Here we have 51 minutes of music that mixes metal, post-metal, punk, doom, quasi-industrial, and progressive metal. That’s right, it’s quite a mix, but the band pull it off remarkably well. Continue reading
Dark and heavy, Electric Messiah will crush you as soon as you get near it. With thick, weighty grooves and plenty of punishing speed, this is an album of sludgy energy and elemental power.
To say that there has been a weight of expectation riding on this is an understatement, for me at least. Why? Because I absolutely love Attan’s 2015 debut EP From Nothing. After then seeing the band live at the following year’s Damnation Festival, and even Continue reading
At the heart of Pig Destroyer lies a visceral, hateful rage that’s hard to deny. Although I’m sure that will never change, how this rage is expressed can, and on the band’s latest album, has. Continue reading
Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading
I’m a latecomer to Mantar’s work, but I can tell you that if you’re looking for filthy, ugly blackened metallic punk that’s still catchy as fuck, then they stand head and shoulders above most of their peers. Continue reading
Out of the ashes of personal tragedy comes the latest album by Black Tusk; TCBT, or Taking Care of Black Tusk. Continue reading
I like Rebel Wizard, (see here and here). Mixing together a personable and charismatic blend of black, thrash, and heavy metal, Rebel Wizard’s music is harsh, underground, fuzzed out, and lethally effective. Continue reading