This actually came out last year originally, but is now getting a tape release. This is my first encounter with both bands, and this split acts as a very good introduction to them. Continue reading “Order of the Wolf/Pessimista – Split (Review)”
Capra play a hybrid style of metallic hardcore and punk. It’s a style that you don’t hear too much these days, and they play it damn well. It’s a style that makes me very nostalgic, yet at the same time it also sounds vibrant and fresh due to the band’s inherent enthusiasm and skill. Continue reading “Capra – In Transmission (Review)”
If you haven’t heard Body Void before, then you absolutely need to check out 2018’s I Live Inside a Burning House, 2019’s You Will Know the Fear You Forced upon Us, and their 2020 split with Keeper. It’s now 2021, and time for the colossal Bury Me Beneath This Rotting Earth to be unleashed. Continue reading “Body Void – Bury Me Beneath This Rotting Earth (Review)”
Årabrot are a Norwegian rock band and this is their ninth album.
Norwegian Gothic is a complex, multifaceted listen. Årabrot specialise in a dark, avant-garde form of music that may take a diverse array of influences into itself, (noise rock, experimental, pop, punk, soul, metal, folk, industrial, etc.), but ultimately Continue reading “Årabrot – Norwegian Gothic (Review)”
Enforced unleash 41 minutes of crossover death/thrash on Kill Grid, and it’s utterly devastating.
Enforced play a brutal form of thrash that has an old-school heart wrapped in a modern delivery. Taking elements of Continue reading “Enforced – Kill Grid (Review)”
After their solid 2018 effort Fantasy, Landmvrks are now back with another 33 minutes of material. Lost in the Waves is heavier than its predecessor, but without losing its melodic edge. Shorter than the album that preceded it, it’s also more diverse. Continue reading “Landmvrks – Lost in the Waves (Review)”
I confess that anything with the black ‘n’ roll tag I usually let pass me by, but after a brief sampling of the material here I felt compelled to dive deeper, and here we are.
So, what did I find upon entering MNHG’s world? ALL OF THE RIFFS!!! Continue reading “MNHG – Mundare (Review)”
And now for 26 minutes of grim darkness and murderous brutality. Portrayal of Guilt play the sort of ultra-nasty hardcore that can lacerate flesh at 1000 paces. Mixing together blistering hardcore and angry punk with a blackened sheen, this is not for the faint of heart. Continue reading “Portrayal of Guilt – We Are Always Alone (Review)”
Ever since I first heard – and loved – 2012’s Intoxicantations, I’ve been a big fan of Ilsa. Across another two full-lengths – 2015’s The Felon’s Claw and 2018’s Corpse Fortress they haven’t let me down, and they don’t seem to have done so Continue reading “Ilsa – Preyer (Review)”
It’s been four long year’s since To Dust’s debut split with Bent Sea, so Nightmare Cycles is one I’ve been anticipating. With only an 11-minute duration in some ways it’s merely a taster to get the appetite whetted, but hopefully we won’t have to wait another 4 years for more material from the band. Continue reading “To Dust – Nightmare Cycles (Review)”