This is the second album from Canadian death metallers Egregore.
It Echoes in the Wild is brought to us by current/ex-members of Mitochondrion and Funeral Circle, and is a light-swallowing maelstrom of black/death metal horror. Egregore have a well-developed personality, and this record allows them 48 minutes to express this freely. The results are Continue reading “Egregore – It Echoes in the Wild (Review)”
This is the fifth album from Portuguese metal/post-black metal band Gaerea.
It’s been very interesting to watch Gaerea develop over the years, peaking their black metal assault on 2022’s Mirage, before adding in a few different textures and influences on 2024’s very well-received Coma. The latter was the band’s biggest stylistic shift until that point. Loss delivers an even larger Continue reading “Gaerea – Loss (Review)”
Poison the Well are a hardcore band from the US and this is their sixth album.
When such an iconic band releases a brand new record 17 years after their last one, it’s a time of expectation, hope, and excitement, but also concern, and even suspicion. Can Poison the Well come close to their previous quality levels? Will time have dulled their unique edge? Do we need another Poison the Well album? Continue reading “Poison the Well – Peace in Place (Review)”
This is the seventh album from Netherlands hardcore band Vitamin X.
I haven’t caught up with Vitamin X since 2012’s About to Crack, so a reunion with their energetic and charismatic blend of hardcore and thrash metal is long overdue. With Ride the Apocalypse we get 28 minutes of new material from the band, and it rips, rages, and tears its way through the running time across 17 high-octane tracks. Continue reading “Vitamin X – Ride the Apocalypse (Review)”
This is the fourth album from UK black/crust band Wolfbastard.
Wolfbastard have shown over and over again just how potent they are at violently spewing forth their particular strain of venom. Satanic Scum Punks doesn’t let the side down, unleashing 29 minutes of Continue reading “Wolfbastard – Satanic Scum Punks (Review)”
This is the third album from German progressive/post-metal band Monosphere.
Amnesia contains 42 minutes of music that sits somewhere between progressive and post-metal. The promo blurb references Cult of Luna and The Ocean, which should act as a decent starting point for the Monosphere sound, albeit one that doesn’t tell the whole story. Continue reading “Monosphere – Amnesia (Review)”
Triumpher are a Greek heavy metal band and this is their third album.
Piercing the Heart of the World brings 45 minutes of epic heavy metal into existence. Triumpher are a revelation in steel, a colossal fist in the face of mediocrity, and an exemplar of metallic might ascendant. Now, after that hyperbole, (well-deserved), let’s Continue reading “Triumpher – Piercing the Heart of the World (Review)”
Aldheorte are a black metal band from the US and this is their second album.
The Wild Divine is a 37-minute dose of classic black metal darkness. Aldheorte play their material with icy aggression and despondent atmospheres. If you’re a fan of bands from the 90s era, then Continue reading “Aldheorte – The Wild Divine (Review)”
This is the fifth album from US death/doom band Temple of Void.
It’s safe to say I’m a fan of Temple of Void. I’ve thoroughly enjoyed all of the band’s albums, (Of Terror and the Supernatural, Lords of Death, The World That Was, and Summoning the Slayer), bought the t-shirt, and one day hope to catch them live. Until then, we have a brand spanking new record to eagerly devour – The Crawl, which Continue reading “Temple of Void – The Crawl (Review)”
This is the third album from Finnish black metallers Qwälen.
Veri Virtaa Edelleen brings us 45 minutes of untamed ferocity. Qwälen channel their inner darkness via eight tracks of uncompromising black metal. It’s harsh and malevolent, fuelled by the burning coals of Continue reading “Qwälen – Veri Virtaa Edelleen (Review)”
Wonderbox Metal 