This is the fourth album from UK mathcore band Frontierer.
Welcome to Frontierer’s wonderful world of angular chaos. Ultraviolet Parasite is eagerly awaited by many adherents of frenetic mathcore, and with good reason. Frontierer have long-established their capabilities within their chosen style, and this new collection of songs sees them continue their trend of releasing high quality material. Continue reading “Frontierer – Ultraviolet Parasite (Review)”
Darkest Hour are a US metal band and this is their eleventh album.
Hot on the heels of 2024’s Perpetual | Terminal, Darkest Hour are now back with the 42-minute Suffer Divine. Darkest Hour long ago perfected their template for combining hardcore and melodic death metal, and this fusion has resulted in so much quality output from the band over the years. What will this new record bring us? Continue reading “Darkest Hour – Suffer Divine (Review)”
This is the second album from Polish post-black metal band Cursebinder.
Psychohazard is the 53-minute follow up to 2023’s well-received Drifting. Cursebinder’s return is a welcome one as they bring their vision of blackened extremity to life across eight engaging tracks. Continue reading “Cursebinder – Psychohazard (Review)”
Tonight is a good night for sonic violence, and here are three bands very well-placed to dish it out. Within such a brutal niche as tonight’s show, Nails are big fish, (and that’s before you factor in the draw of the mighty Rotten Sound, as well as opener Invunche). Rebellion is therefore as busy as you’d expect it to be, and space is at a premium. If this show isn’t sold out, then it’s pretty damn close to it. Continue reading “Nails/Rotten Sound/Invunche – Rebellion, Manchester – 05/10/26 (Live Review)”
This is the second album by UK extreme metal band Burner.
Burner bring us 48 minutes of material to abandon all hope to on No One Is Coming to Save Us. Playing a hybrid style that’s as effective as it is unexpectedly multifaceted, Burner’s new record is a real powerhouse. Continue reading “Burner – No One Is Coming to Save Us (Review)”
Kōya are a post-hardcore band from Denmark and this is their debut album.
Pendula consists of 38 minutes of material that is impressively wrought, especially for a first record. Kōya bring a few different influences together well, and the result is an album as devastating as it is well-rendered. Continue reading “Kōya – Pendula (Review)”
ArcTanGent is the UK’s premier outdoor alternative music festival, and it’s a great pleasure to have so many great bands here over one weekend, from all over the world.
It’s this writer’s first time at the festival, even if it’s only for the Friday and the Saturday, and it turns out to be an extremely enjoyable and rewarding couple of days. The festival’s organisation, layout, lineup, and everything else have clearly been thought about closely and iterated upon over time. The end result is a festival experience that’s one of the best out there. Continue reading “ArcTanGent Festival 2026 – Fernhill Farm, Compton Martin, 21/08/26-22/08/26 (Live Review)”
This is the third album from Chat Pile, a noise/sludge rock band from the US.
Chat Pile understandably made a stir with their debut album God’s Country, so Who Loves the Sun is a most welcome release. This time the band have gifted us with a 10-track, 44-minute record that’s much anticipated by many who thought very highly of their last two records. Continue reading “Chat Pile – Who Loves the Sun (Review)”
Gorge are an Italian death metal band and this is their debut album.
Containing a member of Fulci, Deeds of Horror dishes out 28 minutes of death metal that’s raw and nasty, but surprisingly catchy and memorable too. Gorge’s music is effortlessly good fun, and destined to cause pit mayhem wherever it goes. Continue reading “Gorge – Deeds of Horror (Review)”
This is the debut EP from UK death metal band Disgracing.
Introducing the world to Disgracing’s brand of brutal death metal comes Descension into Despair – 19 minutes of barbaric savagery and bone-crushing heaviness. Continue reading “Disgracing – Descension into Despair (Review)”
