This is the latest EP from Gaahls Wyrd, a black/dark metal band from Norway.
Gaahls Wyrd are a very experienced band, (with current and ex-members of acts such as Aeternus, Grimfist, Gorgoroth, Harm, Horizon Ablaze, and others), and I very much enjoyed their debut album Gastir – Ghosts Invited. Continue reading “Gaahls Wyrd – The Humming Mountain (Review)”
Vildhjarta are a Swedish progressive metal band and this is their second album.
Okay, buckle up and get comfortable, as this one’s a beast – there’s 80 minutes of material here, and it isn’t likely to appeal to those uninitiated in the ways of djent. Continue reading “Vildhjarta – Måsstaden Under Vatten (Review)”
MØL are a post-black metal band from Denmark and this is their second album.
I really liked 2018’s Jord, so it’s great to have some new material from MØL.
MØL play an effervescent blend of post-black metal and blackgaze, and on Diorama they deliver 47 minutes of the stuff. Continue reading “MØL – Diorama (Review)”
Outre-Tombe are a Canadian death metal band and this is their third album.
Outre-Tombe are here to supply all of your old-school death metal needs. Looking for something grotesque and foul, populated with enough bloody riffs to keep you going for months? They got Continue reading “Outre-Tombe – Abysse Mortifère (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
This time we’ll take a look at some releases from Majestic Mountain Records, which is a record label that I’ve only really just discovered via the wonderful Kal-El. I know nothing about the label, but I like what I’m hearing, so let’s delve into some of what they have to offer below… Continue reading “Label Roundup: Majestic Mountain Records – Bogwife, Redscale, Jointhugger, & Grand Cadaver (Reviews)”
Doedsvangr are a black metal band from Norway/Finland and this is their second album.
2017’s Satan ov Suns was an enjoyable record, so I’m glad we now have a new album of occult second wave black metal fury to explore. Made by musicians with a huge range of experience, (having spent time in bands such as Nordjevel, Behexen, Aosoth, Tsjuder, Sargeist, Horna, Nightbringer, Antaeus, and Temple of Baal, to name just a handful), Serpents ov Old is the sound of a group that really know what they’re doing with the style. Continue reading “Doedsvangr – Serpents ov Old (Review)”
This is the second album from Canadian technical death metallers First Fragment.
2016’s Dasein was a notable album, one that I have kept returning to over time, much more than I initially thought I would. The band’s jaw-dropping skill and impressive delivery stuck with me, so I viewed their new release Gloire Éternelle with some excitement before it finally reached me. Continue reading “First Fragment – Gloire Éternelle (Review)”
Monolord are a doom metal band from Sweden and this is their fifth album.
After 2019’s enjoyable No Comfort, the band are back with Your Time to Shine, which contains 39 minutes of new material. Monolord know very well how to make this sort of music at this point. These five songs are satisfying and enjoyable. Combining heaviness with nuance, the songs batter your door down, before entertaining with a wealth of musical anecdotes. Continue reading “Monolord – Your Time to Shine (Review)”
This is the second album from Sunless, a death metal band from the US.
2017’s Urraca was a very notable and enjoyable release for me, even making it into that year’s end of year list. Progressive, technical, dissonant, avant-garde, psychedelic, and many other high-brow-esque appellations, Urraca was a multidimensional gateway to forward-thinking heaviness from a band who clearly knew their art well. Continue reading “Sunless – Ylem (Review)”
This is the eighth album from US metal band Whitechapel.
I do enjoy a bit of Whitechapel now and again, (Our Endless War, Mark of the Blade, The Valley), so Kin has come along at the right time. After the advances in style and songwriting of The Valley, Kin continues where that album left off, treading similar ground, while also broadening the band’s stylistic reach further. Continue reading “Whitechapel – Kin (Review)”
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