An Argency – Eternal Legacy (Review)

An ArgencyAn Argency are a deathcore/metalcore band from Belarus and this is their second album.

So here’s a band that are travelling a path slightly less-worn – self-described as symphonic blackened deathcore, or occult deathcore, Eternal Legacy is the sound of deathcore/metalcore structuring that’s been warped and corrupted by black metal’s sickening touch. Continue reading

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Horizon Ablaze – The Weight of a Thousand Suns (Review)

Horizon AblazeHorizon Ablaze are a Norwegian progressive black/extreme metal band and this is their third album.

Horizon Ablaze play a brand of extreme metal that largely consists of atmospheric/progressive/avant-garde black metal, (among other things). It’s an impressive and well-delivered proposition, that’s for sure. Continue reading

Ne Obliviscaris – Urn (Review)

Ne ObliviscarisNe Obliviscaris are an Australian progressive extreme metal band and this is their third album.

Urn is epic, progressive, aggressive, and textured. It’s a release that has a lot to absorb and experience, requiring multiple sittings to really even start to get the most from it. This is a complex and emotive listen, one that’s highly rewarding and enjoyable. Continue reading

Damnation Festival – Leeds University, 05/11/16 (Live Review)

Damnation Festival Header

This is the twelfth edition of the UK’s Damnation Festival, and although it may be cold outside, inside there’s more than enough incendiary metal to heat things up. Hopefully the recent preview whetted your appetite, and now it’s time to see how the real thing turned out…

Damnation Festival Bands

Attan 13:00-13:30 Terrorizer Stage

Attan

It’s with great excitement and expectation that I await Attan’s arrival. From Nothing is such a colossal opening statement for a band that I can’t wait to see how it translates into the live environment. Continue reading

Todtgelichter – Rooms (Review)

TodtgelichterThis is the fifth album from Todtgelichter, who play progressive/avant-garde black metal.

Rooms comes across as a combination of Enslaved and Madder Mortem, with a side-order of some of Arcturus‘ work. The resultant mix reminds of a post-black metal version of Obscure Sphinx. Which, considering who good Obscure Sphinx are, is an exciting proposition.

The music generally fuses elements of Continue reading