This is the second album from US crossover thrash band High Command.
Coming to us for fans of bands like Power Trip, Cryptosis, and Enforced, Eclipse of the Dual Moons contains 48 minutes of crossover carnage. Thrash metal and hardcore collide with power and finesse, to produce an album that rips and tears through its duration with passion. Continue reading “High Command – Eclipse of the Dual Moons (Review)”
This is the third album from Greek blackened doom band Agnes Vein.
Deathcall actually came out at the end of 2021, but I believe it recently had a vinyl release so it seemed as good a time as any to catch up with what they’re doing these days – the last, (and only), time I have encountered them previously was on 2016’s split with Sadhus “The Smoking Community”. Continue reading “Agnes Vein – Deathcall (Review)”
This is the debut album from Go Ahead and Die, a death/thrash metal band.
Go Ahead and Die treats us to 44 minutes of old-school thrash metal, with some death metal, punk, and grindcore thrown in for good measure. Continue reading “Go Ahead and Die – Go Ahead and Die (Review)”
This is the latest EP from Finnish death metallers Sadistik Forest.
Morbid Majesties was a highlight of 2018, so it’s great to have Sadistik Forest back with some new material. Obscure Old Remains contains four songs, with a total duration of 19 minutes. Continue reading “Sadistik Forest – Obscure Old Remains (Review)”
This is the debut EP from French black metal band Bacchus.
Bacchus feature current and ex-members of Dysylumn and Antropofago, and deliver us 29 minutes of atmospheric black metal.
This is music with an occult, ritualistic feel. It differentiates Continue reading “Bacchus – Bacchus (Review)”
This is the debut album from Polish death/doom metal band Haunted Cenotaph.
Abyssal Menace contains 41 minutes of gloomy old-school death metal. With a hefty amount of doom metal elements, and a Celtic Frost influence, this is an enjoyable listen for anyone that wants to explore OSDM that has a different perspective on the genre than that of many of the band’s contemporaries. Continue reading “Haunted Cenotaph – Abyssal Menace (Review)”
This is the debut album from Cult Burial, a death/black/doom metal band from the UK.
After being a big fan of the band’s early work, expectations were high for Cult Burial. I have to say that they have been met, and this is a superlative album. Cult Burial play a hybrid form of blackened extreme metal, one which takes what it likes from black, death, and doom metal and then slaughters what’s left. Continue reading “Cult Burial – Cult Burial (Review)”
This is the second album from Spanish doom/heavy metallers Totengott.
This immense album is a hard one to describe with genre tags. It’s a mix of doom and thrash/heavy metal, but with elements of black, death, and progressive metal added in too, (as well as forays into dark ambient waters). The promo blurb mentions Continue reading “Totengott – The Abyss (Review)”
This is the fourth album from US death metallers Gravehill.
2014’s Death Curse was a very tasty serving of rotting metallic delights, and now the band are back with another mouldy 43 minutes of atavistic death metal. Continue reading “Gravehill – The Unchaste, the Wicked, & the Profane (Review)”
Swampcult are a doom metal band from The Netherlands, this is their second album.
The Festival is a H. P. Lovecraft-themed release, completely built and fashioned around one of his stories of the same name.
This is heavily atmospheric doom metal and sees the band mixing elements of classic proto-black metal into their cauldron and Continue reading “Swampcult – The Festival (Review)”
Wonderbox Metal 