Khemmis are a doom metal band from the US and this is their fourth album.
Khemmis are a great band, it’s as simple as that. Across three very well-received albums, (Absolution, Hunted, and Desolation), they have established themselves as modern doom metal heavyweights extraordinaire. On Deceiver Khemmis have continued their trend of high quality releases, and it’s one not be missed. Continue reading “Khemmis – Deceiver (Review)”
This is the debut album from US doom metallers Grief Collector.
Featuring Robert Lowe, (an ex-member of Candlemass), on vocals, En Delirium contains 48 minutes of largely traditional doom metal mixed with a touch of modern sludge, to produce a compelling piece of work. Continue reading “Grief Collector – En Delirium (Review)”
This is the debut album from Go Ahead and Die, a death/thrash metal band.
Go Ahead and Die treats us to 44 minutes of old-school thrash metal, with some death metal, punk, and grindcore thrown in for good measure. Continue reading “Go Ahead and Die – Go Ahead and Die (Review)”
This is the fourth album from Vokonis, a progressive doom metal band from Sweden.
Vokonis’ style mixes together progressive metal with stoner and doom metal, resulting in a colourful and enjoyable collection of tracks. While Mastodon is the obvious reference point, it’s also an inadequate one for Odyssey, as there’s a lot more at play here than simply Mastodon worship. I can also hear elements of bands as diverse as Sleep, Slomatics, Elder, Perihelion Ship, Rush, Khemmis, Alice in Chains, Witchkiss, Monolord, and Black Crown Initiate, to name but a few. Continue reading “Vokonis – Odyssey (Review)”
This is the third album form Greek doom/stoner metallers Acid Mammoth.
Sometimes a band appears that is ostensibly no different to that of many other groups playing with a similar sound, but that has an ineffable quality that simply manages to captivate. For me, Acid Mammoth is one such band. Continue reading “Acid Mammoth – Caravan (Review)”
Carcolh are a French doom metal band and this is their second album.
Carcolh’s approach to traditional doom metal is one that’s downbeat, heavy, and rich in feeling. The band hover somewhere between the old-school and the new, making the most of each of them to produce something that’s not entirely either, so should appeal to fans of both. Continue reading “Carcolh – The Life and Works of Death (Review)”
This is the debut EP from US death/doom metal band Mother of Graves.
In Somber Dreams contains 19 minutes of old-school melodic death/doom. The promo blurb mentions bands such as Katatonia, Paradise Lost, My Dying Bride, Cloak, and Khemmis, and these serve as suitable reference points, especially the first two. Continue reading “Mother of Graves – In Somber Dreams (Review)”
This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
In the Company of Serpents are a doom/sludge band from the US and this is their fourth album.
Having thoroughly enjoyed Merging in Light and Ain-Soph Aur, a new 44 minutes of music from In the Company of Serpents is very welcome indeed. Continue reading “In the Company of Serpents – Lux (Review)”
Black Curse are a US blackened death metal band and this is their debut album.
Black Curse contain members of bands such as Blood Incantation, Khemmis, Spectral Voice, and Primitive Man, (as well as many others), and Black Curse provides 38 minutes of poisonous extreme metal. Continue reading “Black Curse – Endless Wound (Review)”
Wonderbox Metal 