Featuring members of Comaniac and Destruction, Gomorra combine heavy, thrash, and power metal into 49 minutes of well-executed music. Continue reading “Gomorra – Dealer of Souls (Review)”
Malevolence play the sort of groove metal/metalcore hybrid that sounds like it should have been released in the mid-90s. If you take bands like Pantera and Hatebreed, and then throw in a touch of Crowbar, you’ll have a decent reference point for what Malevolence get up to on Malicious Intent; 38 minutes of Continue reading “Malevolence – Malicious Intent (Review)”
Featuring a guitarist from Tesseract and an ex-singer of Eths, Cage Fight are here to smash your face unceremoniously into the concrete, over and over again. Prepare yourself. Continue reading “Cage Fight – Cage Fight (Review)”
2018’s Hexenhammer was an enjoyable slab of traditional heavy metal, and now the band are back with a new album, and a new singer. Continue reading “Burning Witches – Dance with the Devil (Review)”
2016’s Bewitcher made an impression, and Under the Witching Cross looks set to cement that impression, with pounding beats and driving anthems. Continue reading “Bewitcher – Under the Witching Cross (Review)”
Thecodontion first appeared on my metallic radar with their self-titled debut demo at the start of 2018. It immediately blew me away. I had to find out more. Feral and ugly, consisting of prehistoric-themes and guitar-less bass-driven, mayhem, it was a real shot of belligerent adrenaline. Continue reading “Thecodontion – Jurassic (Review)”
This is old-school metal played with obvious passion and a firm love of the early days of the style. Continue reading “Immortal Sÿnn – Machine Men (Review)”
The singer has a strong voice that carries just the right amount of weight and levity. A band like this needs a good Continue reading “Striker – Striker (Review)”
Epitaph play Doom Metal, Black Sabbath-style, with a decent amount of Heavy Metal thrown in. It’s ancient and grand sounding, with mystery and the occult bleeding out of every wicked pore.
Resolutely Old-School, this is nonetheless infused with vitality and interest as if fresh out of the mortuary. You can always tell a good album when you can quickly point out individual songs because each one has its own feeling or unique twist to the formula.
You can tell that some serious time and effort has gone into this album as each song has character and style. The album feels very complete and has a lot of personality to it.
The musicianship is at an advanced level, as is the songwriting, with the tracks being very well developed. Dynamics, pacing, hooks and melodies; all are here in abundance.
Each instrument is represented clearly, even the bass, and the subtle keys add further atmosphere to what is already a strong selection of riffs and song structures. The guitars are heavy and the beats are solid.
The singer has a strong voice that handles the tunes with ease.
Epitaph may have only just produced their début after such a long time, but now that they’re here they have the potential to become a force to be reckoned with in the Metal scene.
Let’s hope that this isn’t the band’s epitaph, and let’s hope album number two doesn’t take as long.