This is the second album from UK post-metal band The Salt Pale Collective.
Bringing together doom, sludge, post-rock, and post-metal components into a bleakly compelling whole, The Salt Pale Collective are quite the proposition. Across 35 minutes, …And God Said Nothing channels six nightmare states, each working both together and individually to end the world. Continue reading “The Salt Pale Collective – …And God Said Nothing (Review)”
This is the second album from Brazilian progressive doom/post-metal band Loneshore.
Nothing Left to Deconstruct contains 52 minutes of immersive soundscapes for the listener to explore. Loneshore’s music is a mix of styles, which can be loosely termed as a combination of progressive doom and post-metal. Whatever you call it though, it’s pretty damn good. Continue reading “Loneshore – Nothing Left to Deconstruct (Review)”
This is the debut album from Scottish post-metal band Void of Light.
Featuring the vocal talent behind Ageless Summoning and Of Spire and Throne, (and more), Void of Light have arrived to bring us 48 minutes of post-metal in the form of the gargantuan Asymmetries. Continue reading “Void of Light – Asymmetries (Review)”
This is the third album from German progressive/post-metal band Monosphere.
Amnesia contains 42 minutes of music that sits somewhere between progressive and post-metal. The promo blurb references Cult of Luna and The Ocean, which should act as a decent starting point for the Monosphere sound, albeit one that doesn’t tell the whole story. Continue reading “Monosphere – Amnesia (Review)”
Aufhebung are a Belgian post-metal band and this is their second album.
Playing post-metal that brings together elements of doom, sludge, and post-rock, Aufhebung have crafted 48 minutes of material on Luchtbegrafenis. As a first encounter with Aufhebung, it’s Continue reading “Aufhebung – Luchtbegrafenis (Review)”
This is the fourth album from Italian progressive doom/sludge metallers Void of Sleep.
It feels like an age has passed since 2020’s sterling record Metaphora, so it’s great that Void of Sleep grace us with their progressive doom/sludge metal once more. Containing 52 minutes of new material, The Abyss into Which We All Have to Stare is an album to spend some quality time with, unlocking its multitude of secrets. Continue reading “Void of Sleep – The Abyss into Which We All Have to Stare (Review)”
This is the fifth album from Swiss post-hardcore/metal band Abraham.
Idsungwüssä is the 60-minute follow up to 2022’s Débris de Mondes Perdus. A mix of post-metal, hardcore, and sludge, Abraham’s new record is sure to find firm fans amongst devotees to bands like. Blessings, Coilguns, Converge, Cult of Luna, Inter Arma, Neurosis, The Ocean, Sumac, etc. Continue reading “Abraham – Idsungwüssä (Review)”
This is the debut band from Ceresian Valot, an rock band from Finland.
Brought to us by ex-members of Ghost Brigade, Uumen contains 44 minutes of a hybrid alternative/progressive/post-metal/rock style that is engaging and evocative. Continue reading “Ceresian Valot – Uumen (Review)”
This is the debut album from US post-metal band Idle Heirs.
Featuring the singer of Coalesce, Life Is Violence brings us a 51-minute journey into absorbing post-metallic worldbuilding. It’s well-written, professionally executed, and passionately delivered. Continue reading “Idle Heirs – Life Is Violence (Review)”
This is the second album from German post-metallers Druma.
Sores of Our Time contains 36 minutes of music spread out over four songs. Druma’s style is a mix of sludge and post-metal, with dark atmosphere and a rich blackened touch. With a promo blurb that says it should be for fans of bands such as The Ocean, Cult of Luna, Amenra, and Gaerea, Sores of Our Time is an album that demanded I pay attention to it. Continue reading “Druma – Sores of Our Time (Review)”
Wonderbox Metal 