This is the ninth album from Australian death metallers Psycroptic.
Whether it’s 2015’s Psycroptic, 2018’s As the Kingdom Drowns, or 2022’s Divine Council, Psycroptic always put out something special. The Pulse of Annihilation is no exception to this trend, as the band spend 40 minutes showing once again just why they are so highly regarded by extreme metal connoisseurs. Continue reading “Psycroptic – The Pulse of Annihilation (Review)”
This is the third album from US death metal band Fuming Mouth.
Fuming Mouth play a hybrid brand of death metal and hardcore, adopting an approach which sees them cover roughly 50% of each style across the record. The Ringing Bell contains 34 minutes of the band’s crushing material, so get ready to flail around wildly. Continue reading “Fuming Mouth – The Ringing Bell (Review)”
This is the third album from Ecchymosis, a death metal band from Thailand.
Thanatocorporeal Sculptures of Cryogenic Excruciation boasts the sort of brutal death metal assault that’ll cave in your skull before you even know what’s happening. Ecchymosis are frighteningly good at what they do, and across 27 minutes of murderous intensity they utterly annihilate the competition. Continue reading “Ecchymosis – Thanatocorporeal Sculptures of Cryogenic Excruciation (Review)”
This is the second album from US death metallers Thætas.
Across 31 minutes of bone-crushing death metal The Irredeemable Age stomps and rages its way into the world. Brought to us by members of Asystole, Buckshot Facelift, and Reeking Aura, Thætas dish out the punishment in no uncertain terms. Continue reading “Thætas – The Irredeemable Age (Review)”
This is the debut album from US hardcore band No Cure.
No Cure play a merciless form of metallic hardcore, laced with elements of death metal that provide extra kick. On It Is Going to Get Dark the band spend 34 minutes showing exactly what they can do, delivering a collection of energetic bruisers that hit the spot. Continue reading “No Cure – It Is Going to Get Dark (Review)”
This is the fourth album from Monument of Misanthropy, a death metal band from Austria.
Monument of Misanthropy play serial killer-themed modern death metal, yet do so with more nuanced ability than you might be expecting. Washington State Charm is as brutal as you’d want it to be, but it also has more assets at its disposal than many ostensibly similar acts. Continue reading “Monument of Misanthropy – Washington State Charm (Review)”
This is the fourth album from Scottish death metal band Scordatura.
Featuring the vocalist of Party Cannon in their ranks, Scordatura play brutal death metal, and they play it hard. Across 28 belligerent minutes Led into Oblivion is a record that wants to absolutely destroy everything and leave no trace. It succeeds in this too, very nicely in fact. Continue reading “Scordatura – Led into Oblivion (Review)”
This is the third album from US melodic death/doom metal band Fires in the Distance.
Circadian Promise is the 49-minute follow up to 2023’s well-received Air Not Meant for Us. Bringing with them a new guitarist/lead vocalist, (from Obsidian Tongue), Fires in the Distance continue on their melodic doom metal journey. Continue reading “Fires in the Distance – Circadian Promise (Review)”
This is the second album from US blackened death/doom band Galvanist.
Seemingly arising from the ashes of Arkheron Thodol, Galvanist offer up a 39-minute journey into their well-formed world of idiosyncratic hybrid extreme metal. Taking in elements of atmospheric black metal, progressive death metal, and blackened sludge/doom, The Silence Between Stars is a monstrous record. Continue reading “Galvanist – The Silence Between Stars (Review)”
This is the debut album from US grindcore band Kuzu Knot.
Deceitful Above All Things contains 34 minutes of merciless grinding darkness, but of a rarefied sort. Kuzu Knot’s music is abrasive and harsh, but is also a good deal more than just this. Continue reading “Kuzu Knot – Deceitful Above All Things (Review)”
Wonderbox Metal 