This is the eighth album from US black metallers Goatwhore.
Playing an unholy mix of black, death, and thrash metal, Goatwhore are a band that I always enjoy. The band’s last couple of albums were very enjoyable slabs of venomous ugliness, (2014’s Constricting Rage of the Merciless and 2017’s Vengeful Ascension), so it’s great to have some new material from the band after so many years. Continue reading “Goatwhore – Angels Hung from the Arches of Heaven (Review)”
Although I’d ideally love to be able to conduct hard-hitting, in-depth interviews, who has the time these days? In lieu of this, I’ve thrown together the below question template, hopefully to gather some interesting and informative results, without taking up too much of anyone’s time.
My name is Joel Holmqvist and I’m the vocalist for the band Aviana. Continue reading “Standard Interrogation Techniques: Five Questions for Aviana (Interview)”
This is the third album from Canadian black metal band Acédia.
Acédia play a modern brand of black metal that’s taut with melodic colour and ripe with dissonant underpinnings. Across the 40 minutes of Fracture the band deliver an enjoyable journey into contemporary blackened waters. Continue reading “Acédia – Fracture (Review)”
This is the third album from US progressive metal band Parius.
The Signal Heard Throughout Space is a 61-minute sci-fi “conceptual rock opera”. Blending progressive metal with technical and 70s progressive influences, the album offers a Continue reading “Parius – The Signal Heard Throughout Space (Review)”
September was a particularly difficult month to have to limit my choice of key metal albums to just five. As such, I’m going to skip over both An Abstract Illusion’s Woe and Gaerea’s Mirage; both are great records and are getting abundant, richly-deserved praise elsewhere, allowing me to focus on lesser-known releases. Even with this though, I still struggled with having to omit so many other worthy albums… Continue reading “Monthly Overview – the Best of September 2022”
This is the second album from Canadian metallers Ritual Dictates.
Featuring current and ex-members of 3 Inches of Blood and Revocation, this is an atypical album that probably doesn’t sound like you’re expecting it to. It certainly took me by surprise, in a very pleasant way. Continue reading “Ritual Dictates – No Great Loss (Review)”
This is the third album from Vessel of Iniquity, a black metal solo act from the UK.
Lasting a brief, yet scarring, 30 minutes, The Path Unseen is a horrific nightmarescape of industrial black metal, replete with harsh noise and terrifying atmosphere. Having enjoyed/weathered the artist’s 2021 split with Thecodontion, I was looking forward to hearing more and The Path Unseen has not disappointed. Continue reading “Vessel of Iniquity – The Path Unseen (Review)”
This is the third album from Irish black metal act Eternal Helcaraxe.
On Drown in Ash Eternal Helcaraxe provide 47 minutes of music that’s dark and personal, dealing with intimate themes of depression and loss. As such, the music is a forlorn and melancholic form of black metal that drips with feeling and emotion. Continue reading “Eternal Helcaraxe – Drown in Ash (Review)”
This is the second album from Everest Queen, a sludge metal band from the UK.
I’ve enjoyed following Everest Queen, from their initial self-titled EP in 2016 to their debut album Dead Eden in 2019, so to have a new album appear in the wild is a fine thing. Murmurations boasts 44 minutes of new music, so let’s get stuck in. Continue reading “Everest Queen – Murmurations (Review)”
This is the third album from UK black metal band Terra.
Für Dich Existiert Das Alles Nicht contains 65 minutes of atmospheric black metal, and is recommended for fans of bands such as Wolves in the Throne Room, Yellow Eyes, Winterfylleth, Fell Voices, and Weakling. Continue reading “Terra – Für Dich Existiert Das Alles Nicht (Review)”
Wonderbox Metal 