This is the second album from UK post-metal band The Salt Pale Collective.
Bringing together doom, sludge, post-rock, and post-metal components into a bleakly compelling whole, The Salt Pale Collective are quite the proposition. Across 35 minutes, …And God Said Nothing channels six nightmare states, each working both together and individually to end the world. Continue reading “The Salt Pale Collective – …And God Said Nothing (Review)”
This is the debut album from US black metal band Astral Alchemy.
Weaving Chilling Magical Dreamworlds unleashes 39 minutes of multifaceted black metal on the world. Astral Alchemy revel in the creation of an alluring mix of the ancient and the modern, leading to a record that captures the strengths from both remarkably well. Continue reading “Astral Alchemy – Weaving Chilling Magical Dreamworlds (Review)”
This is the fourth album from US post-rock band If These Trees Could Talk.
The Hidden Hand contains 42 minutes of post-rock soundscapes for the listener to explore. If These Trees Could Talk are able guides, highlighting areas of interest and places to be wary of as these nine expressive tracks unfold. Continue reading “If These Trees Could Talk – The Hidden Hand (Review)”
This is the third album from UK post-rock band Million Moons.
You Be Good, I Love You contains 56 minutes of atmospheric instrumental post-rock. Million Moons invite the listener to feel something on this record, and it’s an invitation you shouldn’t say no to. Continue reading “Million Moons – You Be Good, I Love You (Review)”
This is the second album from Brazilian progressive doom/post-metal band Loneshore.
Nothing Left to Deconstruct contains 52 minutes of immersive soundscapes for the listener to explore. Loneshore’s music is a mix of styles, which can be loosely termed as a combination of progressive doom and post-metal. Whatever you call it though, it’s pretty damn good. Continue reading “Loneshore – Nothing Left to Deconstruct (Review)”
Lost in Kyiv are a French post-rock band and this is their fifth album.
Lost in Kyiv play immersive post-rock, and deliver 41 minutes of quality music on We’re All Going to be Fine. This record is a premier release for post-rock fans, boasting the sort of material that makes repeated spins an absolute pleasure. Continue reading “Lost in Kyiv – We’re All Going to Be Fine (Review)”
This is the third album from UK solo artist AA Williams.
Playing an engaging form of dark alternative rock tastefully laced with post-rock flavours, (and a touch of post-metal influences here and there), Solstice contains 58 minutes of charismatic material. A.A. Williams has crafted a record that’s immersive and engaging. Continue reading “A.A. Williams – Solstice (Review)”
Brought to us by the excellent 2 Promoters, 1 Pod podcast, tonight’s show promises to be something special. All three bands are exemplary in their own way, and all three are unmissable in their own right. Continue reading “We Lost the Sea/Overhead, the Albatross/Dimscûa – Academy 2, Manchester – 24/05/26 (Live Review)”
This is the twelfth album from US solo black metal act Panopticon.
Brought to us by a singular artist’s vision, but aided and bolstered by multiple guest collaborators, Det Hjemsøkte Hjertet is a 66-minute exploration of sound that offers up an unmissable experience. Panopticon‘s new record is remarkable. Continue reading “Panopticon – Det Hjemsøkte Hjertet (Review)”
This is the fourth album from Swedish instrumental post-metal band Sagor Som Leder Mot Slutet.
Existing somewhere between progressive metal, post-metal, doom, and post-rock, IV contains 44 minutes of atmospheric material. Sagor Som Leder Met Slutet have crafted a record of Continue reading “Sagor Som Leder Mot Slutet – IV (Review)”
Wonderbox Metal 