Decadanse was unleashed into the world back in March, so I’m a bit late to this particular party, but what an insanely madcap and enjoyable party it is! Continue reading “Déhà – Decadanse (Review)”
Wiegedood are a Belgian black metal band and this is their fourth album.
Featuring current and ex-members of Living Gate, Amenra, and Oathbreaker, There’s Always Blood at the End of the Road features 44 minutes of new material. I really, really liked 2017’s De Doden Hebben Het Goed II, so I was looking forward to this new one, (apparently there was also an album after this from 2018, which I somehow managed to miss out on). As we’ll see below though, the Wiegedood of 2022 is a different beast to the one I knew. Since I last heard them Wiegedood’s sound has changed, and they have now become more extreme and more idiosyncratic. Continue reading “Wiegedood – There’s Always Blood at the End of the Road (Review)”
Vákuum contains 22 minutes of avant-garde black metal that’s played with skill and charisma.
This is atypical black metal that reminds me of the more experimental edges of the late 90s and early 00s black metal scenes. When bands like Dødheimsgard, Continue reading “Teitan – Vákuum (Review)”
Francis Root start us off, with 19 minutes of material. The style of the four songs we’re presented with is one that’s modern and progressive, with elements of electronica and industrial sewn into the music. Continue reading “Francis Root/Sconsacrata – Split (Review)”
I always enjoy a new encounter with the work from Inferno. Both 2013’s Omniabsence Filled by His Greatness and 2017’s Gnosis Kardias (of Transcension and Involution) were enjoyable and satisfying examples of sophisticated black metal art. Continue reading “Inferno – Paradeigma (Phosphenes of Aphotic Eternity) (Review)”
This is the third album from French black metallers Void Paradigm.
Ultime Pulsation | Demain Brûle may only contain two tracks, (Ultime Pulsation and Demain Brûle), but when each is almost 20 minutes in length, there’s no problem with that at all. Continue reading “Void Paradigm – Ultime Pulsation | Demain Brûle (Review)”
Hræ’s brand of black metal is dark and menacing, with an experimental edge that reeks of dissonant malevolence. Continue reading “Hræ – Þar Sem Skepnur Reika (Review)”
I really liked 2018’s Les Années Décapitées, so Un Calme Entre les Tempêtes is very well-received. Containing just three tracks, we get 28 minutes of material to absorb us. Un Calme Entre les Tempêtes is more experimental in flavour than Les Années Décapitées, but suffers no significant deficit in the quality department because of this. Continue reading “Baume – Un Calme Entre les Tempêtes (Review)”