This is the follow up to 2016’s very enjoyable Belfry. This was an album that took the classic doom metal template and injected elements of ambient/drone into it, along with the band members’ own distinct personalities. Continue reading
Canticles of the Holy Scythe features 37 minutes of music that consists of a black metal undercoat, which has then been fully fleshed out and painted with colours from folk, progressive, avant-garde, ambient, and classical music. Continue reading
Shokran play modern groove metal with a hearty djent influence, as well as having neo-classical, progressive, technical and Egyptian-themed aspects to their sound. They have a lot going on across these 35 minutes, and it’s all Continue reading
Doom? Stoner? Post-Metal? Progressive? All of the above? How are we to label Oceans Into Ashes? Ultimately all that matters is that Maeth have attempted a very ambitious undertaking here, and they have succeeded.
The songs mix all of the aforementioned genres into an intelligent and well-written whole. Long songs, short songs, all have their place contributing to a very diverse album full of ideas and depth.
Vocals are sparse and infrequent, used when necessary to highlight one part or another and then fading away once more to keep the focus on the music that Maeth so very passionately play.
Guitars are very melodic, but also not afraid to become abrasive and harsh as the song demands. Frequently changing from stoner riffs to Doom to Post-Metal, you can’t help but be drawn into their world.
Diverse, eccentric and very well-constructed. Given a chance Maeth could go very far indeed. I think we have a strong contender to fill that Isis-shaped hole in Post-Metal.