Lord Mantis are from the US and play Blackened Sludge Metal. This is their fourth album.
2014’s Death Mask was a tortured nightmare of evil sludge, pretty much as foul as the style gets. Five years later the band have returned, infecting the world with 44 minutes of new material that’s as virulent and as nasty as ever. Continue reading →
Coilguns are a hardcore band from Switzerland and this is their third album.
It doesn’t seem that long ago since 2018’s Millennials burst onto the scene, and I suppose it wasn’t, really. However, already Coilguns, (boasting ex-members of The Ocean) are back with a new 41 minutes of unusual hardcore punk, (as well as some rather striking album art). Continue reading →
This is the fourth album from Cloud Rat, a grindcore band from the US.
In my humble opinion Cloud Rat are one of the most forward-thinking, talented, and innovative grindcore bands out there, although simply labelling them grindcore is misleading and constricting, as their work frequently features so much more than your standard grindcore fare. Releases such as Qliphoth, and their varioussplits demonstrate this amply. Continue reading →
Getting Stabbed are a powerviolence band from the US and this is their debut album.
Featuring a member of No Funeral, Getting Stabbed play a vicious mix of grindcore, hardcore, and powerviolence. Fuelled by a punk rage and an outright hostility to everyone and everything, this is nasty stuff. Continue reading →
Makkmat are a grindcore band from Norway and this is their debut album.
Playing grinding powerviolence that’s fast, sharp, and filled with a menacing punk energy, it’s time to strap yourself in and enter the fray with your best armoured post-apocalyptic vehicle. After all, how will you stay safe with Makkmat running around causing chaos and mayhem? Continue reading →
Dispyt are a blackened crust band from Finland and this is their debut album.
Featuring members of Finntroll & Ondfødt, Den Ständigt Närvarande Ångesten contains 27 minutes of crust, punk, d-beat, and hardcore nastiness, all realised through a second wave black metal filter. Continue reading →