This is the second album from Decaying Days, a German death/doom metal band.
Adopting an approach that combines melodic death metal with melodic doom, the emphasis here is on melody and emotive delivery. Imagine a mix of Dark Tranquillity, Insomnium, and Opeth, and you’ll be on the right lines. Continue reading
This is the second album from Countless Skies, a melodic/progressive metal band from the UK.
Glow contains 46 minutes of Scandinavian-influenced melodic death metal that has been merged with a progressive metal approach, which has resulted in a high-quality album being produced. Think of a charismatic mixture of Devin Townsend, Wilderun, Insomnium, Amorphis, Opeth, etc. Continue reading
This is the second album from Wills Dissolve, a progressive metal band from the US.
Wills Dissolve play a multigenre form of progressive metal that takes in a range of other styles and subgenres. Progressive black/death metal, post-metal, ambient, doom metal, and progressive rock are all included in Echoes, and all get Continue reading
This is the third album from Swedish death metallers Descend.
Descend give us 49 minutes of progressive death metal on The Deviant. I picked this to listen to on a whim, based purely on the artwork, (which, in the promo, didn’t have the band logo and album title on it; I prefer the logo-less version), and I’m amazed at what I had the good luck to stumble upon. Continue reading
Altesia are a French progressive metal band and this is their debut album.
Despite seeing the light of day at the end of 2019, I felt compelled to shine a light on Paragon Circus once I had made its acquaintance, as it really is a damn fine record. Across 57 minutes of material, Altesia take us on a journey that’s as compelling as it is enjoyable. Continue reading
This is the second album from US black/death metallers Haunter.
Sacramental Death Qualia is a mutant, constantly-shifting hybrid of progressive black/death metal. Mixing impenetrable dissonance with grim blackened melody and classic progressive beauty, the music combines darkness and light in such way that it can be almost jarring on Continue reading
The Odious are a progressive metal band from the US and this is their second album.
The Odious’ progressive metal is a mix of modern technical/progressive/death metal and progressive rock. The end result can be loosely characterised as a mix of The Faceless, Opeth, Between the Buried and Me, Sikth, Meshuggah, Ulcerate, and Devin Townsend. Continue reading
This is the fourth album from UK atmospheric/post-metal band Latitudes.
Having enjoyed 2016’s Old Sunlight, when Part Island made its presence felt I was compelled to sample its delights. I’m glad I did, as Part Island is a stunningly well-realised development of the band’s sound. Continue reading
This is the seventh album from US deathcore veterans Whitechapel.
Following on from Our Endless War and Mark of the Blade, Whitechapel are back with another thundering album of deathcore, modern metal, and pit-rousing brutal anthems. So how have they got on this time? Continue reading
Kaleikr are an Icelandic black/death metal band and this is their debut album.
This is black metal that’s progressive and emotive. Heart of Lead is an album that you can almost visibly see change as it develops and unfolds. As it runs through its playing time, Kaleikr’s music becomes increasingly darker and more unhinged. Continue reading
