This is the third album from Burial in the Sky, a death metal band from the US.
The Consumed Self contains 58 minutes of modern technical/progressive death metal. The promo blurb says that it’s recommended for fans of Rivers of Nihil, Fallujah, Black Crown Initiate, Virvum, and Alustrium, which should let you know the sort of waters that Burial in the Sky wade in. Continue reading “Burial in the Sky – The Consumed Self (Review)”
This is the third album from US death metal band Alustrium.
Here we have 65 minutes of progressive technical death metal. Reading that statement you may be expecting a certain version of that style, but it’s likely that Alustrium will surprise; A Monument to Silence is much more melodic and emotionally resonant than many technical bands achieve or even aspire to. Continue reading “Alustrium – A Monument to Silence (Review)”
This is the second album from Alluvial, a modern death metal band from the US.
Sarcoma contains 38 minutes of progressive death metal. Alluvial fuse their modern approach to the style with technical, progressive, and atmospheric flourishes, yet do so in a restrained song-based way. This results in songs that are atypical expressions of Continue reading “Alluvial – Sarcoma (Review)”
This is the debut EP from Empty Throne. a blackened death metal band from the US.
After giving the promo email the once over, how could I not want to give Glossolalia a spin? Recommended for fans of bands such as At the Gates, God Dethroned, Dark Tranquillity, and Carpathian Forest? Containing current/ex-members of Possessed, Decrepit Birth, Black Crown Initiate, The Kennedy Veil, and Angerot? Listening to this was always going to happen. Continue reading “Empty Throne – Glossolalia (Review)”
This is the fourth album from Vokonis, a progressive doom metal band from Sweden.
Vokonis’ style mixes together progressive metal with stoner and doom metal, resulting in a colourful and enjoyable collection of tracks. While Mastodon is the obvious reference point, it’s also an inadequate one for Odyssey, as there’s a lot more at play here than simply Mastodon worship. I can also hear elements of bands as diverse as Sleep, Slomatics, Elder, Perihelion Ship, Rush, Khemmis, Alice in Chains, Witchkiss, Monolord, and Black Crown Initiate, to name but a few. Continue reading “Vokonis – Odyssey (Review)”
I’ve decided to do something new for 2020 – a second End of Year list. If you’ve missed it, my standard, definitive best of 2020 list can be seen here, and is made up of albums I was lucky enough to get to review. However, this year I want to also highlight some of the many albums that I’ve enjoyed listening to, but for one reason or another never had the chance to review. So, consider this a complementary list of sorts to the main one. Continue reading “Wonderbox Metal End of Year List EXTRA! – Best Non-Reviewed Metal of 2020”
Growth are an Australian death metal band and this is their debut album.
This is essentially modern progressive death metal, but with a distinctly personal slant. That’s a bit too simplistic a description though. The promo blurb mentions bands such as Opeth, Gorguts, Black Crown Initiate, and Fallujah, and I can see why. To Continue reading “Growth – The Smothering Arms of Mercy (Review)”
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