This is the third album from German progressive/post-metal band Monosphere.
Amnesia contains 42 minutes of music that sits somewhere between progressive and post-metal. The promo blurb references Cult of Luna and The Ocean, which should act as a decent starting point for the Monosphere sound, albeit one that doesn’t tell the whole story. Continue reading “Monosphere – Amnesia (Review)”
Triumpher are a Greek heavy metal band and this is their third album.
Piercing the Heart of the World brings 45 minutes of epic heavy metal into existence. Triumpher are a revelation in steel, a colossal fist in the face of mediocrity, and an exemplar of metallic might ascendant. Now, after that hyperbole, (well-deserved), let’s Continue reading “Triumpher – Piercing the Heart of the World (Review)”
Aldheorte are a black metal band from the US and this is their second album.
The Wild Divine is a 37-minute dose of classic black metal darkness. Aldheorte play their material with icy aggression and despondent atmospheres. If you’re a fan of bands from the 90s era, then Continue reading “Aldheorte – The Wild Divine (Review)”
This is the fifth album from US death/doom band Temple of Void.
It’s safe to say I’m a fan of Temple of Void. I’ve thoroughly enjoyed all of the band’s albums, (Of Terror and the Supernatural, Lords of Death, The World That Was, and Summoning the Slayer), bought the t-shirt, and one day hope to catch them live. Until then, we have a brand spanking new record to eagerly devour – The Crawl, which Continue reading “Temple of Void – The Crawl (Review)”
This is the third album from Finnish black metallers Qwälen.
Veri Virtaa Edelleen brings us 45 minutes of untamed ferocity. Qwälen channel their inner darkness via eight tracks of uncompromising black metal. It’s harsh and malevolent, fuelled by the burning coals of Continue reading “Qwälen – Veri Virtaa Edelleen (Review)”
This is the second album from Irish black/death metallers Coscradh.
Carving the Causeway to the Otherworld is the 44-minute follow up to 2022’s Nahanagan Stadial, and unleashes a monster of black/death metal horror on the world. Coscradh are fierce purveyors of quality extremity, and their new record is Continue reading “Coscradh – Carving the Causeway to the Otherworld (Review)”
It’s a sold out show tonight, and Rebellion is busy. The Callous Daoboys are roasting hot right now, as they should be. It promises to be an intense, exciting evening for fans of atypical heavy/alternative music. Continue reading “The Callous Daoboys/Knives/Love Rarely – Rebellion, Manchester – 25/02/26 (Live Review)”
Aufhebung are a Belgian post-metal band and this is their second album.
Playing post-metal that brings together elements of doom, sludge, and post-rock, Aufhebung have crafted 48 minutes of material on Luchtbegrafenis. As a first encounter with Aufhebung, it’s Continue reading “Aufhebung – Luchtbegrafenis (Review)”
This is the third album from Greek post-metal band Unverkalt.
2023’s A Lump of Death: A Chaos of Dead Lovers was as a surprise hit in this household, so seeing Héréditaire appear on the mighty Season of Mist label was most welcome. This is not the same Unverkalt we encountered previously though, not completely; this is something darker. Continue reading “Unverkalt – Héréditaire (Review)”
Matador are a post-metal band from the UK and this is their third album.
Matador play a compelling mix of post-metal, doom, sludge, and post-rock. That’s a lot of tags, but the music brings them together quite seamlessly. Above, Below, and So contains 42 minutes of material, and it’s a record that Continue reading “Matador – Above, Below, and So (Review)”
Wonderbox Metal 