Bonecarver – Evil (Review)

Bonecarver - EvilBonecarver are a Spanish death metal band and this is their debut album.

Evil features 39 minutes of modern brutality. The band, (previously known as Cannibal Grandpa), have a style that encapsulates elements of slam and deathcore, but primarily consists of a modern brand of brutal death metal that has simply absorbed these other strains of heaviness into itself, along with a few other elements as we’ll see. Continue reading “Bonecarver – Evil (Review)”

Monthly Overview – the Best of February 2021

As far as Februarys go, I found February 2021 to be quite exceptionally high in quality when it came to metal albums. Let’s dive in to some of the best from last month… Continue reading “Monthly Overview – the Best of February 2021”

Inhuman – Inhuman (Review)

Inhuman - InhumanInhuman are a Belgian symphonic metal band and this is their debut album.

Inhuman mix together symphonic metal’s epic flamboyance with death metal’s bark and bite. The end result is an album that’s heavier and more aggressive than the norm for many bands who play in this arena, and all the better for it. Continue reading “Inhuman – Inhuman (Review)”

Ominous Ruin – Amidst Voices That Echo in Stone (Review)

Ominous Ruin - Amidst Voices That Echo in StoneThis is the debut album from Ominous Ruin, a death metal band from the US.

Featuring an ex-member of Inanimate Existence and session drums from the drummer of Fallujah, Amidst Voices That Echo in Stone contains 45 minutes of brutal technical death metal. Continue reading “Ominous Ruin – Amidst Voices That Echo in Stone (Review)”

Iotunn – Access All Worlds (Review)

Iotunn - Access All WorldsIotunn are a progressive metal band from Denmark, and this is their debut album.

Full disclosure – when I saw that this band is fronted by the singer of Barren Earth and Hamferð, I got quite excited and it immediately made me hungry to listen to their album. The man has one of my favourite voices in metal, and on Access All Worlds, he puts it to damn fine use. Continue reading “Iotunn – Access All Worlds (Review)”

Deconsecration/Re-Buried – Split (Review)

Deconsecration Re-Buried - SplitDeconsecration and Re-Buried are both US death metal bands, and this split is their collective non-demo debut release.

Deconsecration get the ball rolling, with 4 songs in a meaty 18 minutes. Continue reading “Deconsecration/Re-Buried – Split (Review)”

The Lylat Continuum – Ephemeral (Review)

The Lylat Continuum - EphemeralThe Lylat Continuum are a progressive death metal band from the US and this is their debut album.

Ephemeral is a 56-minute trip into progressive death metal waters, although the death metal influences are not always prominently displayed; the band’s modern progressive metal influences are Continue reading “The Lylat Continuum – Ephemeral (Review)”

Suffering Hour – The Cyclic Reckoning (Review)

Suffering Hour - The Cyclic ReckoningThis is the second album from Suffering Hour, a blackened death metal band from the US.

Now here’s a release I’ve been looking forward to. I’m a big fan of Suffering Hour’s past work, (2013’s Foreseeing Exemptions to a Dismal Beyond, and then 2017’s immense In Passing Ascension), and their newest album simply takes their musical progression so far to its logical conclusion. Having learned plenty of lessons Continue reading “Suffering Hour – The Cyclic Reckoning (Review)”

The Scalar Process – Coagulative Matter (Review)

The Scalar Process - Coagulative MatterThe Scalar Process are a technical death metal band from France and this is their debut album.

When a band is described as for fans of Coexistence, The Zenith Passage, Beyond Creation, Necrophagist, The Faceless, Hateful, Archspire, Cynic, and Inferi, and when words such as technical, melodic, and progressive are bandied around Continue reading “The Scalar Process – Coagulative Matter (Review)”

Abiotic – Ikigai (Review)

Abiotic - IkigaiThis is the third album from US death metallers Abiotic.

Abiotic play modern death metal that takes influence from the technical and progressive strains of the style, as well as from some elements of deathcore. The promo blurb states that Ikiagi is for fans of bands such as Continue reading “Abiotic – Ikigai (Review)”