Vokonis’ style mixes together progressive metal with stoner and doom metal, resulting in a colourful and enjoyable collection of tracks. While Mastodon is the obvious reference point, it’s also an inadequate one for Odyssey, as there’s a lot more at play here than simply Mastodon worship. I can also hear elements of bands as diverse as Sleep, Slomatics, Elder, Perihelion Ship, Rush, Khemmis, Alice in Chains, Witchkiss, Monolord, and Black Crown Initiate, to name but a few. Continue reading “Vokonis – Odyssey (Review)”
Hot on the heels of last year’s debut album A Rare Thunderstorm in Spring, Perihelion Ship have already returned with a new full-length album.
I like a good bit of Progressive Metal and was intrigued by this release in particular due to the striking cover art.
Featuring Hammond organ and mellotron, Perihelion Ship have captured the essence of 70s Progressive Rock and combined it with a more modern Metal influence à la Opeth and the like to produce a very enjoyable album that mixes both eras well.
The vocals alternate between cleans, screams and growls, depending on the needs of the song. As mentioned previously, Opeth are a clear influence here, but this is only a starting point for Perihelion Ship and they have enough of their own personality and style to make A Rare Thunderstorm in Spring their own. It’s also quite interesting that as the album progresses the band seem to almost come into their own more and more, with the Opeth influence receding further and further into the background. Intentional? Who knows.
The tracks are atmosphere-heavy and full of light and shade, with the music reflecting the different vocal styles in many ways. There’s good depth here and it’s easy to return to this release for further listenings.
The album is crowned by the final song, the title track, which is a 21 minute epic that rounds the album off in impressive fashion.
A recommended listen.