Featuring current and ex-members of Acedia Mundi, Gargantua, and Atavisma Herederos del Silencio contains 20 minutes of melodic black metal. Continue reading “Etxegiña – Herederos del Silencio (Review)”
I’ve enjoyed seeing the development of A Thousand Sufferings over the years. Starting with 2015’s sludgy Burden, and then on to 2018’s increasingly blackened Bleakness, the band made a good impression. It’s now 2021 and we have Stilte; the synthesis of black metal and doom has reached its logical conclusion, and the 41 minutes of material on this new album is the band’s richest and most engrossing so far. Continue reading “A Thousand Sufferings – Stilte (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
For the very first one of these columns I thought I’d pick the below three from Vendetta Records. I have a high opinion of this label’s output, and these releases reinforce that. I would ideally have covered each one of these individually, but sadly there’s just not enough time to give everything its proper due. In lieu of that, let’s see what you think of these three below… Continue reading “Label Roundup: Vendetta Records – Gespenst, Aristarchos & Lurid (Reviews)”
I very much enjoyed 2016’s Ruinen, and then 2019’s Mondscheinsonaten appeared and saw the band’s atmospheric brand of blackened music take another strong step forward. So, what of Dahoam then? Continue reading “Waldgeflüster – Dahoam (Review)”
This solo act is rounded out by session musicians from such notable bands as Megadeth, Soilwork, Nile, and Chrome Division. There’s 36 minutes of material on Urhat containing a modern blackened mix of death metal, thrash, hardcore, and splashes of doom and hard rock. Continue reading “ILLT – Urhat (Review)”
Vákuum contains 22 minutes of avant-garde black metal that’s played with skill and charisma.
This is atypical black metal that reminds me of the more experimental edges of the late 90s and early 00s black metal scenes. When bands like Dødheimsgard, Continue reading “Teitan – Vákuum (Review)”
Now here’s an album that’s been much anticipated by your truly. I really enjoyed 2014’s Svn Eater, so have been eager for a follow up. Now, seven years, (and one EP), later, Lvcifyre are back with the 44-minute The Broken Seal. Continue reading “Lvcifyre – The Broken Seal (Review)”
The Rain Will Cleanse gives us a 41-minute journey into shoegaze-style post-black metal. The band’s style is essentially that of a heavier, post-blackened, shoegaze act. If you’re a fan of bands like Alcest, as well as acts like Varaha and Agalloch, and a touch of Anathema, then this is one you’re sure to want to check out. Continue reading “Chrome Waves – The Rain Will Cleanse (Review)”
Each of the three tracks on this 49-minute album is a hideous, heaving monstrosity of grim blackened sludge and malevolent drone doom. It’s deeply nasty stuff, yet not without redeeming features. Continue reading “Lunar Ark – Recurring Nightmare (Review)”
I like a bit of Runespell. I’ve enjoyed watching the band develop from 2017’s Unhallowed Blood Oath, through 2018’s Order of Vengeance, to 2019’s Voice of Opprobrium. It’s now time for a new offering, and Verses in Regicide contains 38 minutes of the good stuff. Continue reading “Runespell – Verses in Regicide (Review)”