Well, this is one that’s been quite hotly anticipated. Due to how ridiculously strong both Absolution and Hunted were, I had very high hopes for Desolation. Obviously, due to this intro blurb, I have not been disappointed. Desolation is a monster. Continue reading
Venom are a legendary metal band from the UK, and this is a compilation box set containing six out of print EPs that were released between 1985-1987 – Canadian Assault, American Assault, French Assault, Japanese Assault, German Assault, and Scandinavian Assault.
The songs in this collection have Continue reading
Featuring members and ex-members of bands such as Uncoffined and Horrified, this is a somewhat different proposition. Lucifer’s Chalice play a mix of classic heavy metal and traditional doom metal, with epic-length songs and strong vibes of days gone past. Continue reading
This is old-school metal played with obvious passion and a firm love of the early days of the style. Continue reading
Now this is an interesting release. 14 years after their second album, Agatus return with even more of a progressive/heavy metal approach to their music.
70s progressive rock and NWOBHM influences collide head-on with the black metal background of the group, making for an album that sounds little like any of their contemporaries.
The closest I can come to compare with other bands would be a crazy fusion of Rotting Christ, Vintersorg and Countess, all given a workover by NWOBHM and 70s progressive rock. or something. All I know is it’s infectious, addictive, individual and bloody good.
The black metal aspects Continue reading
This is traditional heavy metal with a good pinch of NWOBHM. Spellcaster have created a fiery and passionate modern take on the classic style, meaning that the band play music that’s instantly recognisable as what it is, but with an up-to-date production and youthful vigour.
This is high energy, enthuiastic stuff. There’s no Continue reading
One of the original NWOBHM bands that formed way back in the late 70s, Diamond Head need little introduction to most people, although probably few have actually heard their music directly. Always poised for success, it has nevertheless Continue reading
Taking influence from Traditional Heavy Metal and 80s NWOBHM, Christian Mistress play easy-listening, Hard-Rocking Classic Metal.
The singer has a smooth, charismatic voice that slips effortlessly out of the earthy music. Her voice carries feeling and depth without lacking in force and power where necessary.
In some ways this album really is like stepping back in time. Quite simply, they don’t make this kind of music any more. Or more precisely, they do, but only rarely as it’s just so hard to pull off in any form of meaningful, authentic way. The fact that Christian Mistress manage to do this well and have good songs at the same time is somewhat of a miracle in this day and age.
The warm, analogue sound, the duelling harmonies, the vibrant, galloping bass, the satisfying-yet-slightly-understated drums, liquid solos…it all speaks volumes for this kind of music, one that sounds both dated and timeless at the same time.
This is a strong collection of eight honest songs that just want to Rock out and unleash the primal Metal soul in the listener. Well, it works, and I’m certainly feeling the need to bang my head and raise my fists.
Their first album, Souls of Charon, was a very enjoyable slab of Heavy/Doom Metal. This new release keeps the flag flying for Traditional Heavy Metal and all but drops the Doom Metal aspect of their sound.
In fact, Relentless seem to have gone further down the NWOBHM route on Night Terrors. The songs are upbeat rockers that value a chorus and are a lot rougher than their old incarnation, both in attitude and delivery.
The recording is grittier and less polished too. The band almost come off as some undiscovered garage Metal band, lost to the mists of Metal history.
The singer adds her own character to the songs and hearing her on this release is quite a contrast to her more laid-back style on their début.
The songs are proper Metal songs, full of swagger and upbeat energy. If you are familiar with Old-School Heavy Metal then this is quite the feast.
A change in direction, certainly; rawer, Traditional Metal with more attitude. I wonder, what will album number three bring for Relentless?