Mord’A’Stigmata are a post-black metal band from Poland and this is their fifth album.
After 2013’s Ansia and 2017’s Hope, I’m a firm fan of what this band produce, and Dreams of Quiet Places is their latest masterpiece. I don’t use that word lightly either. Continue reading “Mord’A’Stigmata – Dreams of Quiet Places (Review)”
Sloth Hammer are an experimental sludge/doom band from the UK. This is their second album.
No guitars, two vocalists, two electronicists, (is that a word?), two drummers, and plenty of bass, Sloth Hammer bring the pain on their second album across a colossal and punishing 78 minutes, recorded live and improvised. Continue reading “Sloth Hammer – Superbia Ira Acedia (Review)”
This is the third album from Falaise, a post-black metal band from Italy.
I’ve enjoyed watching Falaise develop over the years. 2015’s As Time Goes By introduced the world to the band’s melancholic, depressive take on atmospheric post-black metal, and then 2017’s My Endless Immensity consolidated the band’s strengths, further expanding their post-black metal sound. Continue reading “Falaise – A Place I Don’t Belong To (Review)”
Contrarian are a personal favourite of mine in the realms of progressive/technical death metal. Bridging the old-school and the new by taking strengths from both, their albums – and new platter Their Worm Never Dies in particular – are very much worth your time.
Guitarist Jim Tasikas tells us more… Continue reading “Interview with Contrarian 2019”
Dispyt are a blackened crust band from Finland and this is their debut album.
Featuring members of Finntroll & Ondfødt, Den Ständigt Närvarande Ångesten contains 27 minutes of crust, punk, d-beat, and hardcore nastiness, all realised through a second wave black metal filter. Continue reading “Dispyt – Den Ständigt Närvarande Ångesten (Review)”
This is the debut album from US death metallers Applaud the Impaler.
Applaud the Impaler smash together death metal, deathcore, and grindcore into a heaving mess of blood and entrails. This is quite the brutal delight. Continue reading “Applaud the Impaler – Ov Apocalypse Incarnate (Review)”
At Dusk is a one man US black metal band and this is his second album.
This one man black metal band, (a member of Nan Elmoth), has always been one I’ve enjoyed. Both 2014’s Anhedonia and 2017’s split with Sacerdos left me wanting more, which we now have in the shape of Condemned, (the title track of which is the same song that was on the split with Sacerdos). Continue reading “At Dusk – Condemned (Review)”
Akrotheism are a Greek black metal band and this is their second album.
I enjoyed 2014’s Behold the Son of Plagues, but it seems like quite a while since that release was unveiled to the world. Well, it has been I suppose. Continue reading “Akrotheism – The Law of Seven Deaths (Review)”
East of the Wall are a progressive metal band from the US and this is their fifth album.
East of the Wall have produced a progressive metal album that finds the band in fine form. This is a collection of textured, layered songs, embracing a modern progressive approach that has elements of the heavier side of the spectrum in its makeup. Continue reading “East of the Wall – NP-Complete (Review)”
Devourer are a Swedish black metal band and this is their third album.
Having really enjoyed 2017’s Across the Empty Plains, Devourer’s latest album is very well-received. Containing eight tracks of black metal that’s raw, cold, and merciless, Dawn of Extinction finds Devourer continuing to progress their sound without losing any of the assets they have accumulated so far from previous releases. Continue reading “Devourer – Dawn of Extinction (Review)”
Wonderbox Metal 