Gross Misconduct – Equinox (Review)

Gross Misconduct - EquinoxGross Misconduct are a Canadian death metal band and this is their third album.

This is progressive death metal with a thrash influence. The band describe this album in the following way – “Imagine Cynic with a dollop of Death, a smattering of The Crown/Mastodon/Gojira and healthy doses of 1980s Metallica and Slayer.” I’ve simply regurgitated this here as it’s a better descriptor of how Equinox sounds than anything I could come up with. Continue reading

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Sadistik Forest – Morbid Majesties (Review)

Sadistik ForestSadistik Forest are a death metal band from Finland and this is their third album.

It’s hard for me to dislike something like this. Morbid Majesties contains 35 minutes of ugly, old-school death metal, and it resolutely slays. Continue reading

Dead Cross – Dead Cross (Review)

Dead CrossThis is the debut album from Dead Cross, a hardcore band from the US.

Featuring members and ex-members of bands such as Faith No More and Slayer, there’s immediately a certain level of expectation with this, and it certainly doesn’t disappoint. Continue reading

Primal Rite – Sensory Link to Pain (Review)

Primal RiteThis is the latest release from US hardcore bruisers Primal Rite.

This is a twisted crossover mix of hardcore and metal, weaving punk and death/thrash influences together into three furiously ugly tracks. Continue reading

Wolf’s Hunger – Bež’te Živi, Vraćaju Se Mrtvi (Review)

Wolf's HungerWolf’s Hunger are a Serbian black/thrash metal band. This is their second album.

Despite there actually being a fair few bands out there that play blackened thrash metal in a convincing and enjoyable way, I still always think of myself as someone that’s not a huge fan of mixing the two. I think it’s Continue reading

Inculcator – Void Abecedary (Review)

InculcatorInculcator is a one-man UK black metal project. This is his début album.

With roots firmly growing out of the distant 80s, this is black metal with thrash influences. Or thrash metal with blackened influences. Who cares; turn up the volume, press play and revel in the ridiculously OTT 80s nature of this thoroughly endearing release.

The recording has a wonderfully cosmic edge, surely influenced by Continue reading