Ketha – 0 Hours Starlight (Review)

KethaKetha are a Polish experimental metal band and this is their third album.

Combining elements of technical, progressive, modern, avant-garde, dissonant, and melodic metal into 43 minutes of material, this is an album that packs a lot into its playing time and uses this to take the listener on quite a journey. Continue reading

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Akercocke – Renaissance in Extremis (Review)

AkercockeThis is the sixth album from Akercocke, an extreme metal band from the UK.

If you aren’t familiar with Akercocke’s previous output, then I’m afraid to say that you’ve been missing out. Across their body of work they have released some absolutely fantastic songs, and have always been a particular favourite of mine. Their Continue reading

Blut Aus Nord – Deus Salutis Meæ (Review)

Blut Aus NordBlut Aus Nord are a black metal band, (among other things), from France. This is their twelfth album.

Blut Aus Nord are a well-known band with a well-known proclivity for experimentation and producing music that’s as unexpected/unpredictable as it is rich, dark, and textured. Continue reading

Bedwetter – Bedwetter (Review)

BedwetterBedwetter are a UK grindcore band of sorts. This is their debut EP.

From the prolific mind behind Barrabus, Medulla Nocte, Lazarus Blackstar, The Sontaran Experiment, and more, this is crazy stuff. A sort of chaotic, avant-garde grind/hardcore blend of violence and insanity, Bedwetter have unleashed seven minutes of frenzied absurdity on the world. Continue reading

Suns of Sorath – Flowers of the Lily (Review)

Suns of SorathThis is the debut album from Suns of Sorath, a progressive black/death metal band from the US.

Flowers of the Lily boasts a lot of complex, technical playing. This has been structured into progressive music with black/death leanings, and peppered with avant-garde, classical, and jazz influences. Continue reading

Pyrrhon – What Passes for Survival (Review)

PyrrhonThis is the third album from Pyrrhon, an extreme metal band from the US.

Pyrrhon are not your standard band. I first encountered them on their 2014 album The Mother of Virtues, and even then they were a distinctly atypical and genre-breaking proposition. Continue reading