Disillusion – Ayam (Review)

Disillusion - AyamThis is the fourth album from German progressive metal band Disillusion.

Ayam offers 59 minutes of idiosyncratic progressive metal. Highly melodic, with atmospheric, symphonic, and avant-garde touches, Disillusion have created a big, epic album, in more ways than one. Continue reading “Disillusion – Ayam (Review)”

Today Is the Day – No Good to Anyone (Review)

Today Is the Day - No Good to AnyoneThis is the eleventh album from US unconventional experimental metal band Today Is the Day.

I really, really enjoyed 2014’s Animal Mother, which was one of my favourite releases from this artist. As such, No Good to Anyone was much-anticipated, and had a lot to live up to. Thankfully, it’s one of Today Is the Day’s bests. Continue reading “Today Is the Day – No Good to Anyone (Review)”

Loathe – I Let It in and It Took Everything (Review)

Loathe - I Let It in and It Took EverythingThis is the second album from UK modern metallers Loathe.

Loathe’s music is based on a modern, contemporary vision of heavy music, and then added to by a wider set of influences. The end result is a multifaceted, textured album that spends 49 minutes exploring diverse and impactful soundscapes with the listener. Continue reading “Loathe – I Let It in and It Took Everything (Review)”

Fjords – Onirica (Review)

Fjords - OniricaFjords are a progressive metal band from the UK and this is their debut album.

Onirica is an interesting and wide-ranging album, spanning, as it it does, elements of melodic doom and death metal, (think bands such as Katatonia, Opeth, and Agalloch), as well as more modern progressive and atmospheric metal. The end result is a curious mix of old and new, wrapped up in a professional, polished package that allows the band to be displayed in their best light. Continue reading “Fjords – Onirica (Review)”

Iapetus – The Body Cosmic (Review)

Iapetus - The Body CosmicThis is the second album from Iapetus, a progressive death metal band from the US.

2017’s The Long Road Home impressed with its colossal take on atmospheric, progressive, melodic death metal. Now, in 2019, the band have returned with an even more professional delivery and production, one which features the percussive skill of the drummer of Ne Obliviscaris too. As for the music? Well, it’s simply breathtakingly good. Continue reading “Iapetus – The Body Cosmic (Review)”