Another cold night in Manchester, and another quality show beckons. Paradise Lost are always going to be a decent draw, and tonight the venue is packed and enthusiastic. Continue reading
On a dark, cold night in Manchester, those in the know have gathered to witness the Cascadian majesty of the mighty Wolves in the Throne Room.
This is only the second time I’ve been to this venue. They seem to have opened it up further than last time I was here for the Hell on Earth Tour; there’s comfy sofas, a (fake) roaring fireplace, and they’re playing Earth over the sound system. It’s all very relaxing I must say. Continue reading
It’s once more time to gather in Leeds for this year’s Damnation Festival. With another amazing lineup, this is a festival that’s a definite milestone in the yearly metal calendar.
Returning to the UK for a full tour, Life of Agony are a band worth taking the time to catch live if you can. Although there were two support bands, the early opening time means I arrive just in time to catch the headliners themselves.
Life of Agony
This is my first time in this particular venue, and I’m surprised by how small it is for a band of Life of Agony’s stature. As well as the size of the venue, also surprising is how relatively small the audience is too. Of course, once the band take to the stage none of this matters. It is, in fact, preferable in some ways, as it makes for a more intimate setting
A triumvirate of River Runs Red classics get the night off to a storming start, including Method of Groove, a firm favourite of mine. Unfortunately, however, it soon becomes apparent that the sound mix is not the best; muddy guitars, too-loud drums, and too-quiet vocals are frequent distractions. It’s inconsistent though, with some parts of the set becoming more balanced than others, oddly.
When you can hear Mina, Life of Agony’s diminutive singer, her voice sounds fantastic, better than ever in some ways. Even those pesky sound gremlins can only hold her back so much. Between songs she displays a seductive charisma and demonstrates a wit that’s sometime subtle and sometimes quite scathing. Near the end of the set an extended storytelling and crowd interaction section is very amusing, and it seems as if she is only just getting warmed up as the show is coming to a close.
After the initial barrage of tracks from River Runs Red they move on to Love to Let You Down off Broken Valley, the song of theirs that I know the least. Either for this reason or because of the aforementioned gremlins, their sound seems muddier than ever at this point.
Lost at 22 sounds clearer, however, and goes down a storm, followed up by Weeds, which gets the crowd moving and singing. Despite the less than ideal sound quality, the band continue to unleash a best of set that shows just how strong their material is, if you didn’t already know.
Other Side of the River is one I particularly enjoy, even though Mina’s voice periodically drops out of the mix. Things clear up slightly for Bad Seed, with the slower middle section sounding particularly resplendent and affecting.
Their new material off latest release A Place Where There’s No More Pain slots in very well with their older songs. Dead Speak Kindly is the first new one that gets an outing, its Alice in Chains-esque vibe filling the venue with an intoxicating lazy heaviness. The crowd react less to this one, but I think it’s more that we’re all held in a hypnotised trance than anything else. When the song naturally becomes more animated, so do the people. World Gone Mad is another prime cut given a decent airing too. Top stuff.
And then along comes Through and Through and Underground. For these last two songs, the stars seem to align and the gremlins are taken out back and summarily executed. Finally, the full force of Life of Agony is unleashed. The temperature and the pit both heat up considerably. Fantastic.
This was a great show held back by a largely inconsistent sound. Despite this, however, the band show how consistently top quality their material is, and how much variety their music has to offer. By the end of it, people leave happy and seem very pleased. Just like me.
It’s not often you get to see a brutal death metal lineup like this, so I was very pleased to be able to catch this tour. Continue reading
Well, it’s a fine Thursday evening in Manchester, and the wise and the lucky are gathered in Sound Control for a very exciting lineup. Continue reading
Now this is a tour! Four top-notch, high-profile metal bands in one glorious package? Yes please!
This is the twelfth edition of the UK’s Damnation Festival, and although it may be cold outside, inside there’s more than enough incendiary metal to heat things up. Hopefully the recent preview whetted your appetite, and now it’s time to see how the real thing turned out…
Attan 13:00-13:30 Terrorizer Stage
It’s with great excitement and expectation that I await Attan’s arrival. From Nothing is such a colossal opening statement for a band that I can’t wait to see how it translates into the live environment. Continue reading
How often do you get to see a thrash metal package like this? Not often, that’s for sure.
Having arrived in good time only to discover that the venue don’t have the guest list, I end up missing half of Nervosa’s set. Due to their latest album Agony being a firm recent favourite of mine, to say I’m disappointed is an understatement. Continue reading
This tour revolves around Cult of Luna playing all of their fourth album, Somewhere Along the Highway, in its entirety for its ten year anniversary. As they’re one of my favourite bands and that album is sooooo good, this tour was one not to be missed as far as I’m concerned. The quality support acts of Bossk and Moloken are simply an added bonus.