This is the debut album from US black metal band Astral Alchemy.
Weaving Chilling Magical Dreamworlds unleashes 39 minutes of multifaceted black metal on the world. Astral Alchemy revel in the creation of an alluring mix of the ancient and the modern, leading to a record that captures the strengths from both remarkably well. Continue reading “Astral Alchemy – Weaving Chilling Magical Dreamworlds (Review)”
This is the second album from US death metallers Thætas.
Across 31 minutes of bone-crushing death metal The Irredeemable Age stomps and rages its way into the world. Brought to us by members of Asystole, Buckshot Facelift, and Reeking Aura, Thætas dish out the punishment in no uncertain terms. Continue reading “Thætas – The Irredeemable Age (Review)”
This is the third album from French black metal band Mourir.
Following on from 2020’s Animal Bouffe Animal and 2022’s Disgrâce, Nous, le Venin contains 41 minutes of new, ferociously grim material from Mourir. If you haven’t encountered Mourir before, then steel yourself before entering their threatening world. Continue reading “Mourir – Nous, le Venin (Review)”
This is the debut album from US hardcore band No Cure.
No Cure play a merciless form of metallic hardcore, laced with elements of death metal that provide extra kick. On It Is Going to Get Dark the band spend 34 minutes showing exactly what they can do, delivering a collection of energetic bruisers that hit the spot. Continue reading “No Cure – It Is Going to Get Dark (Review)”
This is the fourth album from US post-rock band If These Trees Could Talk.
The Hidden Hand contains 42 minutes of post-rock soundscapes for the listener to explore. If These Trees Could Talk are able guides, highlighting areas of interest and places to be wary of as these nine expressive tracks unfold. Continue reading “If These Trees Could Talk – The Hidden Hand (Review)”
Snag are a Screamo band from the US and this is their third album.
Snag play a form of Screamo that takes additional influences from other related styles, (and some less related), into itself very capably. Across 26 minutes All the Cages Holding Us Will One Day Turn to Dust has a lot to offer fans of emotive hardcore. Continue reading “Snag – All the Cages Holding Us Will One Day Turn to Dust (Review)”
This is the fifth album from dark/doom rock band Wailin Storms.
The Arsonist provides the listener with 47 minutes of material to become captivated by, and by Jove is it good. Wailin Storms have created a record that blends many styles and influences into one compelling whole. Continue reading “Wailin Storms – The Arsonist (Review)”
This is the fourth album from International black metal band Sojourner.
Containing the artist behind Miasmata, Sojourner play what can probably loosely be termed as atmospheric black metal, but with an epic streak and a definite Gothic metal flavour. In essence, it’s metal, atmosphere-first, and balances beauty and darkness wonderfully. Continue reading “Sojourner – Gateways (Review)”
This is the second album from Irish doom/sludge band Soothsayer.
The Unbinding follows on from 2016’s At this Great Depth and 2021’s Echoes of the Earth, heralding the return of the bone-shaking Soothsayer. Across five colossal songs Soothsayer showcase a sound that’s developed, while also retaining what made them so good in the first place. Continue reading “Soothsayer – The Unbinding (Review)”
This is the fifth album from UK doom metallers Witchsorrow.
2015’s No Light, Only Fire was a great record, one that only got better over time. As such, The Devil and All His Works carries certain quality expectations. Across 48 minutes Witchsorrow continue on their traditional doom metal journey, and should delight any fan of the genre. Continue reading “Witchsorrow – The Devil and All His Works (Review)”
Wonderbox Metal 