Cóndor, (with members of Siete Lagunas), play a beguiling and personable mix of death metal and classic doom/heavy metal, at least musically. Vocally, we’re firmly in the territory of formidably daemonic harsh growls for most of the time, (we also get the occasional spoken word part and clean singing on the final song, the folky title track). Continue reading
Featuring members and ex-members of various notable bands, including Iced Earth, this is 57 minutes of polished, dark heavy metal that’s a blend of exotic power metal, rich melodic metal, and progressive metal exploratory worldbuilding. Continue reading
I really like Striker. Simple, effective, well-written, and catchy as Hell, their music is just so timelessly appealing and pleasurable to listen to. That’s basically how I feel whenever I give 2017’s Striker a spin, but the same can be said, (and I am saying it), about Play to Win. Continue reading
Do you remember Spellcaster? You should do – Night Hides the World was a great record. Why do I bring it up here? Only because Silver Talon features these same talented gentlemen producing some very tasty new music for us to lap up. Continue reading
The Cauldron and the Cross – the second album from UK heavy metallers Seven Sisters – is definitely one of the more notable traditional metal releases that has seen the light of day this year. Good sound, good songs, good singer, good attitude; The Cauldron and the Cross ticks a lot of the right boxes.
The band’s guitarist – Graeme Farmer – answered some of my questions, so take the time to get to know this band a bit better… Continue reading
I like Rebel Wizard, (see here and here). Mixing together a personable and charismatic blend of black, thrash, and heavy metal, Rebel Wizard’s music is harsh, underground, fuzzed out, and lethally effective. Continue reading
They say you should never judge a record by its cover, (do they say that?), but it was the album cover of The Cauldron and the Cross that made me want to listen to it more than anything else. Continue reading
2016’s The Art of Loss was a compelling and engaging listen, skilfully weaving together melodic metal with progressive know-how. Well, a couple of years and a change of singer later, and we have a 66 minutes of new material in the shape of Long Night’s Journey into Day.
It was 2014 when we saw the release of the first-rate Back from the Abyss. It seems like it’s been a long time since then, (and it has, I suppose), but now I’m very pleased to say that Orange Goblin are back with one of their strongest and most diverse albums to date. Continue reading