Now here’s one I’ve really been looking forward to. 2020’s Descent to Madness was seriously good, and I’ve only grown to love it even more over time. On Victims of Vile Torture, we once again get a feast of old-school death metal, played with a modern edge that incorporates elements of grind, hardcore, groove, and thrash metal. The music combines all of the above elements into a roaringly good collection of tracks. Continue reading “Tombstoner – Victims of Vile Torture (Review)”
Billed as a mix of black, death, and grind, and labelled for fans of bands like Knelt Rote, Heresiarch, and Vermin Womb, how could I not check out the inaugural release from Disimperium? At only 12 minutes in duration, it’s like a foul breath of rotting air given twisted aural shape and venomous musical form.
The songs on this EP are feral and grim. Ultra-aggressive, the music pummels and grinds with inhuman intensity and daemonic fury. All three of the tracks are barbaric and savage, revelling in the mayhem they make and the damage they cause.
This collection of darkly brutal tracks is drenched in layers of blackened malignancy and is purely interested in destruction and chaos. It’s as belligerent as it comes, and the songs don’t care who or what gets torn down in their quest for carnage.
The sound is filthy and unfriendly, and therefore perfect for this sort of release. I find the deep, malevolent growls particularly satisfying, but to be honest everything here just reeks of grim nastiness, which is what you want from something like this.
For a first release Malefic Obliteration is well-formed and impressive. If you’re a connoisseur of underground extremity, then this is well worth your time to explore.
Liberation from a Brutalist Existence contains 23 minutes of violent aggression and dark intensity. Smashing together grindcore, crust, sludge, doom, mathcore, punk, and metal into a scathing hardcore assault, Wanderer’s debut album is an exceptional slice of abrasive darkness. Continue reading “Wanderer – Liberation from a Brutalist Existence (Review)”
Here we have 48 minutes of psychedelic extreme metal. Combining elements of black metal, death metal, and grindcore into meaty, substantial tracks, this album is not your standard extreme metal album. Continue reading “Seputus – Phantom Indigo (Review)”
The Lurch is a 46-minute hybrid of ugly sludge metal, vicious grind, and filthy punk. With less grindcore on display than on their previous 2014 album Songs of Descent, The Lurch is still a gnashing, biting thing. This Continue reading “Yautja – The Lurch (Review)”
I’ve decided to do something new for 2020 – a second End of Year list. If you’ve missed it, my standard, definitive best of 2020 list can be seen here, and is made up of albums I was lucky enough to get to review. However, this year I want to also highlight some of the many albums that I’ve enjoyed listening to, but for one reason or another never had the chance to review. So, consider this a complementary list of sorts to the main one. Continue reading “Wonderbox Metal End of Year List EXTRA! – Best Non-Reviewed Metal of 2020”
Almost every year I think about how challenging it is to compile a definitive best of list, and how subjective it is, etc. Although that’s still true for this collecting of albums, this year, however, has been easier than most. 2020 has been heavy on the black metal for me. It’s been my most reviewed genre, in all its myriad permutations, and this is reflected in the below list.
For the longest of times the bands in positions 5 and 6 vied for top position, but then October and November happened. All of a sudden, unexpectedly, these two months unleashed a wealth of quality, and stole the top four positions in a rampant display of blackened supremacy.
I hope you enjoy the below recommendations of mine and find something new to obsess over. Let me know how you get on.
It’s been four long year’s since To Dust’s debut split with Bent Sea, so Nightmare Cycles is one I’ve been anticipating. With only an 11-minute duration in some ways it’s merely a taster to get the appetite whetted, but hopefully we won’t have to wait another 4 years for more material from the band. Continue reading “To Dust – Nightmare Cycles (Review)”
I like a bit of deathgrind, as it tends to be a melting pot of extremity that can sometimes have very engaging results, as it does with Lifelong Death Fantasy. Combining vicious grindcore with violent hardcore Continue reading “Bleeding Out – Lifelong Death Fantasy (Review)”
Considering the band’s traditional extreme length between releases, we’re quite privileged, (ahem), to have The Privilege so soon after The Prize. Continue reading “Sulaco – The Privilege (Review)”