This is the second album from German black metal band Totenwache.
Der Thron der Uralten delivers a 72-minute classic blackened assault. Totenwache play their black metal with arcane skill, crafting a record that offers up the sort of material that adherents to the black metal underground simply cannot resist. Continue reading “Totenwache – Der Thron der Uralten (Review)”
Ordh are a death metal band from the US and this is their debut album.
Blind in Abyssal Realms brings us 43 minutes of progressive death metal from current/ex-members of Barishi and Come to Grief. Ordh impress with their ability to being multiple elements together into a very satisfying whole. Continue reading “Ordh – Blind in Abyssal Realms (Review)”
This is the third album from Spanish black metallers Aversio Humanitatis.
It has been six long year’s since 2020’s Behold the Silent Dwellers, but now comes its 34-minute successor, To Become the Endless Static. Aversio Humanitatis have produced a top tier album that’s sure to find favour with fans of bands such as Deathspell Omega, Misþyrming, Panzerfaust, and Selbst. Continue reading “Aversio Humanitatis – To Become the Endless Static (Review)”
This is the fourth album from Swedish instrumental post-metal band Sagor Som Leder Mot Slutet.
Existing somewhere between progressive metal, post-metal, doom, and post-rock, IV contains 44 minutes of atmospheric material. Sagor Som Leder Met Slutet have crafted a record of Continue reading “Sagor Som Leder Mot Slutet – IV (Review)”
This is the debut album from Italian black metal band Atlantic Ridge.
Brought to us by members of Bedsore and Thecodontion, Atlantic Ridge contains 41 minutes of atmospheric black metal, with added funeral doom and a touch of sludgy post-metal. Atlantic Ridge have crafted an engaging record of esoteric depth. Continue reading “Atlantic Ridge – Atlantic Ridge (Review)”
This is the fourth album from Indonesian one-man black metal band Pure Wrath.
Bleak Days Ahead is the 41-minute folow up to 2022’s well-received Hymn to the Woeful Hearts. The artist behind Pure Wrath has returned, accompanied by a cast of associates that bring drums, additional vocals, and saxophone to the table. Continue reading “Pure Wrath – Bleak Days Ahead (Review)”
Portrayal of Guilt are a blackened hardcore band from the US and this is their fourth album.
…Beginning of the End is the sound of Portrayal of Guilt pushing their sound harder and deeper. Across 31 evocative minutes, the band reach across genres and styles to grasp what they want in an unyielding iron grip. …Beginning of the End brings a lot to the table. Continue reading “Portrayal of Guilt – …Beginning of the End (Review)”
This is the third album from US death metallers Pig’s Blood.
2019’s A Flock Slaughtered was an enjoyable record, but it’s been an age since then. Now, with the 33-minute Destroying the Spirit, are Pig’s Blood able to still cut it in today’s death metal killing fields? Continue reading “Pig’s Blood – Destroying the Spirit (Review)”
This is the seventh album from legendary Swedish melodic death metallers At the Gates.
After the tragic death of the band’s iconic singer Tomas Lindberg, this is the final album from the legendary At the Gates. Bringing us 44 minutes of material, The Ghost of a Future Dead is a scorching swansong from the band. Continue reading “At the Gates – The Ghost of a Future Dead (Review)”
Blood Countess are a black metal band from the UK and this is their second album.
After Blood Countess’s absolutely savage performance at this year’s Reaper Fest, it’s now time to see what they’re capable of on record. Can Imperatrix Sanguinis capture the band’s blood-soaked raw vitality across its 39-minute running time? Continue reading “Blood Countess – Imperatrix Sanguinis (Review)”
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