Uniform & The Body – Everything That Dies Someday Comes Back (Review)

Uniform & The Body - Everything That Dies Someday Comes BackThis is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.

I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading

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LINGUA IGNOTA – CALIGULA (Review)

LINGUA IGNOTA - CALIGULALINGUA IGNOTA is a one woman experimental artist, and this is her latest album.

Aided by a multitude of guests, (including members of The Body and Full of Hell), this is 66 minutes of beauty and brutality. This is an album that fits in no real category other than a loose experimental one. Peppered with noise, avant-garde, industrial, and post-doom/rock influences, this is music that largely belongs to the artist alone and defies easy categorisation. Continue reading

Unknown Artist – A Pig’s Head on a Stick (Review)

Unknown Artist - A Pig's Head on a StickThis is the debut release from Unknown Artist, a French extreme metal band.

What on earth is this unholy abomination? A single 28-minute track of utter nastiness and horror, that’s what. Complex and impenetrable, this is disjointed, inaccessible blackened death metal, and is not for the weak of heart. Continue reading

Howling Sycamore – Seven Pathways to Annihilation (Review)

Howling Sycamore - Seven Pathways to AnnihilationHowling Sycamore are a progressive metal band from the US and this is their second album.

Combining technical, progressive, avant-garde, forward-thinking metal music, with old-school, classic progressive metal vocals probably shouldn’t work, but Howling Sycamore easily prove that it most certainly does. This is a band that have taken their Continue reading

Sigh – Heir to Despair (Review)

Sigh - Heir to DespairSigh are a Japanese black/avant-garde metal band and this is their eleventh album.

A new Sigh album is always somewhat of an event, and you never really quite know what you’re going to be getting yourself into with it. This latest album follows on after the symphonic blackened offering of 2015’s Graveward, but distances itself from its predecessor quite significantly by giving us 53 minutes of material that’s been influenced by folk and old/obscure progressive rock more than ever before. Continue reading

Khanus – Flammarion (Review)

KhanusKhanus are a Finnish blackened death metal band and this is their debut album.

Featuring a member of Code, Khanus play unorthodox black/death metal with a depth of appeal that comes from ritualistic, shamanistic, and occult influences, as well as the aspects of non-death metal styles that the music incorporates into itself. Continue reading

Horrorgraphy – Season of Grief (Review)

HorrorgraphyHorrorgraphy are a symphonic doom metal band from Greece and this is their debut album.

Here’s a rather unusual release, (for 2018 at least), both in form and consistency; the band is made up of three vocalists and one multi-instrumentalist, while the music is layered old-school doom metal, with a firm symphonic side and rich melodies. Continue reading

The Shiva Hypothesis – Ouroboros Stirs (Review)

The Shiva HypothesisThe Shiva Hypothesis are a black metal band from the Netherlands and this is their debut album.

The Shiva Hypothesis play music that mixes elements of black and death metal together into an atmospheric and obscure form of extreme metal. Continue reading