Vokonis’ style mixes together progressive metal with stoner and doom metal, resulting in a colourful and enjoyable collection of tracks. While Mastodon is the obvious reference point, it’s also an inadequate one for Odyssey, as there’s a lot more at play here than simply Mastodon worship. I can also hear elements of bands as diverse as Sleep, Slomatics, Elder, Perihelion Ship, Rush, Khemmis, Alice in Chains, Witchkiss, Monolord, and Black Crown Initiate, to name but a few. Continue reading “Vokonis – Odyssey (Review)”
Spelljammer play a form of doom that incorporates elements of stoner metal, sludge, and psychedelic/progressive rock into its makeup. This is then shaped into 43 minutes of satisfying and enjoyable doom, nay, DOOOOM, that really hits the spot. Continue reading “Spelljammer – Abyssal Trip (Review)”
Soaked with deathly vibes and sinister doom promise, this is macabre death/doom that deeply satisfies with its quality delivery. For a rough approximation of the band’s sound, imagine a mix of bands such as Continue reading “Solothus – Realm of Ash and Blood (Review)”
Here we have 48 minutes of material from exploratory doomsters Morag Tong.
Last Knell of Om is an expansive and compelling listen, riven with huge slow guitars and imbued with a keen spacial awareness. It’s Continue reading “Morag Tong – Last Knell of Om (Review)”
Here we have 35 minutes of doom metal that incorporates quite a few different sub-styles into its melting pot. Drawing on influences from stoner, doom, drone, progressive, sludge, psychedelic, and post-metal, Urkraft is a well-rounded and satisfying slab of heaviness. Continue reading “Bismarck – Urkraft (Review)”
Here we have 40 minutes of blissfully hypnotic stoner doom metal, replete with grand fuzzy riffs, psychedelic noodling and more dark, hazy atmosphere than you can shake a bong at. Continue reading “Goya – Harvester of Bongloads (Review)”
There, I’ve got that out of my system.
Okay, just one more, for fun’s sake. Continue reading “Green Bastard – Pyre (Review)”
Cough. It’s a funny name for a band. Still, I’ve heard worse, a lot worse.
If you’re a fan of bands like Yob, Electric Wizard, Sleep, Candlemass and the like, then you’ll probably already know that Cough create the kind of repetitive, hypnotic doomscapes that you’re gonna love. Continue reading “Cough – Still They Pray (Review)”
Taking their cues from bands such as Sleep and Black Sabbath, Flesh of the Stars play Traditional Doom Metal with an occult, sinister vibe and 70s accoutrements. Throw in a few elements of bands like Electric Wizard and Ice Dragon and you have a hugely impressive début that is head-and-shoulders above most who attempt this style.
And that’s the thing in many ways; this kind of music has been absolutely done to death, but Flesh of the Stars play it so damn well it’s hard to care. The level of songwriting and dark atmosphere on this album is downright freaky in itself. Surely they’ve sold their souls for these songs?
Out of these seven tracks only four of them are actual songs, so Hide leaves you hungry for more. It’s an addictive release as it’s so very easy just to start playing it again once you’ve listened to it; the hallmark of a great album.
The band create an impressive atmosphere with their music and there are some genuinely creepy/eerie moments on Hide. The interplay between the, (largely), restrained, introspective vocals and the fuzzy guitar is perfectly judged and everything fits into place where it should.
Well, I can’t say enough nice things about this. It’s always great when you discover a band who seem so perfectly attuned to what they’re doing that it’s a genuine pleasure to listen to. This is especially true when the band isn’t actually doing anything different or ground-breaking; Flesh of the Stars are just so massively good at what they do that it’s probably immoral.
Favourite Track: Grim Baptist. Well, what a stunning song!
Organ play a merging of Doom, Sludge and Psychedelic Metal.
A colossal, crushing sound heralds Tetro’s beginning, and this is a theme which is developed throughout. They’re not without their introspective moments, but the overall emphasis is on heavy atmospheres.
Speaking of atmosphere, Organ have it in buckets. Or rather, waves, as the onslaught of heaviness seems to internally generate its own ecosystem which bleeds out of the speakers like controlled tsunamis of density.
Relentless, repetitive rhythms drive the music forward, while dark vocals seem to lurk just beneath the surface. Harsh screams and cleaner vocals both have a place on this record, although the singer’s voice is used like an additional instrument to merely enhance the power and focus of the main musical maelstrom.
A roiling, churning beast of an album. It’s relatively short for this kind of release at ‘just’ over half an hour in length, but it packs a lot of punches into that time and Tetro is a very worthwhile listen for anyone into layered, atmospheric Doom.