Lucifer’s Fall are an Australian doom metal band and this is their latest release. It’s an oddball collection of rarities – live tracks, rehearsals, covers, splits, demos, etc. – 62 minutes of raucous, rocking doom metal. Sorry, DOOM METAL!
I can’t help but really like Lucifer’s Fall. They’ve got songs, they’ve got attitude, and they’ve got balls. What’s not to like? Continue reading
This is the seventh album from Dirge, an atmospheric sludge/post-metal band from France.
I loved 2014’s Hyperion, which was one of my favourite releases of that year. Last year the band released the experimental electronically-slanted Alma | Batica, which I also really enjoyed. It’s great to finally have a new full length from the band though, one which offers us their rich use of guitars once more. Continue reading
This is the second album from Of Spire and Throne, a doom/sludge band from the UK.
Now here’s a band I really enjoy the work of, (Toll of the Wound, Sanctum in the Light), so it’s great to have them back. Continue reading
This is the fifth album from Majestic Downfall, a Mexican death/doom band.
Having enjoyed very much Majestic Downfall’s 2014 split with The Slow Death, a new album of 52-minute duration is well-received. Continue reading
This is the second album from UK blackened sludge/doom band Bast.
This is a colossal, sprawling slab of doom that lasts 58 minutes and is divided into an intro track and five mammoth songs. Continue reading
This is the second album from Sadhus “The Smoking Community”, a sludge metal band from Greece.
After enjoying their 2016 split with Agnes Vein, this is my first chance to get to grips with a Sadhus “The Smoking Community” full length album. Big Fish gives us 34 minutes of smoky heaviness and savage stoner doom sludge. Continue reading
1914 are a Ukrainian blackened death/doom band and this is their second album.
I enjoy 1914’s work a lot, (check out Eschatology of War and their split with Minenwerfer, for example). With an appropriate concept for a band with this name, their latest creation is crushingly heavy and full of monolithic songs that devastate and destroy. Continue reading
Ohhms are a UK doom band and this is their second album.
Hot on the heels of 2017’s The Fool, we unexpectedly, (to me anyway), have a brand new album from Ohhms. The Fool was an album that I initially enjoyed a great deal, but soon proved itself to be a real grower, and over time truly revealed itself to be a rich, multifaceted, and hugely enjoyable release. Continue reading
Unhold are a sludge/post-metal band from Switzerland and this is their fifth album.
2015’s Towering lived up to its name, and was a monolithic and notable record. I said that Towering offered Continue reading
This is the second album from UK doom/drone band Bismuth.
Ever since first hearing The Eternal Marshes I’ve been a fan of what Bismuth do. Over the years they’ve continued to develop their bass-drum-synth-low-end-heavy-doom-assault-on-the-senses approach to music. Every release essentially sees them rising to new heights of both extremity and nuance, and this has now culminated in this new colossal album. Continue reading
