Spirit Adrift’s journey so far has been an enjoyable and interesting one, from the doom metal lengthy epics of Chained to Oblivion, via the streamlined doom/heavy metal hybrid that was Curse of Conception, to now this latest Continue reading
This is the sixth album from Usurper, a death/thrash/black metal band from the US. Continue reading
I really like Striker. Simple, effective, well-written, and catchy as Hell, their music is just so timelessly appealing and pleasurable to listen to. That’s basically how I feel whenever I give 2017’s Striker a spin, but the same can be said, (and I am saying it), about Play to Win. Continue reading
Do you remember Spellcaster? You should do – Night Hides the World was a great record. Why do I bring it up here? Only because Silver Talon features these same talented gentlemen producing some very tasty new music for us to lap up. Continue reading
On the longer side for a four-track EP, (33 minutes), Lycanthro deliver an epic mix of power and heavy metal, with an earthy, natural character and plenty of metallic clout. Continue reading
Visioth play tried and tested traditional heavy metal, full of classic riffs and meaty metal. Hell yeah! Continue reading
This is traditional heavy metal with a good pinch of NWOBHM. Spellcaster have created a fiery and passionate modern take on the classic style, meaning that the band play music that’s instantly recognisable as what it is, but with an up-to-date production and youthful vigour.
This is high energy, enthuiastic stuff. There’s no Continue reading
Gottweist’s music is somewhere between the classic Iron Maiden-influenced Metal style and a more modern one, as played by bands like Killswitch Engage, Bullet for My Valentine, As I Lay Dying, Atreyu and the like. The balance is weighted towards the latter, but the former has enough of a presence to give Future Is in Our Hands more impact than is normal for a band like this.
The album features a bright sparkly sound that might not be quite as polished as those aforementioned groups, but still works in concert with the songs themselves to present a band who clearly have a passion and energy for what they do.
The singer’s voice is melodic and smooth, backed by the odd shout or harsher vocal. The Heavy Metal influence counteracts the more modern Metalcore one in various ways, one of the more notable being the fact that the harsh vocals are very much in the minority here, whereas normally it’s the other way around, with cleans usually being restricted to radio-friendly choruses. Gottweist go the other, less-usual route; the majority of the vocals on this release are sung, and when harsher ones do appear they typically back up the cleans on the choruses.
Leads and solos are used well, adding much to the hearty songs and catchy melodies. Indeed, there’s so much enthusiasm here that it’s hard to feel jaded and dislike what the band are doing, (unless you’re just not into this kind of thing, of course).
All of the above results in an enjoyable and slightly different take on the more commercial side of melodic Metal/Metalcore. I have enjoyed their slightly-atypical spin on the modern Metalcore sound; with the traditional Heavy Metal aspects of their delivery lending a bit more depth and longevity to the music than is typical for a band of this ilk.
Given the right backing and exposure, as well as a bigger production and a slightly more adventurous songwriting outlook, Future Is in Our Hands might actually be potentially quite prophetic for their next album.
Check this out.
This is a combination of Black, Thrash and good old Heavy Metal. It’s a rollicking and boisterous listen that boasts a strong sound, a lot of catchiness and plenty of hooks. Think traditional Heavy Metal, only with a Black/Thrash influence.
The music is sleek, energetic and sharp. This is what you’d imagine Iron Maiden sounding like if they were brought up on a staple diet of Black Metal.
Screeched vocals scrape like nails down a blackboard as the music powers along at a frenetic pace. The high-energy leads never seem to stop as the music reaches greater and greater heights of Metal devotion. The riffs are infectious and the music sticks in the mind almost instantly.
These songs are well-written and damn enjoyable. Before you realise it you’re tapping your foot and getting carried away with the tunes.
This EP is only 18 minutes long, so I can’t think of a single reason why you shouldn’t check it out. Off you go.
This is ambitious Heavy/Power Metal with long songs and an epic feel.
The band have an earthy sound that’s strong enough to showcase the band’s skill but gritty enough to lend the music an aggressive air.
The songs are a blend of Traditional Heavy Metal and European Power Metal influences. Think of a mixture of Iron Maiden, Dio and Gamma Ray.
The songs are catchy and memorable, with plenty of hooks to grab the attention.
Savage Wizdom make their music in a very accessible manner that’s easy to digest. It’s Metal that seems to roll out of the speakers in a very pleasing way, like honey being poured. It’s tasty and filling, yet leaves you wanting more.
The vocalist has a decent voice that has echoes of the singers of Iron Maiden and Queensrÿche, tempered with a more earthy edge, similar to the album as a whole. He has good range and can hit the high notes when needed. He knows his style inside out and gives a spirited performance.
The musicianship is well-played, with all instruments made the most of. Riffs, leads and solos are abundant and the rhythm section of drums and bass is a tight one.
The album could do with a little polish here and there, but this is largely a small issue as overall A New Beginning is a very enjoyable slab of Heavy Metal.