Inferno – Paradeigma (Phosphenes of Aphotic Eternity) (Review)

Inferno - Paradeigma (Phosphenes of Aphotic Eternity)Inferno are a black metal band from the Czech Republic and this is their eighth album.

I always enjoy a new encounter with the work from Inferno. Both 2013’s Omniabsence Filled by His Greatness and 2017’s Gnosis Kardias (of Transcension and Involution) were enjoyable and satisfying examples of sophisticated black metal art. Continue reading “Inferno – Paradeigma (Phosphenes of Aphotic Eternity) (Review)”

Cicada the Burrower – Corpseflower (Review)

Cicada the Burrower - CorpseflowerThis is the fourth album from one-woman black metal band Cicada the Burrower.

Corpseflower is an intriguing and engaging collection of tracks that mix jazz, post-hardcore, psychedelic rock, and post-rock into a 31-minute progressive/post-black metal framework that also incorporates elements of blackgaze and depressive black metal. Continue reading “Cicada the Burrower – Corpseflower (Review)”

Spectral Lore – Ετερόφωτος (Review)

Spectral Lore - ΕτερόφωτοςSpectral Lore is a one-man Greek atmospheric black metal band, and this is his fifth album.

I was quite excited to see a new Spectral Lore release so soon after the masterful Wanderers: Astrology of the Nine – a colossal split with Mare Cognitum. This new album is pretty colossal too, containing a whopping 79 minutes of music, and it’s every bit as good as you think it is for the most part. Continue reading “Spectral Lore – Ετερόφωτος (Review)”

Corr Mhóna – Abhainn (Review)

Corr Mhóna - AbhainnThis is the second album from Irish black metal band Corr Mhóna.

Abhainn is a 56-minute progressive black metal album that also contains a healthy amount of doom and folk influences. It’s ambitious and bold, but also very striking and well-realised. The band have clearly put a lot into this work, and it shows; Abhainn is Continue reading “Corr Mhóna – Abhainn (Review)”

Iotunn – Access All Worlds (Review)

Iotunn - Access All WorldsIotunn are a progressive metal band from Denmark, and this is their debut album.

Full disclosure – when I saw that this band is fronted by the singer of Barren Earth and Hamferð, I got quite excited and it immediately made me hungry to listen to their album. The man has one of my favourite voices in metal, and on Access All Worlds, he puts it to damn fine use. Continue reading “Iotunn – Access All Worlds (Review)”

Spire – Temple of Khronos (Review)

Spire - Temple of KhronosThis is the second album from Australian black metal act Spire.

Temple of Khronos offers a dark mix of atmospheric, progressive, and psychedelic black metal. It’s as if the classic style that we know and love has been mutated and warped into something even darker and more malefic. Continue reading “Spire – Temple of Khronos (Review)”

Vyrion – Nil (Review)

Vyrion - NilThis is the third album from Australian progressive black metallers Vyrion.

Nil contains 48 minutes of highly compelling music. Venomous modern black metal is the order of business here, and business is booming it seems.  Vyrion’s blacked assault contains elements of rock, thrash, and Continue reading “Vyrion – Nil (Review)”

Infera Bruo – Rites of the Nameless (Review)

Infera Bruo - Rites of the NamelessThis is the fourth album from progressive black metal band Infera Bruo.

Here we have a modern progressive blend of black metal, played with furious passion and experienced skill. Infera Bruo know how to write this style, and Rites of the Nameless contains 41 minutes of thoroughly enjoyable music. Continue reading “Infera Bruo – Rites of the Nameless (Review)”

Lord Almighty – Wither (Review)

Lord Almighty - WitherThis is the second album from US black metal band Lord Almighty.

Lord Almighty play a modern brand of progressive black metal that incorporates elements of blackened thrash, sludge, crust, and rock into its vibrant embrace. The press blurb invokes bands such as Darkthrone, Kvelertak, Thin Lizzy, Mastodon, Continue reading “Lord Almighty – Wither (Review)”