Blending aspects of melodic death metal, nu-metal, industrial, and metalcore into 32 minutes of charismatic metal, Gwendydd have produced an enjoyable album in Censored. Continue reading “Gwendydd – Censored (Review)”
Featuring current and ex-members of Amenra, Neurosis, and Sepultura, Plague God gives us 36 minutes of sludgy industrial post-metal to become lost in and horrified by. Continue reading “Absent in Body – Plague God (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Have you heard of Dying Victims Productions? They deal mostly with traditional heavy metal, and the label is home to a number of great bands and great albums, (Witchseeker are just one such example). The below three releases all see the light of day on January 28th 2022, so I thought it’s a great to catch up with some of the label’s latest output. Continue reading “Label Roundup: Dying Victims Productions – Tension, Tangent, & Vicious Knights (Reviews)”
Across 48 minutes Employed to Serve dish out eleven tracks of energetic damage. Combining metal and hardcore together like it’s something fresh and vital, the band manage to avoid the tired metalcore tropes and instead deliver an album of crushing tunes and anthemic heaviness. Continue reading “Employed to Serve – Conquering (Review)”
Go Ahead and Die treats us to 44 minutes of old-school thrash metal, with some death metal, punk, and grindcore thrown in for good measure. Continue reading “Go Ahead and Die – Go Ahead and Die (Review)”
It’s been a while since I’ve indulged in some death/thrash, and Malevolent Demise Incarnation is just the sort of release to get stuck into. These songs are high octane blood pumpers, and across 44 minutes Rapture showcase what they’re made of. Continue reading “Rapture – Malevolent Demise Incarnation (Review)”
Enforced unleash 41 minutes of crossover death/thrash on Kill Grid, and it’s utterly devastating.
Enforced play a brutal form of thrash that has an old-school heart wrapped in a modern delivery. Taking elements of Continue reading “Enforced – Kill Grid (Review)”
Prepare to be crushed! Both 2015’s Tierra y Libertad and 2017’s Diablo, Con Amor…Adios. did precisely this, and now Años en Infierno has arrived to do the same – crush. CRUSH!!!!! Continue reading “Xibalba – Años en Infierno (Review)”
Irist’s recipe is one that takes a wide range of influences and works them into a comprehensive modern metal framework. Loosely stated, Irist take elements of hardcore, thrash metal, and progressive/post-hardcore/metal, and hone them into song-based packages of metallic heaviness. Continue reading “Irist – Order of the Mind (Review)”
In my humble opinion 2017’s Machine Messiah was the band’s best album since the iconic Roots, and it’s a release I’m still really enjoying now. With Quadra the band continue their upward ascent with another album of sterling quality, one that promises to have every bit of longevity that its predecessor had. Continue reading “Sepultura – Quadra (Review)”