There was a lot of very fine music that saw the light of day in September. It was a struggle to limit the below list to just a handful of releases, but I think you’ll find below a good selection of metal albums that should satisfy your musical itches… Continue reading “Monthly Overview – the Best of September 2021”
This is the follow up to 2020’s striking Conqueror Worm, which I really liked.
This EP provides us with 26 minutes of new material. The style is a mix of old and new, Continue reading “Sepulchre by the Sea – Ratiocinations (Review)”
Now this is what I’m talking about. This is right down my alleyway. Here we have a 35-minute album that sounds like it has risen out of the ashes of 00s era NWOAHM. Yep, this is melodic death metal-infused hardcore mayhem the likes of which you don’t tend to hear very much of these days. Continue reading “Dying Wish – Fragments of a Bitter Memory (Review)”
This is the fifth album from US grindcore band Full of Hell.
Full of Hell have always impressed. Both 2017’s Trumpeting Ecstasy and 2019’s Weeping Choir did exactly that, and now they have returned with 21 minutes of new material. So, what dark delights does Garden of Burning Apparitions bring us? Continue reading “Full of Hell – Garden of Burning Apparitions (Review)”
Holistic Dreams contains 35 minutes of material. Kehlvin’s style is a progressive form of hardcore that also has post-hardcore and sludge metal flavours in it. For lack of a better description, imagine a mix of Knut, The Dillinger Escape Plan, and Mastodon, and that will give you a rough starting point for Kehlvin’s sound. Continue reading “Kehlvin – Holistic Dreams (Review)”
Across 48 minutes Employed to Serve dish out eleven tracks of energetic damage. Combining metal and hardcore together like it’s something fresh and vital, the band manage to avoid the tired metalcore tropes and instead deliver an album of crushing tunes and anthemic heaviness. Continue reading “Employed to Serve – Conquering (Review)”
This solo act is rounded out by session musicians from such notable bands as Megadeth, Soilwork, Nile, and Chrome Division. There’s 36 minutes of material on Urhat containing a modern blackened mix of death metal, thrash, hardcore, and splashes of doom and hard rock. Continue reading “ILLT – Urhat (Review)”
Following on from 2019’s well-received Plague, Leave Me the Ashes of the Earth contains 32 minutes of anger and violence. Continue reading “Mastiff – Leave Me the Ashes of the Earth (Review)”
Underdark combine black metal, post-rock, post-hardcore/screamo, and blackgaze into their sound. That might sound like a slightly strange mix of subgenres, but on Our Bodies Burned Bright on Re-Entry these influences all coalesce into a very effective and enjoyable 36 minutes of post-blackened darkness. Although Continue reading “Underdark – Our Bodies Burned Bright on Re-Entry (Review)”