This is the latest EP from Hulder, a one-woman black metal band from the US.
A 26-minute mini-album, The Eternal Fanfare has strong roots in the classic 90s era. It uses these influences well, but is not restricted by them. The artist behind the band clearly knows what she wants to achieve with her music, and uses influences Continue reading “Hulder – The Eternal Fanfare (Review)”
This is the fifth album from UK one-man black metal band Saor.
Brought to us by the artist behind Fuath, (and also an ex-member of Falloch), Saor’s music is well-regarded, although this is my first encounter with it. My loss, it seems, as Origins offers up a very compelling 41 minutes of atmospheric black metal. Continue reading “Saor – Origins (Review)”
This is the fourteenth album from Blut Aus Nord, a French black metal band.
A new Blut Aus Nord release is always worth paying attention to. Over the years the band have ranged through a variety of dark, blackened styles, (see some examples, here, here, here, and here), so what delights does Disharmonium – Undreamable Abysses hold? Continue reading “Blut Aus Nord – Disharmonium – Undreamable Abysses (Review)”
This is the second album from US black metallers Predatory Light.
Featuring current and ex-members of Vanum and Ash Borer, Death and the Twilight Hours contains 38 minutes of charismatic black metal, and is the follow up to 2016’s Predatory Light. Continue reading “Predatory Light – Death and the Twilight Hours (Review)”
This is the sixth album from Polish black metallers In Twilight’s Embrace.
Featuring current and ex-members of Bloodthirst and Blaze of Perdition, In Twilight’s Embrace offer up 48 minutes of blackened darkness on Lifeblood. Continue reading “In Twilight’s Embrace – Lifeblood (Review)”
This is the fourth album from Swiss black metallers Aara, (who feature members of Modern Rites and Porta Nigra).
Following hot on the heels of last year’s Triade I: Eos comes Triade II: Hemera, which gives us 42 minutes of new material. Aara play a hybrid form of black metal that combines the atmospheric and the melodic styles into their own brand of scathing darkness. Continue reading “Aara – Triade II: Hemera (Review)”
This is the second album from UK black metal act Ante-Inferno.
Ante-Inferno play atmospheric black metal, and on Antediluvian Dreamscapes they deliver 43 minutes of contemporary blackened darkness. Continue reading “Ante-Inferno – Antediluvian Dreamscapes (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
This edition of this column is split between label Satanath Records and partner label Grimm Distribution. Both have released some fine records over the years, so I thought it as good a time as any to shed some light in their particular corner of the underground. Continue reading “Label Roundup: Satanath Records and Grimm Distribution – Atra Haeresis, Ukronakh, Veldraveth, and Wintaar (Reviews)”
Icare are a post-black metal band from Switzerland and this is their second album.
So, here’s one that intrigued me form the start with its unusual album artwork. But wait, there’s more to why this grabbed my attention; this is an album that the promo blurb describes as a mix of black-metal, post-metal, and grindcore. It also recommends Charogne for fans of Wake, Calligram, Cult of Luna, and Ulcerate. More and more intriguing, thought I. And then, upon discovery that the album consists of one single 43-minute track, I was sold, and knew I had to check out what Icare have to offer. Continue reading “Icare – Charogne (Review)”
This is the debut album from US black metal band Tómarúm.
Featuring a member of The Ritual Aura, and session members from Inferi and Virvum, Ash in Realms of Stone Icons contains 60 minutes of progressive black/death metal. Continue reading “Tómarúm – Ash in Realms of Stone Icons (Review)”
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