Soaked with deathly vibes and sinister doom promise, this is macabre death/doom that deeply satisfies with its quality delivery. For a rough approximation of the band’s sound, imagine a mix of bands such as Continue reading
Featuring 48 minutes of material, Descent of the Serpent is well-crafted heavy metal with wide scope. Some elements of thrash are mixed in, for example. Also, occasionally the songs veer into classic doom metal territories in their more atmospheric moments, or sometimes adopt a power metal stance of epic force. Whatever they do this is pure heavy metal goodness all the way. Continue reading
2014’s Crawling out of the Crypt was one of my favourite release from that year, and if I had to do that best of list over again the album would have definitely made it into the top 20 or so. As much as I enjoyed it at the time, it’s been a firm grower, and is an exceptional example of doom metal done right in an authentic, honest, and traditional way. Continue reading
Think of a Southern metal flavoured mix between Grand Magus, Candlemass, Down and Orange Goblin. Temptation’s Wings have produced an album worthy to be spoken of in the same sentence as these bands, as Skulthor Ebonblade is very enjoyable indeed. Continue reading
Cough. It’s a funny name for a band. Still, I’ve heard worse, a lot worse.
If you’re a fan of bands like Yob, Electric Wizard, Sleep, Candlemass and the like, then you’ll probably already know that Cough create the kind of repetitive, hypnotic doomscapes that you’re gonna love. Continue reading
This unusually named band play experimental Doom Metal that contains elements of Progressive Rock, psychedelia and a bit of Sludge Metal alongside the usual genre trappings. Continue reading
This is Traditional/Classic Doom Metal in the tradition of Candlemass, Black Sabbath, Saint Vitus, etc.
Desolate Pathway sound authentic and have the recording to match. This infuses the music with authority and power, not that the songs themselves are lacking in this department, mind.
The singer has a good voice and carries the tunes with ease. He has the requisite presence for this kind of music and he manages to remain the main focal point for the music without detracting from the rest of the band at all.
There’s an Iron Maiden-esque Heavy Metal influence which rears its head here and there too, which is no bad thing. The riffs, solos, melodies and harmonies are forlorn, but not overly so.
It’s an engaging listen as the band clearly know their chosen sub-genre. However, as with any classic style such as this, your tolerance for it will dictate your reaction to them. If you’re sated on this kind of thing you’ll probably not be too interested. If you’re still open to it though, Desolate Pathway play their tunes better than most and Valley of the King is a worthwhile listen.
So sit back, turn up the volume and press play. It’s time to visit the Valley of the King.
This is a very ambitious release – one track, almost an hour in length, documenting the last few minutes of someone’s life.
This is a supergroup of sorts, with various musical contributions coming from people who have played in bands such as Candlemass, Therion, Ephel Duath and Necrophagist.
Doom Metal/Funeral Doom lends itself well to a release of this nature. The fact that the vocals are handled by Mats Leven, (Candlemass), means that it instantly has a very authoritative sheen to it. His vocals are on top form as always, and he seems to enjoy himself in the vaguely theatrical Doom atmospheres that are evoked here.
The song goes through many permutations/phases and takes in 70’s-style Doom, Funeral Doom, Doom Metal, synth/keyboard highlights and Progressive Rock elements. While a song of this length by its very nature won’t be for everyone it works well and slowly builds and grows throughout the playing time.
The winding, repetitive nature of the song is hypnotic and slowly develops the theme and narrative of the piece.
This is not without its flaws of course; any hour-long song would have to be pretty perfect to be flawless, but for the most part this is an involving and enjoyable Doom-opera that’s worth the time that needs to be invested in it.