This is the fourth album from one-woman black metal band Cicada the Burrower.
Corpseflower is an intriguing and engaging collection of tracks that mix jazz, post-hardcore, psychedelic rock, and post-rock into a 31-minute progressive/post-black metal framework that also incorporates elements of blackgaze and depressive black metal. Continue reading “Cicada the Burrower – Corpseflower (Review)”
This is the second album from Déluge, a French post-black metal band.
This is the follow up to 2015’s striking Æther, which was a powerhouse of violence and atmosphere. Five years later, and the band are not the same beast anymore, not completely anyway. Ægo Templo takes the Continue reading “Déluge – Ægo Templo (Review)”
Svalbard are a crust/hardcore band from the UK and this is their third album.
The follow up to 2018’s It’s Hard to Have Hope, I was not expecting just how good When I Die, Will I Get Better? is.
This is an album where Continue reading “Svalbard – When I Die, Will I Get Better? (Review)”
This is the ninth album from German progressive metal band The Ocean.
The follow up to 2018’s Phanerozoic I: Palaeozoic, this sister album was always going to be immense and hugely anticipated. Continue reading “The Ocean – Phanerozoic II: Mesozoic | Cenozoic (Review)”
The Phantom Carriage are a blackened hardcore band from France and this is their third album.
As the album title suggests, it’s been 7 years since the band’s second album, and 7-Year Epilogue is one that I’ve definitely been looking forward to. If you’re unfamiliar with the band’s work, then put simply; The Phantom Carriage combine Continue reading “The Phantom Carriage – 7-Year Epilogue (Review)”
Bear are a progressive metal band from Belgium and this is their fourth album.
I really, really enjoyed 2017’s ///, and it grew on me over time more and more. Well, I haven’t had years to absorb the true nature of Propaganda yet, but damn does it seem just as good, if not better than ///. Continue reading “Bear – Propaganda (Review)”
Based in the US, Irist are a modern metal band and this is their debut album.
Irist’s recipe is one that takes a wide range of influences and works them into a comprehensive modern metal framework. Loosely stated, Irist take elements of hardcore, thrash metal, and progressive/post-hardcore/metal, and hone them into song-based packages of metallic heaviness. Continue reading “Irist – Order of the Mind (Review)”
This is the second album Greek post-hardcore/sludge band Chronoboros.
Having enjoyed both Dialing up the Cutter and No Dirt or Silver Will Have Us Sated, we now turn to the latest Chronoboros release, which finds the band in good form as they plough through 35 minutes of angular, unorthodox material. Continue reading “Chronoboros – The Mass Saw Acres of Chain (Review)”
Fit for an Autopsy are a deathcore band from the US and this is their fifth album.
This album follows on from 2017’s hugely enjoyable The Great Collapse, which stood tall and proud as an example of deathcore that took influence from the original parameters of the genre, but had also progressed beyond it. The Sea of Tragic Beasts finds the band continuing down their chosen path, merging deathcore ferocity with post-deathcore progressive atmospherics and emotional content. Continue reading “Fit for an Autopsy – The Sea of Tragic Beasts (Review)”
This is the fourth album from US post-metal band Wrvth.
Previously known as Wrath of Vesuvius, they rebranded as Wrvth with 2015’s self-titled album, and delivered a feast of post-metal/death metal for us to enjoy, and enjoy we did. Continue reading “Wrvth – No Rising Sun (Review)”
