Fast songs with short tempers; Rash Decision play Hardcore mixed with Thrash in its Speed Metal guise.
I find this style of music can get really stale, really fast, but the nice thing about Rash Decision is they manage to avoid this pitfall.
How? A couple of reasons. The first is the sheer energy and enthusiasm that these songs have. They seem alive.
The second is that although the songs are short they’re still actually songs. The band know how to write a good tune and there are hooks and catchy moments spread throughout this album like bountiful gems.
The vocalist has a good voice with just the right amount of belligerence and charisma.
This is a thoroughly enjoyable release from a band that play with passion and know how to write a good Old-School Hardcore tune mixed with a bit of Speed Metal for good measure.
Check them out and play them loud.
Speed Metal played with plenty of melody and punkiness. With a low-rent album cover and low-rent sound, will the songs be similarly low-rent? No! It seems that all of the effort has gone into the songs to make them as pleasurable and memorable as possible.
The recording is not a bad one, it serves its purpose and allows the tracks to roll along on their speedy way. This is Speed Thrash made for the love of all things crossover, and not without talent either. This band know how to play as hard as they know how to have fun. Technicality added to an ease of riffing that combines to create something truly enjoyable, that seems to just slip into your consciousness and act like it’s always been there.
If they can keep this up for their next release then there should be a bright future in store for this band.
The overall feelings and structures of the songs are composed in such a way that this is a very complete album. Each song easily identifiable from the rest and together forming one of the most enjoyable albums I’ve listened to in a while. I haven’t been able to stop listening to this the last few days.
Very insipid; the riffs crawl their way into your subconscious and refuse to dislodge. The production miraculously manages to sound both dirty and clear at the same time. The guitar tone in particular is strong and powerful. Crushing in fact.
Each track has its own character and personality, comprising of top-shelf riffs and attitude. There is no filler here; each song is its own entity and more than capable of standing on its own merits.
Snarling, vicious vocals accompany the metallic mayhem and perfectly suit the musical vision of the rest of the band. As a reference point they are sometimes reminiscent of the Darkest Hour vocalist and have the same level of passion and legibility. The singer of Ilsa gives an excellent performance in all ways.
This album is first-rate. If you are a fan of metallic sludge and like plenty of depth and longevity in your music then this will certainly be a must for you. So far, alongside the first album by Morality Crisis, this is a very strong contender for album of the year as far as I’m concerned.
This is thrash Metal played mainly in a more modern style but with a real feel for the old-school nonetheless. Think somewhere between the Teutonic thrashings of Kreator and the more US style of Testament.
This album certainly has some bite, with the guitars alone having plenty of attack before you even factor in the other instruments. Songs are well played and recorded, with juicy Thrash riffs, liquid solos and a vocalist that can compete with the best of them.
The songs are memorable and full of nice hooks and vocal lines. Walking the line between melody and aggression they successfully straddle both worlds delivering an album that any Thrash fan would happily bang their heads and fists too.
These songs have grown on me, as all good music should, and I do not hesitate to recommend this band to you. Thrash will never die; bands like Woslom won’t let it.
Hailing from Belgium this is an absolute stormer of an album. Tight playing, and galloping, exciting riffs mean there is never a dull moment. A strong production accentuates the dynamic songwriting of each track and there is real bite to these songs. This is no nostalgia-fest. Rather than looking back to the past they drag it fully into the present and it’s like the Thrash heyday is alive and well and centred on Belgium.
Each song on here is focused, mature, and full of more chops, riffs and solos than most bands manage in an album. And it’s relentless. No pseudo-ballads here; just pure, unadulterated Thrash metal.
Pummelling. Pounding. Shredding. Shred-fest. I could go on, but you get the idea. Like a breath of fresh air this album fills you up with all of the goodness of Thrash Metal, before ripping your face off with speed and precision steel.
Old-school Death/Thrash Metal with some distinctly hardcore influences. Not Deathcore, not Metalcore; hardcore. Old-school hardcore. Old-school hardcore mixed with a dirty Thrash/Death. There we are then.
This album is short and to the point. Thrash/hardcore inspired Death Metal riffs lash out at the listener, while the simple-but-effective drums pummel you into submission and the shouted Death Metal vocals roar and gnash angrily. Like a crazed, starved and disfigured attack dog and twice as ugly. This is not music for passers by. This is music for people that live it. For people that want a gritty realism to their songs; a brutality of awareness and apathy to destruction.
A great album for when you want a no-frills approach to aggression, and a stark reminder of all that made you like extreme metal in the first place. It’s not perfect or pretty, but that’s the entire point.