Vokonis – Odyssey (Review)

Vokonis - OdysseyThis is the fourth album from Vokonis, a progressive doom metal band from Sweden.

Vokonis’ style mixes together progressive metal with stoner and doom metal, resulting in a colourful and enjoyable collection of tracks. While Mastodon is the obvious reference point, it’s also an inadequate one for Odyssey, as there’s a lot more at play here than simply Mastodon worship. I can also hear elements of bands as diverse as Sleep, Slomatics, Elder, Perihelion Ship, Rush, Khemmis, Alice in Chains, Witchkiss, Monolord, and Black Crown Initiate, to name but a few. Continue reading “Vokonis – Odyssey (Review)”

Messa – Feast for Water (Review)

MessaMessa are an Italian doom metal band and this is their second album.

This is the follow up to 2016’s very enjoyable Belfry. This was an album that took the classic doom metal template and injected elements of ambient/drone into it, along with the band members’ own distinct personalities. Continue reading “Messa – Feast for Water (Review)”

LÜÜP – Canticles of the Holy Scythe (Review)

LÜÜPLÜÜP is a, (deep breath), Greek one man experimental avant-garde blackened classical band, (phew), and this is his third album.

Canticles of the Holy Scythe features 37 minutes of music that consists of a black metal undercoat, which has then been fully fleshed out and painted with colours from folk, progressive, avant-garde, ambient, and classical music. Continue reading “LÜÜP – Canticles of the Holy Scythe (Review)”

Shokran – Exodus (Review)

ShokranThis is the second album from Russian groove metal band Shokran.

Shokran play modern groove metal with a hearty djent influence, as well as having neo-classical, progressive, technical and Egyptian-themed aspects to their sound. They have a lot going on across these 35 minutes, and it’s all Continue reading “Shokran – Exodus (Review)”