Although this is ostensibly a solo project, (from the man that brought us the mighty Aureole), it also features several session musicians and guests, (most notably from Esoteric and Svartidauði), which help to flesh out the release. Continue reading
Normally a solo project, the main-man-behind-the-band has been joined by others on this release, helping to flesh out his sound even further than previously. Continue reading
A Walk with Love and Death is an album of two halves. The Death side is a ‘normal’ Melvins album, (whatever that means in the context of their ever-changing style), while the Love side is a film score to a short film that shares the same name as this album. Continue reading
Barrabus play an individual style of enhanced rock that sees their delivery sit somewhere between that of Faith No More, Rabies Caste, Every Time I Die, and Dead Kennedys. It’s a somewhat eclectic mix that actually comes together in a highly cohesive manner across the album. Continue reading
Well, there’s a lot going on here. I very much enjoyed their split with Nightbringer, but it didn’t prepare me for this.
This is sophisticated black metal with a broad theatrical side when it comes to the vocals, almost like an occult ritualistic opera that aims to summon fell beings from the abyss. Continue reading
With a sharp sound, serrated riffs, and savage vocals, Element of Chaos burst onto the airwaves with the first track on the album The Second Dawn of Hiroshima. It’s quite an entrance. Continue reading
This is post-black metal with avant-garde tendencies. However, this is a very simplistic description of what you’ll find on Futility Report; the music is anything but simple.
Sloth Herder are a murky underground monster that’s slowly been rising up through the underworld over the last few years to claim its victims. With No Pity, No Sunrise, they’re finally ready to make their big assault. Continue reading
This is black metal that embraces classic, thrash and progressive metal in its search for a perfect form of artistic expression. Continue reading
Well, if this isn’t a twisting mass of complex nastiness. Urraca is 44 minutes of progressive/technical death metal full of dissonant, experimental and avant-garde stylings. Continue reading