This is the third album from UK doom metallers Godthrymm.
After serving up a good starting point with 2020’s Reflections, followed by 2023’s even stronger Distortions, we are now gifted with Godthrymm’s latest, Projections. With a duration of 46 minutes it’s the band’s shortest, but does it continue their upwards trend regardless? Continue reading “Godthrymm – Projections (Review)”
Tooms are an Irish progressive sludge metal band and this is their second album.
Tooms impressed with their 2020 debut The Orb Offers Massive Signals, so Karst is to be approached with great interest and expectation. Tooms have delivered 48 minutes of new material, and it’s worth paying attention to. Continue reading “Tooms – Karst (Review)”
This is the fourth album from The Fifth Alliance, a post-metal band from the Netherlands.
Having graced us with Death Poems in 2015 and then The Depth of the Darkness in 2019, The Fifth Alliance have returned once again, after what seems like an age, with the 38-minute Stenahoria. Armed with a new drummer and a new vocalist, The Fifth Alliance have been reborn in darkness. Continue reading “The Fifth Alliance – Stenahoria (Review)”
Monolord are a doom metal band from Sweden and this is their sixth album.
If you have never encountered Monolord before, then prepare yourself for classic doom metal shenanigans, seasoned with a contemporary delivery. The promo blurb should sort you out as a decent starting point, stating that the 43-minute Neverending is for fans of bands like Electric Wizard, Sleep, Windhand, Black Sabbath, Baroness, Yob, Red Fang, and Mastodon. Good company to keep. Continue reading “Monolord – Neverending (Review)”
This is the debut album by UK doom band Dromos.
A 46-minute funeral doom album that consists of three mammoth songs? Yes please. Brought into the world by current/ex-members of Eihort, Final Dose, Mutagenic Host, and more, Dromos deliver a doom metal feast across the massive Failing Light. Continue reading “Dromos – Failing Light (Review)”
This is the fourth album from Swedish instrumental post-metal band Sagor Som Leder Mot Slutet.
Existing somewhere between progressive metal, post-metal, doom, and post-rock, IV contains 44 minutes of atmospheric material. Sagor Som Leder Met Slutet have crafted a record of Continue reading “Sagor Som Leder Mot Slutet – IV (Review)”
This is the third album from UK doomgaze band Sugar Horse.
Following on from 2024’s well-received The Grand Scheme of Things, Not a Sound in Heaven offers up 44 minutes of new music for fans of the band to salivate over. Yep, Sugar Horse are back, and this time Continue reading “Sugar Horse – Not a Sound in Heaven (Review)”
Cult of Occult are a French doom band and this is their fifth album.
It’s great to have towering Cult of Occult back. The last time they graced us with their malignant presence was on 2021’s Ruin, but now we have a brand new full album. I Have No Name contains 70 minutes of doomsludge horror. My, what a Continue reading “Cult of Occult – I Have No Name (Review)”
This is the debut album from Scottish post-metal band Void of Light.
Featuring the vocal talent behind Ageless Summoning and Of Spire and Throne, (and more), Void of Light have arrived to bring us 48 minutes of post-metal in the form of the gargantuan Asymmetries. Continue reading “Void of Light – Asymmetries (Review)”
This is the twelfth album from US sludge/post-metal band Neurosis.
Ten years since 2016’s Fires Within Fires, nobody was expecting the return of Neurosis this month. Armed with the formidable talents of Aaron Turner, (Isis/Old Man Gloom/Sumac) on guitar and vocals, this new Neurosis album is Continue reading “Neurosis – An Undying Love for a Burning World (Review)”
Wonderbox Metal 