The promo blurb states that Legend is for fans of Ultha, Wiegedood, Ash Borer, Fell Voices, Turia, Fluisteraars, Wode, Yellow Eyes, Bathory, Rotting Christ, and epic heavy metal. This is as good a place as any to start with for this record. Continue reading “Vanum – Legend (Review)”
Paid in Full boasts 34 minutes of true, old-school heavy metal, and it’s good to hear.
Skull Fist are a band that were Continue reading “Skull Fist – Paid in Full (Review)”
Here we have Ryghär, an epic heavy metal band that have come marching out of the underground with confidence and strength. Armed and armoured, this brotherhood quests for the cause of True Metal, and on Thurmecia Eternal they have conjured into being 39 minutes of molten metallic material. Continue reading “Ryghär – Thurmecia Eternal (Review)”
Lady Beast play classic heavy metal, with no frills, no filler, and no messing around with gimmicks or pointless intros, etc. There are four originals here and a Rainbow cover. Omens is a lean 20-minute ride into the old-school, and it’s a great way to escape the horrors of the modern world for a while. Continue reading “Lady Beast – Omens (Review)”
This is the third album from Lucifer’s Hammer, a heavy metal band from Chile.
The Trip contains 32 minutes of traditional heavy metal. Continue reading “Lucifer’s Hammer – The Trip (Review)”
Just look at that album cover! How Metal is that? It sets the scene nicely, so prepare yourself for Scene of the Wild‘s 38 minutes of glorious true heavy metal. Continue reading “Witchseeker – Scene of the Wild (Review)”
Funeral Storm channel early second wave energies into 42 minutes of occult black metal. Yes, Rotting Christ are the obvious name to drop, but there’s also a Varathron cover here, which should give you further indication of the band’s influences. Continue reading “Funeral Storm – Arcane Mysteries (Review)”
I really liked 2018’s Hopeless, and really wanted that EP to be the herald of good things for their next album. It turns out that it was, and Mors Aeterna is just as good, if not better, than I was hoping for. Continue reading “Destroyer of Light – Mors Aeterna (Review)”
I really like Striker. Simple, effective, well-written, and catchy as Hell, their music is just so timelessly appealing and pleasurable to listen to. That’s basically how I feel whenever I give 2017’s Striker a spin, but the same can be said, (and I am saying it), about Play to Win. Continue reading “Striker – Play to Win (Review)”
Do you remember Spellcaster? You should do – Night Hides the World was a great record. Why do I bring it up here? Only because Silver Talon features these same talented gentlemen producing some very tasty new music for us to lap up. Continue reading “Silver Talon – Becoming a Demon (Review)”