This is the debut album from US doom band Vacant Eyes.
Combining funeral doom, death/doom, melodic doom, and progressive doom, A Somber Preclusion of Being contains 75 minutes of sorrowful soundscapes. Continue reading “Vacant Eyes – A Somber Preclusion of Being (Review)”
This is the debut album from US hardcore band Entry.
Despite being billed as an album, there’s only 15 minutes of material here, so you may guess that this is filled with high energy punk aggression and hardcore ferocity. If so, you’d be right, and it’s a damn good ride too. Continue reading “Entry – Detriment (Review)”
This is the second album from Wills Dissolve, a progressive metal band from the US.
Wills Dissolve play a multigenre form of progressive metal that takes in a range of other styles and subgenres. Progressive black/death metal, post-metal, ambient, doom metal, and progressive rock are all included in Echoes, and all get Continue reading “Wills Dissolve – Echoes (Review)”
This is the tenth album from Swedish progressive rock band Pain of Salvation.
Here we have 54 minutes of progressive rock that’s laced prominently with electronica. For such a well-known and long-serving band, I’m not really that familiar with Pain of Salvation, and I have to say that Panther makes me regret this, as it’s a very strong record indeed. Continue reading “Pain of Salvation – Panther (Review)”
This is the second album from US death metallers Necrot.
Necrot play highly engaging classic death metal, and Mortal presents us with 38 minutes of the stuff. There are a range of different influences at play on Mortal, and it doesn’t adhere to the style of any one particular geographic area or era, much to its credit. Instead Continue reading “Necrot – Mortal (Review)”
Svnth are an Italian post-black metal band and this is their third album.
We’ve met Svnth before, under their longer name Seventh Genocide. On new album Spring in Blue Svnth mix black metal with shoegaze, post-metal, and progressive rock influences, crafting a 61-minute album of post-blackened grandeur that’s quite enticing and extremely enjoyable. Continue reading “Svnth – Spring in Blue (Review)”
This is the second album from Hymn, a Norwegian doom/sludge metal band.
Hymn play a mix of doom and sludge, and Breach Us contains 38 minutes of music divided into 4 tracks. The band is made up of only two members, but you wouldn’t necessarily realise this immediately as Breach Us sounds massive. Continue reading “Hymn – Breach Us (Review)”
Elegis are a Polish death metal band and this is their second album.
This is the follow up to 2017’s Superhuman Syndrome, and whereas that album was a solo affair, this new one finds Elegis expanded to a three-piece. Continue reading “Elegis – Kultus (Review)”
This is the fourth album from Brimstone Coven, a rock band from the US.
Here we have 35 minutes of endearing rock that mixes together elements of proto-metal and doom rock to produce music that has a 70s feel, while not being overly beholden to it. Bands like Black Sabbath, Pentagram, and Deep Continue reading “Brimstone Coven – The Woes of a Mortal Earth (Review)”
Cytotoxin are a German death metal band and this is their fourth album.
This is my first encounter with nuclear disaster-themed death metallers Cytotoxin, and it’s an extremely satisfying one. Across 44 minutes of material, the band demonstrate that they’re very capable purveyors of technical brutality. Imagine a mix of Aborted, Archspire, Omophagia, and The Faceless and you’ll be on the right lines. Continue reading “Cytotoxin – Nuklearth (Review)”
Wonderbox Metal 