Thronehammer are an international doom metal band and this is their fourth album.
Thronehammer return! Glory! With the mighty Slay | Kill | Erase Thronehammer unleash yet another colossal slab of doom heaviness on the world, and it’s as massive as you’d want it to be. Prepare thyself for Thronehammer! Continue reading “Thronehammer – Slay | Kill | Erase (Review)”
Rorcal are a Swiss post-black/doom metal band and this is their seventh album.
Rorcal are a shapeshifting band that are more than worthy of your attention, (here, here, here, here, here). In other words, when they release something, it always rewards investigation. So what grim shape does Mahre take? Continue reading “Rorcal – Mahre (Review)”
This is the fourth album by Swedish doom/sludge metal band Kongh.
Dissolved in Time contains three sprawling tracks that total 39 minutes. Kongh’s style mixes sludge, doom, and post-metal, delivering a record that makes a good impression. Continue reading “Kongh – Dissolved in Time (Review)”
This is the third album from UK doom/sludge band Kulk.
Now here’s an intriguing release. On the surface of it, Choosing to Die is a 26-minute doomsludge album ostensibly in the vein of many others. Look more closely though, and you’ll find a record far broader in scope and ambition. Kulk take a style that’s been done to death and infuse it with fresh vitality. Continue reading “Kulk – Choosing to Die (Review)”
This is the third album from Spanish doom metal band Todomal.
Graveyards of Joy brings us 43 minutes of compelling material. Todomal’s style can be described as doom metal mixed with progressive rock stylings and atmospheric depth. Atmospheric doom, in essence. The promo blurb names Pink Floyd, Katatonia, Candlemass, and Anathema, which sets the scene nicely, (you could also throw in Devin Townsend, Green Carnation, and Wolverine as touchpoints too). Continue reading “Todomal – Graveyards of Joy (Review)”
This is the seventh album from Aphonic Threnody, a funeral doom band from the UK.
It’s always a pleasure to listen to a new Aphonic Threnody album. The primary artist behind the band, (also in Arrant Saudade, Dea Marica, and Towards Atlantis Lights), has been remarkably consistent over the years, reappearing regularly to unleash another colossal opus on the funeral death/doom underground. With this in mind, your further listening assignments include 2017’s Of Loss and Grief, 2020’s The Great Hatred, 2021’s The All Consuming Void, 2022’s The Loneliest Walk, and last year’s A Silence Too Old. Continue reading “Aphonic Threnody – Grace My Heart (Review)”
This is the second album from UK post-metal band The Salt Pale Collective.
Bringing together doom, sludge, post-rock, and post-metal components into a bleakly compelling whole, The Salt Pale Collective are quite the proposition. Across 35 minutes, …And God Said Nothing channels six nightmare states, each working both together and individually to end the world. Continue reading “The Salt Pale Collective – …And God Said Nothing (Review)”
This is the debut album from sludge metal band Stay Dead.
Featuring members of Aiwass and High Desert Queen, Stay Dead play a compelling mix of sludge and doom. Beneath the Weight of Worlds contains five original songs, plus a cover, bringing together 36 minutes of material in total.
Beneath the Weight of Worlds focuses primarily on Continue reading “Stay Dead – Beneath the Weight of Worlds (Review)”
This is the second album from Irish doom/sludge band Soothsayer.
The Unbinding follows on from 2016’s At this Great Depth and 2021’s Echoes of the Earth, heralding the return of the bone-shaking Soothsayer. Across five colossal songs Soothsayer showcase a sound that’s developed, while also retaining what made them so good in the first place. Continue reading “Soothsayer – The Unbinding (Review)”
This is the fifth album from UK doom metallers Witchsorrow.
2015’s No Light, Only Fire was a great record, one that only got better over time. As such, The Devil and All His Works carries certain quality expectations. Across 48 minutes Witchsorrow continue on their traditional doom metal journey, and should delight any fan of the genre. Continue reading “Witchsorrow – The Devil and All His Works (Review)”
