Silver Knife are an international post-black metal band and this is their debut album.
Featuring members of bands such as Cult of Erinyes and Laster, Silver Knife have produced 42 minutes of harsh, mood-driven black metal. Continue reading
Tag Archives: Black metal
Ov Shadows – I Djävulens Avbild (Review)
Ov Shadows are a Swedish black metal band and this is their second album.
Featuring a member of Obitus, Ov Shadows play ferocious, yet textured, black metal that should find favour with fans of bands such as Dark Funeral, Nordjevel, Nightbringer, Barshasketh, etc. Continue reading
The Phantom Carriage – 7-Year Epilogue (Review)
The Phantom Carriage are a blackened hardcore band from France and this is their third album.
As the album title suggests, it’s been 7 years since the band’s second album, and 7-Year Epilogue is one that I’ve definitely been looking forward to. If you’re unfamiliar with the band’s work, then put simply; The Phantom Carriage combine Continue reading
Havukruunu – Uinuos Syömein Sota (Review)
This is the third album from Havukruunu, a Finnish black metal band.
Uinuos Syömein Sota contains 47 minutes of black metal mixed with elements of heavy metal and folk. Viking/pagan/folk metal, or blackened heavy metal, or some such version of these words, are all appropriate tags, but Continue reading
Somniate – The Meyrinkian Slumber (Review)
Somniate are a black metal band from Czechia and this is their debut album.
Containing members of bands such as Brutally Deceased, Self-Hatred, Mallephyr, and Heaving Earth, The Meyrinkian Slumber is a different proposition than most of Somniate’s component bands, and gifts us with 32 minutes of modern black metal instead. Continue reading
Ovnev – Transpiration (Review)
Ovnev is a one-man US black metal band, and this is his third album.
I enjoyed both 2016’s Cycle of Survival and 2017’s Incalescence, so knew that Transpiration was a release I wanted to check out. I’m definitely glad I did. Continue reading
Selbst – Relatos de Angustia (Review)
This is the second album from one-man black metal band Selbst, originally from Venezuela, and now Chile. He’s backed up by guests, including clean vocals from a member of Ty.
Here we have 42 minutes of textured black metal that embraces a range of styles and influences to produce a very enjoyable and captivating slice of modern darkness. Continue reading
Monthly Overview – the Best of July 2020
July was packed with strong releases. With some quality highly anticipated albums seeing the light of day in July, (Defeated Sanity, Gaerea, Imperial Triumphant), I decided to focus on some of my favourites from last month that were less likely to get loads of media coverage, (and it was a struggle to limit the selection to five). So, with that in mind, my highlights are below. What are yours? Continue reading
Sepulchral Curse – Only Ashes Remain (Review)
This is the debut album from Sepulchral Curse, a Finnish death metal band.
It seems an age since 2016’s At the Onset of Extinction, but we are now treated to some new material from Sepulchral Curse. Well, I’m pleased to report that the wait has been worth it. Featuring members of Solothus, (including their impressive singer), Only Ashes Remain contains 45 minutes of blackened death metal that will surely be one of the year’s death metal highlights. Continue reading
Drouth – Excerpts from a Dread Liturgy (Review)
This is the second album from Drouth, a black/death metal band from the US.
This is sinister black metal that has had its delivery deepened by death metal’s gnarled bite. It’s a sinister and menacing 40 minutes, but a richly textured one also, ripe with atmosphere and expressive feeling. Continue reading
