Manes – Slow Motion Death Sequence (Review)

ManesManes are a Norwegian avant-garde rock band, and this is their fifth album.

New Manes is always a pleasure to hear. This is the band’s first material since 2014’s Be All End All, and once again they show why they are so highly regarded. Continue reading

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Khanus – Flammarion (Review)

KhanusKhanus are a Finnish blackened death metal band and this is their debut album.

Featuring a member of Code, Khanus play unorthodox black/death metal with a depth of appeal that comes from ritualistic, shamanistic, and occult influences, as well as the aspects of non-death metal styles that the music incorporates into itself. Continue reading

Horrorgraphy – Season of Grief (Review)

HorrorgraphyHorrorgraphy are a symphonic doom metal band from Greece and this is their debut album.

Here’s a rather unusual release, (for 2018 at least), both in form and consistency; the band is made up of three vocalists and one multi-instrumentalist, while the music is layered old-school doom metal, with a firm symphonic side and rich melodies. Continue reading

The Shiva Hypothesis – Ouroboros Stirs (Review)

The Shiva HypothesisThe Shiva Hypothesis are a black metal band from the Netherlands and this is their debut album.

The Shiva Hypothesis play music that mixes elements of black and death metal together into an atmospheric and obscure form of extreme metal. Continue reading

Abduction – A l’Heure du Crépuscule (Review)

AbductionThis is the second album from French black metallers Abduction.

I liked Une Ombre Régit les Ombres a lot, so now that the band have returned with album number two, it’s time to get reacquainted with their characterful brand of black metal. Continue reading

Estuarine – Sic Erat Scriptum (Review)

EstuarineEstuarine is a one-man death metal project from the US. This is his third album.

Sic Erat Scriptum is the ambitious follow up to 2015’s equally ambitious Lucid/Entheogen. Continue reading