This is the second album from Canadian black metal band Liminal Shroud.
Liminal Shroud play atmospheric black metal with a combination of immersive atmosphere, melodic weight, and blistering aggression. All Virtues Ablaze contains 40 minutes of material that’s carved up into four songs. Continue reading “Liminal Shroud – All Virtues Ablaze (Review)”
This is the debut album from French black metal band Peurbleue.
Peurbleue play a form of mood-rich, electronically enhanced black metal. La Ciguë is a 36-minute soundscape of dark atmosphere and mysterious textures. Continue reading “Peurbleue – La Ciguë (Review)”
This is the debut album from Swedish thrashers Ominum.
Featuring members of Sonic Assault, Monument contains 56 minutes of face ripping thrash metal. Ominum operate on the heavier end of the thrash spectrum, with an emphasis on crushing guitars, harsh vocals, and biting extremity, but without stepping too far into extreme metal waters. Continue reading “Ominum – Monument (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
In this edition of this column we’ll take a look at Swedish label Grind to Death Records. It’s not a label I’m familiar with, so how better to get a good look at what they do than this? Besides, how could I resist a grindcore album about beavers… Continue reading “Label Roundup: Grind to Death Records – Belarus Beaver, Eldprov, & Beyond the Catacombs (Reviews)”
Although I’d ideally love to be able to conduct hard-hitting, in-depth interviews, who has the time these days? In lieu of this, I’ve thrown together the below question template, hopefully to gather some interesting and informative results, without taking up too much of anyone’s time.
Ryan Lipynsky and I am one of the three guitarists in Reeking Aura based out of New Jersey and New York. On the album my guitar is heard down the centre and I play the heavy metal leads. I am also the main riff chef. Continue reading “Standard Interrogation Techniques: Five Questions for Reeking Aura (Interview)”
This is the debut album from 1/2 Southern Soul, a one-woman blackened doom band from Greece.
Narrations of a Fallen Soul is a 67-minute journey into lesser travelled terrain. Powered by a single creative artist, but fleshed out by many guests on different tracks and instruments, (including drums, saxophone, violin, davul, kaval, and dahare), 1/2 Southern North provides an unusual album that is well-crafted and realised. Continue reading “1/2 Southern North – Narrations of a Fallen Soul (Review)”
This is the debut EP from New Zealand metal band Infinity Ritual.
Infinity Ritual play a groovy metallic brand of doom and stoner, and this EP features four tracks of material with a total duration of 23 minutes. Continue reading “Infinity Ritual – Infinity Ritual (Review)”
Reeking Aura are a death metal band from the US and this is their debut album.
Blood and Bonemeal contains 34 minutes of gruesome death metal brought to us by current and ex-members of Afterbirth, Artificial Brain, Buckshot Facelift, Coma Cluster Void, Grey Skies Fallen, and Unearthly Trance. In other words, Reeking Aura bring a lot of experience to the table. Continue reading “Reeking Aura – Blood and Bonemeal (Review)”
This is the latest EP from Pythian, a post-metal/sludge band from the US.
Understanding in Light is a 30-minute journey into shaded mood and crushing sludgescapes. Pythian play Neurosis-esque apocalyptic post-metal/sludge mixed with elements of expressive doom metal and formidable crust. Continue reading “Pythian – Understanding in Light (Review)”
This is the second album from UK metallic hardcore band Ithaca.
Following on from 2019’s very enjoyable The Language of Injury, They Fear Us contains 35 minutes of new material from Ithaca.
There’s a greater diversity of material on this album than on Continue reading “Ithaca – They Fear Us (Review)”
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