Brought to us by the excellent 2 Promoters, 1 Pod podcast, tonight’s show promises to be something special. All three bands are exemplary in their own way, and all three are unmissable in their own right. Continue reading “We Lost the Sea/Overhead, the Albatross/Dimscûa – Academy 2, Manchester – 24/05/26 (Live Review)”
Tooms are an Irish progressive sludge metal band and this is their second album.
Tooms impressed with their 2020 debut The Orb Offers Massive Signals, so Karst is to be approached with great interest and expectation. Tooms have delivered 48 minutes of new material, and it’s worth paying attention to. Continue reading “Tooms – Karst (Review)”
This is the fourth album from The Fifth Alliance, a post-metal band from the Netherlands.
Having graced us with Death Poems in 2015 and then The Depth of the Darkness in 2019, The Fifth Alliance have returned once again, after what seems like an age, with the 38-minute Stenahoria. Armed with a new drummer and a new vocalist, The Fifth Alliance have been reborn in darkness. Continue reading “The Fifth Alliance – Stenahoria (Review)”
Hecate Enthroned are a black metal band from the UK and this is their seventh album.
Featuring members of Ba’al and Sidious in their ranks, legendary black metal act Hecate Enthroned return for the first time in seven years. What dark delights does The Corpse of a Titan, a Lament Long Buried bring to us? Continue reading “Hecate Enthroned – The Corpse of a Titan, a Lament Long Buried (Review)”
Monolord are a doom metal band from Sweden and this is their sixth album.
If you have never encountered Monolord before, then prepare yourself for classic doom metal shenanigans, seasoned with a contemporary delivery. The promo blurb should sort you out as a decent starting point, stating that the 43-minute Neverending is for fans of bands like Electric Wizard, Sleep, Windhand, Black Sabbath, Baroness, Yob, Red Fang, and Mastodon. Good company to keep. Continue reading “Monolord – Neverending (Review)”
Bear are a progressive hardcore/metal band from Belgium and this is their fifth album.
This new 19-minute EP from the mighty Bear packs a punch. It’s five songs and no messing around. These songs are short and to-the-point. Two do their damage, then get out swiftly, laughing as they do so with murderous glee. Continue reading “Bear – Anhedonia (Review)”
This is the tenth album from Norwegian black metallers Dimmu Borgir.
Eight long years since 2018’s Eonian, the legendary Dimmu Borgir have returned. Bringing the world 72 minutes of new material, Grand Serpent Rising is an unexpectedly atavistic record, but is all the better for it. Continue reading “Dimmu Borgir – Grand Serpent Rising (Review)”
This is the eighth album from Impure Wilhelmina, a Swiss post-metal band.
2021’s Antidote was a very strong record, so it’s great to see follow up Le Sanglot appear. It’s a 50-minute case study in portraying emotion and depth of songcraft. Impure Wilhelmina once again show just why they are held in such high regard by Continue reading “Impure Wilhelmina – Le Sanglot (Review)”
This is the debut album by US death metal band Horrific Visions.
Featuring the drummer of Stabbing, (also ex-Whore of Bethlehem), Remnants of Atrophy deals out 25 minutes of brutal death metal punishment. Horrific Visions take a well-worn formula and put just enough of their own spin on it to make a destructive impression. Continue reading “Horrific Visions – Remnants of Atrophy (Review)”
This is the second album from blackened thrash metallers Tyrannus.
Tyrannus play a mix of black and thrash metal, alongside other influences, and it hits the spot. On Mournhold they combine it all into a 40-minute infernal assault that this simplistic description doesn’t really do justice to. Brought to us by current/ex-members of Ashenspire and Live Burial, Mournhold is a beast. Continue reading “Tyrannus – Mournhold (Review)”
Wonderbox Metal 