After enjoying Forming the Void’s split with Pyreship, I was eager to hear more from the band. Thankfully, that desire has been catered to in the form of Rift; 46 minutes of new material for me to wrap my ears around. Continue reading
Pissboiler are a Swedish doom band, and this is their latest EP.
I won’t deny that I’ve been really looking forward to hearing this one. Ever since I was subjected to the sheer aural horror of 2017’s In the Lair of Lucid Nightmares, I’ve craved more of Pissboiler’s filth and disease to swamp myself in. Well, Continue reading
Demetra Sine Die have a complex sound taken from a number of different influences and forged into something of their own. These influences come from doom, sludge, psychedelic, and post-metal, with even some black metal elements making the cut. Continue reading
Sometimes all you really want to do is get lost in the doom. This album swamps you in heavy riffs, colossal groove, and thunderously slow distortion. What’s not to like? Continue reading
Featuring most of the members of the much-missed Agalloch coupled with the singer of Giant Squid, this album contains 55 minutes of contemplative, intelligently-composed music.
Now here’s an album with real emotive power. The music can be loosely termed as progressive post-metal, but there’s a multitude of different styles skilfully incorporated into this release. Continue reading
Well, well, what a powerful and well-written album we have here. Filled with bleak moods and despondent atmosphere, this is dark, affecting stuff. Ripis know how to write a damn good doom metal tune. Continue reading
Ancestors’ music has a base of traditional doom metal, which they then build on with progressive, psychedelic, stoner, and post-rock elements. Continue reading
Now here’s an album that’s all about texture and atmosphere. Fringe is a cross between bands such as Neurosis, Inter Arma, Sea of Bones, and labelmates Jupiterian, to name but a few. However, on Fringe the band display their own dark personality, and are firmly convincing in their own right. Continue reading
Here we have a little over 60 minutes of music from a talented UK band that have only just properly come to my attention, despite a friend of mine telling me to check them out when this album was originally released in 2017. It’s definitely my loss, as Asheran is ambitious and huge in all of the best ways. Continue reading
I have to say I’m a huge fan of Doomed. Our Ruin Silhouettes, Wrath Monolith, and Anna are all stunning examples of how to write and play death/doom; in my experience it’s all too easy for death/doom bands to fall back on the staples of the style and take the easy route when it comes to their music. The artist behind Doomed, however, has a knack for producing music that takes all of the strengths of the style, while avoiding all of its lazy weaknesses, resulting in music that truly adds things that you just don’t really hear other bands do. Continue reading