Cascades contains 32 minutes of atmospheric black metal. What it might lack in quantity it makes up for in quality. Ulvik have produced an enjoyable, satisfying slice of darkness here. Theirs is a largely aggressive strain of atmoblack, but one that’s not without nuance or dynamic differentiation. Continue reading “Ulvik – Cascades (Review)”
Atropos boasts 57 minutes of richly textured doom metal. It’s an old-school brand of doom that’s spliced through with elements of black and Gothic metal, along with cinematic scope, epic grandeur, synth-laden atmosphere, and forlorn Continue reading “Vouna – Atropos (Review)”
Featuring members of Andavald and Naðra, Vítahringur contains 35 minutes of unsettling atmospheric black metal chaos.
Ever since first being exposed to The Negative Bias’s cosmic black metal on their split with Golden Dawn, I’ve been hungry for some more material from this band. As such, the 22 minutes on offer on Tapeworm Pyramids is very well-received. Continue reading “The Negative Bias – Tapeworm Pyramids (Review)”
This is the follow up to 2014’s Redemption, which was a very enjoyable debut record. Empty Passes, Silent Trails, however, is on another level entirely. It contains only four tracks, but lasts 47 minutes, and spans a world of emotion and mood. Continue reading “Ennoven – Empty Passes, Silent Trails (Review)”
Blackened melodies expand with fiery grace and keyboards swell with malevolent doom, only to be cruelly cast aside by cold, merciless slams when the moment is right. Worm Shepherd play a form of blackened deathcore that combines Continue reading “Worm Shepherd – In the Wake ov Sòl (Review)”
Misanthropocene is an interesting and engaging album that offers the listener a modern and layered interpretation of black metal. The style is rooted in the atmospheric one, but also takes in elements of the melodic, avant-garde, and post-black Continue reading “Klamm – Misanthropocene (Review)”
Brought to us by the singer/guitarist of Svalbard, Wretched Abyss is a 42-minute Skyrim-themed album that takes some of the darker and melodic elements you can hear in Svalbard’s sound, and wraps them around a blackened core. Continue reading “Noctule – Wretched Abyss (Review)”