Attan – End of (Review)

AttanAttan are from Norway and play Hardcore/Post-Hardcore. This is their debut album.

To say that there has been a weight of expectation riding on this is an understatement, for me at least. Why? Because I absolutely love Attan’s 2015 debut EP From Nothing. After then seeing the band live at the following year’s Damnation Festival, and even Continue reading

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Pig Destroyer – Head Cage (Review)

Pig DestroyerThis is the sixth album from US grindcore band Pig Destroyer.

At the heart of Pig Destroyer lies a visceral, hateful rage that’s hard to deny. Although I’m sure that will never change, how this rage is expressed can, and on the band’s latest album, has. Continue reading

KEN Mode – Loved (Review)

KEN ModeKEN Mode are a noise rock/hardcore band from Canada and this is their seventh album.

Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading

Rebel Wizard – Voluptuous Worship of Rapture and Response (Review)

Rebel WizardThis is the second album from Australian one man blackened heavy metal band Rebel Wizard.

I like Rebel Wizard, (see here and here). Mixing together a personable and charismatic blend of black, thrash, and heavy metal, Rebel Wizard’s music is harsh, underground, fuzzed out, and lethally effective. Continue reading

Fredag Den 13:e – Dystopisk Utsikt (Review)

Fredag Den 13 eFredag Den 13:e are from Sweden and this is their fourth album. They play hardcore.

2015’s Domerdager was a solid slab of aggressive d-beat-fuelled hardcore crust, notable for its quality. The band’s latest album consists of 34 minutes of the same breed of enjoyably belligerent material, and it’s sounding better than ever on Dystopisk Utsikt. Continue reading