Enslaved – Wonderbox Metal

Amiensus – Reclamation: Part 1 (Review)

This is the fourth album from US black metallers Amiensus.

Amiensus are a band I’ve really enjoyed watching the development of over the years. 2012’s Restoration was an early highlight, but every release has offered something tasty from the band. Whether this is the stripped back classic approach of 2017’s All Paths Lead to Death, or the standout Abreaction, which rightfully made it onto my 2020 year end list, Amiensus always seem to have something meaningful to say. Continue reading “Amiensus – Reclamation: Part 1 (Review)”

In Vain – Solemn (Review)

This is the fifth album from Norwegian progressive metal band In Vain.

I really, really liked 2018’s Currents, so to my mind it has been far too long since we’ve heard from In Vain. Featuring 61 minutes of new music, Solemn is a grand affair, mixing together the band’s progressive/melodic death metal ingredients into a feast of tasty extreme metal. Continue reading “In Vain – Solemn (Review)”

Enslaved/Svalbard/Wayfarer – Club Academy, Manchester – 08/03/24 (Live Review)

Well, what a storming lineup we have here for a chilly Friday night in Manchester. All three of the bands on this bill are worthy of attendance in their own right, so to have them all in one place is a rare treat. Continue reading “Enslaved/Svalbard/Wayfarer – Club Academy, Manchester – 08/03/24 (Live Review)”

Cosmic Void – Subterranean Rivers (Review)

This is the debut album from German post-blackened doom metal band Cosmic Void.

Subterranean Rivers contains 61 minutes of material that brings together black, doom, and post-metal influences into a compelling whole. For a starting point for what you can expect to encounter on Subterranean Rivers, imagine a combination of bands such as Cult of Luna, Enslaved, Minsk, Mizmor, Ruins of Beverast, and Amenra. Continue reading “Cosmic Void – Subterranean Rivers (Review)”

Narbeleth – A Pale Crown (Review)

This is the sixth album from Cuban black metallers Narbeleth.

I always enjoy a new Narbeleth release. If you haven’t already, make sure you check out 2014’s A Hatred Manifesto, 2015’s Through Blackness and Remote Places, 2017’s Indomitvs, and 2021’s Svmma Cvm Nox Arcana, as all are records worthy of your attention if you enjoy second wave black metal. Continuing the trend of releasing albums with seven originals and one cover song, (Satyricon in this case), A Pale Crown contains 45 minutes of material for black metal devotees to savour. Continue reading “Narbeleth – A Pale Crown (Review)”

Thirsting Altar – Reclamation (Review)

This is the second EP from US black metallers Thirsting Altar.

Following up on 2020’s debut release Ascension, and back with a new, expanded lineup, we have Thirsting Altar with their latest 21-minute EP Reclamation. Continue reading “Thirsting Altar – Reclamation (Review)”

Valdrin – Throne of the Lunar Soul (Review)

This is the fourth album from US black metallers Valdrin.

It’s been a long time since 2014’s Beyond the Forest, and Valdrin have had two other full albums since then. Throne of the Lunar Soul is their latest, and boasts an imposing 73 minutes of material. What does the Valdrin of 2023 have to offer the discerning black metal fan? Continue reading “Valdrin – Throne of the Lunar Soul (Review)”

Damnation Festival 2023 – BEC Arena, Manchester, 04/11/23 (Live Review)

It’s Damnation o-clock once more! This is always such a good festival to attend. The line up is an interesting and varied one, with some bands I’m less interested in, some that are an essential experience, and some frustrating clashes. I missed some great bands today, unfortunately, but that’s always going to be the case with such a jam-packed festival. Continue reading “Damnation Festival 2023 – BEC Arena, Manchester, 04/11/23 (Live Review)”

Immortal – War Against All (Review)

This is the tenth album from legendary Norwegian black metal band Immortal.

Whereas on 2018’s Northern Chaos Gods Immortal were a duo, on War Against All the band have now been slimmed down further to just one original member, and is now essentially a solo act, albeit with session musicians, (from Enslaved and Gaahls Wyrd). Continue reading “Immortal – War Against All (Review)”

Dawn of Ouroboros – Velvet Incandescence (Review)

This is the second album from Dawn of Ouroboros, a progressive black/death metal band from the US.

Following on from 2020’s well-received The Art of Morphology, Velvet Incandescence brings us 46 minutes of new material from Dawn of Ouroboros, who feature members of Botanist and Cailleach Calling. Continue reading “Dawn of Ouroboros – Velvet Incandescence (Review)”