This is the second album from Dordeduh, a progressive metal band from Romania.
Featuring current/ex-members of Argus Megere/Negură Bunget, Har treats the listener to 62 minutes of blackened progressive metal. Continue reading “Dordeduh – Har (Review)”
Inferno are a black metal band from the Czech Republic and this is their eighth album.
I always enjoy a new encounter with the work from Inferno. Both 2013’s Omniabsence Filled by His Greatness and 2017’s Gnosis Kardias (of Transcension and Involution) were enjoyable and satisfying examples of sophisticated black metal art. Continue reading “Inferno – Paradeigma (Phosphenes of Aphotic Eternity) (Review)”
This is the third album from French black metallers Void Paradigm.
Ultime Pulsation | Demain Brûle may only contain two tracks, (Ultime Pulsation and Demain Brûle), but when each is almost 20 minutes in length, there’s no problem with that at all. Continue reading “Void Paradigm – Ultime Pulsation | Demain Brûle (Review)”
Hræ is a one-man Icelandic black metal band and this is his debut album.
Hræ’s brand of black metal is dark and menacing, with an experimental edge that reeks of dissonant malevolence. Continue reading “Hræ – Þar Sem Skepnur Reika (Review)”
Baume is a one-man post-black metal band from France, and this is his latest release.
I really liked 2018’s Les Années Décapitées, so Un Calme Entre les Tempêtes is very well-received. Containing just three tracks, we get 28 minutes of material to absorb us. Un Calme Entre les Tempêtes is more experimental in flavour than Les Années Décapitées, but suffers no significant deficit in the quality department because of this. Continue reading “Baume – Un Calme Entre les Tempêtes (Review)”
Schammasch are a Black Metal band from Switzerland. This is their fourth album.
Was it really 2016 that the epic Triangle was released to an unsuspecting world? Apparently so. An incredibly strong release, it narrowly missed out on the top spot for my best albums of 2016 list. It was followed up in 2017 by the even more avant-garde EP The Maldoror Chants: Hermaphrodite, which provided a compelling dose of atmospheric material. Continue reading “Schammasch – Hearts of No Light (Review)”
This is the second album from White Ward, a Ukrainian post-black metal band.
2017’s Futility Report was striking and enjoyable, mixing cold black metal with an avant-garde modern edge. Compared to Love Exchange Failure, however, it’s almost as if Futility Report was the prototype of this new album. Expanded Continue reading “White Ward – Love Exchange Failure (Review)”
Nyss are a French black metal band and this is their second album.
Nyss’s 2017 debut album Princesse Terre (Three Studies of Silence and Death) was an atmospheric and raw slice of blackened art that struck a chord with me, and I’ve returned to it many times since. Continue reading “Nyss – Dépayser (Review)”
Pyreficativm is a one man black metal band from Chile and this is his debut album.
Sprawling, dense, and layered, this release contains 76 minutes of explorative occult black metal that will burn your soul with its malevolent energies. Continue reading “Pyreficativm – संसार का पथ (Review)”
This is the third album from Swedish black metal act Funeral Mist.
Hekatomb is a one man band brought to us by the vocalist of Marduk.
Hold on tight, because Hekatomb is a whirlwind of savage destruction and creative intensity. Continue reading “Funeral Mist – Hekatomb (Review)”
