Azusa – Loop of Yesterdays (Review)

Azusa - Loop of YesterdaysThis is the second album from Azusa, an international progressive metal band.

Featuring current and ex-members of bands such as John Frum, The Dillinger Escape Plan, and Extol, you know there’s a lot of talent and experience in Azusa before you even listen to them. Continue reading

Dawn of Ouroboros – The Art of Morphology (Review)

Dawn of Ouroboros - The Art of MorphologyThis is the debut album from Dawn of Ouroboros, a progressive black metal band from the US.

Combining elements of death, black, and progressive metal, this is a enchanting mix of the three that adopts a modern extreme metal approach to its highly engaging material. Continue reading

Abstruse – Submerge:Ritual (Review)

Abstruse - Submerge RitualThis is the fourth album from Abstruse, an experimental rock project from Greece.

Well, there’s a lot going on here. This is music that refuses to be just one thing, and exists as a constantly-shifting mass of musical styles and content. Amazingly, Submerge:Ritual works with this well, and doesn’t come across as disjointed or a failed science experiment. Continue reading

Schammasch – Hearts of No Light (Review)

Schammasch - Hearts of No LightSchammasch are a Black Metal band from Switzerland. This is their fourth album.

Was it really 2016 that the epic Triangle was released to an unsuspecting world? Apparently so. An incredibly strong release, it narrowly missed out on the top spot for my best albums of 2016 list. It was followed up in 2017 by the even more avant-garde EP The Maldoror Chants: Hermaphrodite, which provided a compelling dose of atmospheric material. Continue reading

White Ward – Love Exchange Failure (Review)

White Ward - Love Exchange FailureThis is the second album from White Ward, a Ukrainian post-black metal band.

2017’s Futility Report was striking and enjoyable, mixing cold black metal with an avant-garde modern edge. Compared to Love Exchange Failure, however, it’s almost as if Futility Report was the prototype of this new album. Expanded Continue reading

Uniform & The Body – Everything That Dies Someday Comes Back (Review)

Uniform & The Body - Everything That Dies Someday Comes BackThis is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.

I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading

LINGUA IGNOTA – CALIGULA (Review)

LINGUA IGNOTA - CALIGULALINGUA IGNOTA is a one woman experimental artist, and this is her latest album.

Aided by a multitude of guests, (including members of The Body and Full of Hell), this is 66 minutes of beauty and brutality. This is an album that fits in no real category other than a loose experimental one. Peppered with noise, avant-garde, industrial, and post-doom/rock influences, this is music that largely belongs to the artist alone and defies easy categorisation. Continue reading

Unknown Artist – A Pig’s Head on a Stick (Review)

Unknown Artist - A Pig's Head on a StickThis is the debut release from Unknown Artist, a French extreme metal band.

What on earth is this unholy abomination? A single 28-minute track of utter nastiness and horror, that’s what. Complex and impenetrable, this is disjointed, inaccessible blackened death metal, and is not for the weak of heart. Continue reading