This is the third album from US death metallers Gatecreeper.
Gatecreeper are always a reliable source of crushing old-school death metal carnage. Both 2016’s Sonoran Depravation and 2019’s Deserted were solid slabs of heaviness, (I also really enjoyed their 2018 split with Iron Reagan), so checking out the 37-minute Dark Superstition was mandatory. Continue reading “Gatecreeper – Dark Superstition (Review)”
This is the second album from US death/doom band Tzompantli.
2022’s Tlazcaltiliztli was a record that I got a lot of enjoyment out of, so it’s great to see the return of Tzompantli once more. Beating the Drums of Ancestral Force contains 42 minutes of new material, and finds the band taking giant leaps forward in more than one way. Continue reading “Tzompantli – Beating the Drums of Ancestral Force (Review)”
Pathology are a death metal band from the US and this is their twelfth album.
2017’s Pathology, 2019’s Reborn to Kill, and 2021’s The Everlasting Plague all hit like trucks, with Pathology displaying an easy mastery of brutal death metal each time they erupted from the shadows to strike. This made me excited to experience the punishment that Unholy Descent had to offer. Continue reading “Pathology – Unholy Descent (Review)”
This is the debut album from US black/death metallers Primitive Warfare.
Extinction Protocol brims with 31 minutes of violent war metal aggression. Primitive Warfare are here to force the horrors of war right into your face, through your skull, and out the other side. Continue reading “Primitive Warfare – Extinction Protocol (Review)”
Devourer are a black/death metal band from Sweden and this is their fifth album.
Devourer immediately struck a chord with me on their 2017 album Across the Empty Plains. Since then, they have also produced 2019’s Dawn of Extinction and 2022’s Raptus, both quality records that continued to showcase Devourer as a force to be reckoned with. The band are now back with The Wicked Ones, and sound more focused than ever. Continue reading “Devourer – The Wicked Ones (Review)”
Inter Arma are a post-metal band from the US and this is their fifth album.
Inter Arma are not your average band. They contort and shapeshift from one track to the next – from one part of a song to the next – delivering a multifaceted metallic journey through all kinds of different styles and genres, including doom, death metal, black metal, sludge, and more, all wrapped up in a progressive/post-metal bow that’s just wonderfully realised. Continue reading “Inter Arma – New Heaven (Review)”
This is the latest EP from US deathgrinders Sulaco.
I’ve enjoyed following Sulaco over the years – 2011’s Build & Burn, 2018’s The Prize, and 2020’s The Privilege – so Black Cloud is most welcome here at Wonderbox Metal. Containing two songs, and with a duration of 8 minutes, there may not be much material here, but this is about quality, not quantity. Continue reading “Sulaco – Black Cloud (Review)”
Unearthly Rites are a Finnish death metal band and this is their debut album.
Here’s some nasty death metal for you to clog up your pores. Ecdysis is a sludge factory of old-school death metal that really brings out the filth in the style. Across 34 minutes Unearthly Rites spread their disease with convincing menace and a swamp’s worth of heaviness. Continue reading “Unearthly Rites – Ecdysis (Review)”
Terminal Nation are a death metal band from the US and this is their second album.
Terminal Nation play hardcore-infused death metal, delivering 40 minutes of the stuff over 12 songs on this record. The promo blurb tells us that Echoes of the Devil’s Den is for fans of All Out War, Bolt Thrower, Earth Crisis, Maul, Xibalba, Kruelty, Fuming Mouth, and Gatecreeper, so this should give you a good idea of where Terminal Nation are coming from. Continue reading “Terminal Nation – Echoes of the Devil’s Den (Review)”
Crawl are a death metal band from Sweden and this is their second album.
I thoroughly enjoyed 2018’s Rituals, so was pleased when Crawl’s split with Feral appeared last year. They’re now back again with Altar of Disgust, which delivers 31 minutes of crust-driven Swedeath heaviness. Continue reading “Crawl – Altar of Disgust (Review)”
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