgenre into the ring. Continue reading “The Ember, the Ash – Fixation (Review)”
Vokonis – Odyssey (Review)
This is the fourth album from Vokonis, a progressive doom metal band from Sweden.
Vokonis’ style mixes together progressive metal with stoner and doom metal, resulting in a colourful and enjoyable collection of tracks. While Mastodon is the obvious reference point, it’s also an inadequate one for Odyssey, as there’s a lot more at play here than simply Mastodon worship. I can also hear elements of bands as diverse as Sleep, Slomatics, Elder, Perihelion Ship, Rush, Khemmis, Alice in Chains, Witchkiss, Monolord, and Black Crown Initiate, to name but a few. Continue reading “Vokonis – Odyssey (Review)”
Miasma Theory – Miasma Theory (Review)
This is the debut album from Miasma Theory, an international heavy metal band.
Miasma Theory contains four original compositions and a Candlemass cover, with a total duration of 34 minutes. Of the original songs, Miasma Theory, (a project headed up by a member of Northern Crown), focuses on delivering heavy metal that’s enriched by elements of doom metal. Continue reading “Miasma Theory – Miasma Theory (Review)”
