Slomatics are a doom metal band from the UK and this is their sixth album.
We know Slomatics from 2016’s superb Future Echo Returns, and more recently from their equally superb split with Mammoth Weed Wizard Bastard. Continue reading
Pelican are a post-metal band from the US and this is their sixth album.
Pelican play an instrumental post-rock/metal hybrid, and have been crafting affecting and enjoyable material for 18 years at this point. As their first new album in six years, I think it’s fair to say that Nighttime Stories has been greatly anticipated by fans of the band’s work. Continue reading
Wolf Blood are a US doom metal band and this is their second album.
2014’s Wolf Blood made a great impression on me, but it would be another four years before we heard from them again. Then, last year’s Tsunami/Home appeared. It may have been short, but it was mighty. Well, I’m very pleased to say that there’s no four-year Continue reading
This is the third album from US doom metal band Destroyer of Light.
I really liked 2018’s Hopeless, and really wanted that EP to be the herald of good things for their next album. It turns out that it was, and Mors Aeterna is just as good, if not better, than I was hoping for. Continue reading
This is the debut album from Ornamentos del Miedo, a one man funeral doom band from Spain.
Here we have 62 minutes of atmospheric funeral doom. It’s slow, heavy, and played with an obvious love for the style. Continue reading
This is the third album from US doom band Aseethe.
2017’s Hopes of Failure is still one I regularly visit, (as I do all of their very tasty material), so I’m glad to see a new album appear again. Continue reading
This is the debut album from Heathe, a blackened doom/drone project from Denmark.
Apparently created by a core of one person who was then aided and abetted by multiple others, this band have crafted here a single 38-minute track named On the Tombstones. It has apparently been recorded live, with a structure enhanced by improvisation in places, which is probably why the music feels so vibrant, albeit in a bleak, nihilistic ways. Continue reading
Old Night are a Croatian doom metal band and this is their second album.
So, I absolutely adored Old Night’s debut album Pale Cold Irrelevance, and it made it into my best of 2017 list. As such, expectations were running high for the band’s second album.
I’m pleased to say that A Fracture in the Human Soul has more than satisfied me. Continue reading
Into Orbit are a post-metal band from New Zealand. This is their third album.
Having really enjoyed 2017’s Unearthing, getting to listen to a new album from Into Orbit is a treat, especially one as good as this. Continue reading
This is the debut album from Everest Queen, a sludge metal band from the UK.
Having enjoyed 2016’s self titled debut EP it’s good to have a full length from the band now. This is progressive sludge metal, with an imposing presence and plenty of riffs. The band’s promo blurb states that this is for fans of High on Fire, Om, Mastodon, and Isis, and it’s hard to disagree. Continue reading
