Featuring two members of the legendary Venom, as well as a current and ex-member of bands such as Inhuman Condition, Kill Division, and Wombbath on drums, There’s Only Black contains 54 minutes of raging metallic heaviness that should have any fan of old-school thrash metal salivating. Continue reading “Venom Inc. – There’s Only Black (Review)”
Fourth Reign over Opacities and Beyond is a 52-minute journey into Acod’s lovingly-crafted world. Continue reading “Acod – Fourth Reign over Opacities and Beyond (Review)”
This is the eighth album from Revocation, a US death metal band.
I really enjoyed 2018’s The Outer Ones, (as well as its predecessor Great Is Our Sin), so have been looking forward to this one. Whereas The Outer Ones saw the band wading further into death metal waters, does Netherheaven see them retreating to safer depths? Continue reading “Revocation – Netherheaven (Review)”
Intent play classic thrash metal with a brutal, aggressive edge.
Intent furiously tear through 39 minutes of blistering thrash. The band like to play fast, and do so Continue reading “Intent – Exile (Review)”
Carrion Vael play a modern form of death metal, and within this they combine the technical and melodic styles into a 39-minute juggernaut of an album. Continue reading “Carrion Vael – Abhorrent Obsessions (Review)”
Hell Fire play a nostalgic mix of heavy and thrash metal, taking influence from the NWOBHM and the 80s Bay Area respectively. Reckoning is a 45-minute true metal ride. Continue reading “Hell Fire – Reckoning (Review)”
Following on from 2018’s As the Kingdom Drowns, Divine Council is a very accomplished record. Psycroptic have a sound pretty much all of their own, and on their latest release the band have executed their vision with passion and professional expertise. Continue reading “Psycroptic – Divine Council (Review)”
Featuring members of Sonic Assault, Monument contains 56 minutes of face ripping thrash metal. Ominum operate on the heavier end of the thrash spectrum, with an emphasis on crushing guitars, harsh vocals, and biting extremity, but without stepping too far into extreme metal waters. Continue reading “Ominum – Monument (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
In this edition of this column we’ll take a look at Swedish label Grind to Death Records. It’s not a label I’m familiar with, so how better to get a good look at what they do than this? Besides, how could I resist a grindcore album about beavers… Continue reading “Label Roundup: Grind to Death Records – Belarus Beaver, Eldprov, & Beyond the Catacombs (Reviews)”
Witchery always tend to release an enjoyable record, (such as 2016’s In His Infernal Majesty’s Service and 2017’s I Am Legion), and their latest one continues this trend. Five years since their last album, Nightside, (which features members of bands such as The Haunted, and Lik), is a 36-minute concept album. Continue reading “Witchery – Nightside (Review)”