It’s the inaugural Tynebound, brought to us by the lovely Reaper Agency. It’s a sister festival of this year’s Reaper Festival, and if it’s even half as good as that was, this weekend will be a smashing success. With a great lineup over both days, it’s time to embrace the northern darkness. Continue reading “Tynebound 2026 – Anarchy Brew Co, Newcastle upon Tyne, 05/09/26-06/09/26 (Live Review)”
Epicardiectomy are a death metal band from Czechia and this is their fourth album.
Dismal Landscapes of Voluptuous Pustular Cadaverosis offers up a feast of gruesome death metal brutality. Epicardiectomy are here to give you a big face full of SLAM, and they’re not interested in your cries for mercy. Across 37 minutes you’ll be horribly abused and violated, and you’ll love it. At least, you will if you’re a fan of brutal slamming death metal of the foulest sort. Continue reading “Epicardiectomy – Dismal Landscapes of Voluptuous Pustular Cadaverosis (Review)”
This is the eighth album by French death metal band Gorod.
After their very strong 2023 album The Orb, the return of Gorod is to be celebrated. The Ember Gone delivers 44 minutes of the band’s charismatic take on progressive and technical death metal, yet with a different spin. This time, the music places a much greater emphasis on the band’s progressive side. Continue reading “Gorod – The Ember Gone (Review)”
This is the third album from US grinders Deathgrave.
Here we have 32 minutes of deathgrind, shot through with elements of thrash, mathcore, and doom. Deathgrave smash it all together into ten nasty tracks that are hideously good fun. Continue reading “Deathgrave – Hell Is Evil (Review)”
This is the latest EP from Russian black/death metal band Thanatomass.
Following on from 2023’s Hades, Thanatomass have now returned with the three-track EP The Rabid Dead. Across 20 minutes, Thanatomass deliver a scorching display of corrosive black/death nastiness. Continue reading “Thanatomass – The Rabid Dead (Review)”
Gorge are an Italian death metal band and this is their debut album.
Containing a member of Fulci, Deeds of Horror dishes out 28 minutes of death metal that’s raw and nasty, but surprisingly catchy and memorable too. Gorge’s music is effortlessly good fun, and destined to cause pit mayhem wherever it goes. Continue reading “Gorge – Deeds of Horror (Review)”
This is the second album from Abyssal Rift, a death metal band from the US.
Prepare thyself for the hulking great chunk of spectral rot that is Relics of Great Ash. This is a hideous collection of malignant death metal, corroded by foul doom corruption and poisoned by industrial waste. Yep, Abyssal Rift have produced a record of dark intensity that’s worth exploring if you’re a fan of unrelenting horror. Continue reading “Abyssal Rift – Relics of Great Ash (Review)”
Carbon Tomb are a death metal band from Denmark and this is their debut album.
Carbon Tomb play dissonant death metal, with a touch of a blackened influence in places. Passage to a Neutron Star delivers a 34-minute exemplar of the style’s dark allure, offering both brutality and feeling. Continue reading “Carbon Tomb – Passage to a Neutron Star (Review)”
This is the debut EP from UK death metal band Disgracing.
Introducing the world to Disgracing’s brand of brutal death metal comes Descension into Despair – 19 minutes of barbaric savagery and bone-crushing heaviness. Continue reading “Disgracing – Descension into Despair (Review)”
This is the latest EP from Beyond Grace, a death metal band from the UK.
Two years after the second part of this EP trilogy, we come to Welcome to the New Dark Ages, Part 3. Beyond Grace continue to impress, and their continued lack of higher profile continues to be a mystery. Regardless, this EP is another reason to get on board the Beyond Grace train. Continue reading “Beyond Grace – Welcome to the New Dark Ages, Part 3 (Review)”
