This is the eleventh album from German progressive metal band The Ocean.
After 2023’s Holocene, The Ocean have returned a changed band, with a new drummer, two new guitarists, and two new vocalists. Bringing us 72 minutes of new material, Solaris is big, bold, and vast in scale and ambition. Continue reading “The Ocean – Solaris (Review)”
This is the eighth album by French death metal band Gorod.
After their very strong 2023 album The Orb, the return of Gorod is to be celebrated. The Ember Gone delivers 44 minutes of the band’s charismatic take on progressive and technical death metal, yet with a different spin. This time, the music places a much greater emphasis on the band’s progressive side. Continue reading “Gorod – The Ember Gone (Review)”
This is the second album from UK post-metal band The Salt Pale Collective.
Bringing together doom, sludge, post-rock, and post-metal components into a bleakly compelling whole, The Salt Pale Collective are quite the proposition. Across 35 minutes, …And God Said Nothing channels six nightmare states, each working both together and individually to end the world. Continue reading “The Salt Pale Collective – …And God Said Nothing (Review)”
This is the second album from Brazilian progressive doom/post-metal band Loneshore.
Nothing Left to Deconstruct contains 52 minutes of immersive soundscapes for the listener to explore. Loneshore’s music is a mix of styles, which can be loosely termed as a combination of progressive doom and post-metal. Whatever you call it though, it’s pretty damn good. Continue reading “Loneshore – Nothing Left to Deconstruct (Review)”
This is the debut album from Scottish post-metal band Void of Light.
Featuring the vocal talent behind Ageless Summoning and Of Spire and Throne, (and more), Void of Light have arrived to bring us 48 minutes of post-metal in the form of the gargantuan Asymmetries. Continue reading “Void of Light – Asymmetries (Review)”
This is the third album from German progressive/post-metal band Monosphere.
Amnesia contains 42 minutes of music that sits somewhere between progressive and post-metal. The promo blurb references Cult of Luna and The Ocean, which should act as a decent starting point for the Monosphere sound, albeit one that doesn’t tell the whole story. Continue reading “Monosphere – Amnesia (Review)”
Aufhebung are a Belgian post-metal band and this is their second album.
Playing post-metal that brings together elements of doom, sludge, and post-rock, Aufhebung have crafted 48 minutes of material on Luchtbegrafenis. As a first encounter with Aufhebung, it’s Continue reading “Aufhebung – Luchtbegrafenis (Review)”
This is the fourth album from Italian progressive doom/sludge metallers Void of Sleep.
It feels like an age has passed since 2020’s sterling record Metaphora, so it’s great that Void of Sleep grace us with their progressive doom/sludge metal once more. Containing 52 minutes of new material, The Abyss into Which We All Have to Stare is an album to spend some quality time with, unlocking its multitude of secrets. Continue reading “Void of Sleep – The Abyss into Which We All Have to Stare (Review)”
This is the fifth album from Swiss post-hardcore/metal band Abraham.
Idsungwüssä is the 60-minute follow up to 2022’s Débris de Mondes Perdus. A mix of post-metal, hardcore, and sludge, Abraham’s new record is sure to find firm fans amongst devotees to bands like. Blessings, Coilguns, Converge, Cult of Luna, Inter Arma, Neurosis, The Ocean, Sumac, etc. Continue reading “Abraham – Idsungwüssä (Review)”
This is the debut band from Ceresian Valot, an rock band from Finland.
Brought to us by ex-members of Ghost Brigade, Uumen contains 44 minutes of a hybrid alternative/progressive/post-metal/rock style that is engaging and evocative. Continue reading “Ceresian Valot – Uumen (Review)”
