Mother of Millions are a Greek progressive metal band and this is their fifth album.
2024’s Magna Mater was a fantastic record, so the enigmatically titled T has a lot to live up to. Mother of Millions haven’t just reproduced that sterling record though, as T offers something that’s clearly Mother of Millions, but also has a personality distinct from its predecessor. Continue reading “Mother of Millions – T (Review)”
This is the fourth album by UK sludge metallers Remote Viewing.
Fusing doomy sludge heaviness with noise rock urgency and dynamics, Remote Viewing are here to cause damage and drag you down into the filth. Launching 40 minutes of material right at your uncaring face, State Violence will not be ignored. Continue reading “Remote Viewing – State Violence (Review)”
This is the sixth album from black metal band Fluisteraars, who are from the Netherlands.
Jacht der Mysteriën blesses us with three tracks equalling 42 minutes of music. Fluisteraars have a well-developed personality, and Jacht der Mysteriën is surely one of their more idiosyncratic releases. The music may ultimately be atmospheric black metal, but it’s an atypical expression of the style for sure. Continue reading “Fluisteraars – Jacht der Mysteriën (Review)”
It’s the inaugural Tynebound, brought to us by the lovely Reaper Agency. It’s a sister festival of this year’s Reaper Festival, and if it’s even half as good as that was, this weekend will be a smashing success. With a great lineup over both days, it’s time to embrace the northern darkness. Continue reading “Tynebound 2026 – Anarchy Brew Co, Newcastle upon Tyne, 05/09/26-06/09/26 (Live Review)”
Green Lung are a doom rock band from the UK and this is their fourth album.
Following on from 2021’s The Harvest and 2023’s This Heathen Land, Necropolitan delivers 41 minutes of new material into our hot sweaty hands. Green Lung are on a continued upwards trajectory, and it doesn’t seem like anything can stop them. Continue reading “Green Lung – Necropolitan (Review)”
Kōya are a post-hardcore band from Denmark and this is their debut album.
Pendula consists of 38 minutes of material that is impressively wrought, especially for a first record. Kōya bring a few different influences together well, and the result is an album as devastating as it is well-rendered. Continue reading “Kōya – Pendula (Review)”
ArcTanGent is the UK’s premier outdoor alternative music festival, and it’s a great pleasure to have so many great bands here over one weekend, from all over the world.
It’s this writer’s first time at the festival, even if it’s only for the Friday and the Saturday, and it turns out to be an extremely enjoyable and rewarding couple of days. The festival’s organisation, layout, lineup, and everything else have clearly been thought about closely and iterated upon over time. The end result is a festival experience that’s one of the best out there. Continue reading “ArcTanGent Festival 2026 – Fernhill Farm, Compton Martin, 21/08/26-22/08/26 (Live Review)”
Sworn are a Norwegian black metal band and this is their fifth album.
Sworn are one of the best melodic black metal bands active right now. Coming off a genuinely top tier previous album, (2023’s A Journey Told Through Fire), and with a strong back catalogue overall, any new Sworn material is going to be hotly anticipated. Enter the 44-minute Null Crowned the Infinite. Continue reading “Sworn – Null Crowned the Infinite (Review)”
This is the third album from Chat Pile, a noise/sludge rock band from the US.
Chat Pile understandably made a stir with their debut album God’s Country, so Who Loves the Sun is a most welcome release. This time the band have gifted us with a 10-track, 44-minute record that’s much anticipated by many who thought very highly of their last two records. Continue reading “Chat Pile – Who Loves the Sun (Review)”
Russian Circles are an instrumental post-rock/metal band from the US. This is their ninth album.
Russian Circles can do no wrong. Sorry, but them’s the rules. More seriously, coming off the back of 2022’s fantastic Gnostic, Nine has big shoes to fill, but fill them it does. Across 39 minutes of new material, Russian Circles showcase their considerable talents in no uncertain terms. Continue reading “Russian Circles – Nine (Review)”
Wonderbox Metal 