This is complex music, fusing modern progressive and technical metal influences with djent elements to create experimental extreme metal. Vignette is notable for many things, one of which is that it largely takes from the strengths of these styles and leaves the weaknesses floundering in the dust, which is not an easy feat to achieve. Continue reading
Combining rumbling industrialised dub beats with heavy guitars and no small amount of emotive beauty, the latest Godflesh release is a rusting cyborg constructed from so many clashing parts of pieces that in any other band’s hands it probably wouldn’t work. Godflesh, of course, know exactly what they’re doing. Continue reading
If you aren’t familiar with Akercocke’s previous output, then I’m afraid to say that you’ve been missing out. Across their body of work they have released some absolutely fantastic songs, and have always been a particular favourite of mine. Their Continue reading
With a sharp sound, serrated riffs, and savage vocals, Element of Chaos burst onto the airwaves with the first track on the album The Second Dawn of Hiroshima. It’s quite an entrance. Continue reading
Sloth Herder are a murky underground monster that’s slowly been rising up through the underworld over the last few years to claim its victims. With No Pity, No Sunrise, they’re finally ready to make their big assault. Continue reading
On Machine Messiah Sepultura continue their blend of thrash, modern metal, experimental metal and tribal percussion, and they do this in such a way on this release that they sound revitalised, energised and fresh.
The band’s albums are frequently exploratory and tentative in nature, with a mix of straightforward metal tracks and more experimental ones that see them pushing the envelope and trying new things. Continue reading