Entheos are a progressive metal band from the US and this is their fourth album.
Entheos made somewhat of a splash with 2023’s Time Will Take Us All, which means many people are looking forward to see what Empty on the Inside has to offer. Across 41 minutes, Entheos showcase an updated sound that works remarkably well for them. Continue reading “Entheos – Empty on the Inside (Review)”
Anagnorisis are a post-black metal band from the US and this is their fourth album.
Caregriever brings together a variety of extreme metal elements into a compelling 41-minute post-blackened framework. Anagnorisis have been absent a decade, but Caregriever gives us reason to be thankful they have returned, albeit in dark circumstances. Continue reading “Anagnorisis – Caregriever (Review)”
This is the eighth album from US black metallers Wolves in the Throne Room.
Wolves in the Throne Room, kings of atmospheric black metal, have returned. Across 48 minutes of expressive, mood-rich music, Estuary once again reinforces their claim to the crown. Is Estuary the album so many people want it to be? Continue reading “Wolves in the Throne Room – Estuary (Review)”
This is the fourth album from US post-rock band Shy, Low.
Existing somewhere between post-rock and post-metal, Shy, Low’s music is a thoroughly immersive affair. Purity Spiral spends 47 minutes engaged in comprehensive instrumental worldbuilding, to remarkable effect. Continue reading “Shy, Low – Purity Spiral (Review)”
This is the fifth album from Italian doom band Shores of Null.
Shores of Null do god work, as exemplified by 2020’s stellar Beyond the Shores (on Death and Dying) and 2023’s very enjoyable The Loss of Beauty. Homesick brings us 48 minutes of new material from the band, and it’s another worthy addition to the Shores of Null discography. Continue reading “Shores of Null – Homesick (Review)”
This is the third album from Iapetus, a progressive death metal band from the US.
Following on from 2019’s impressive The Body Cosmic, (which performed very respectably at the end of the year), Iapetus return with the mighty The Mother Void. It’s a long, involved, and meticulously crafted affair that deserves plenty of time and attention. Continue reading “Iapetus – The Mother Void (Review)”
This is the fifth album by Oscillotron, a solo drone/electronic band from Sweden.
Brought to us by the artist behind Kongh, Axiom delivers a 61-minute journey into expressive cinematic drone soundscapes. Oscillotron’s music blends dark ambient, drone, doom, prog, and atmospheric synths into a record that’s unreasonably immersive. Continue reading “Oscillotron – Axiom (Review)”
Veilburner are a black/death metal band from the US and this is their ninth album.
Veilburner; an enigma. A tantalising mystery with no obtainable answer. All That Glimmers Is Gloam; a 50-minute riddle, riven with metamorphic grace, yet ripe with transcendent promise. Continue reading “Veilburner – All That Glimmers Is Gloam (Review)”
This is the third album from US death/doom metal band Mother of Graves.
Mother of Graves have had an enviable run so far. Starting with their impressive debut EP In Sombre Dreams in 2021, they capitalised on this with their first full length the following year – Where the Shadows Adorn. However, it was 2024’s mighty The Periapt of Absence that really put them on the wider death/doom map. Which brings us gloomily to the 46-minute The Light That Keeps Us. Have Mother of Graves continued their ascent into the metallic heavens? Continue reading “Mother of Graves – The Light That Keeps Us (Review)”
This is the seventh album from Australian death metallers Werewolves.
Werewolves! Oh yeah! It’s hard to dislike a band like this. Reliably pumping out album after album of ferocious death metal ugliness…Werewolves are almost an institution at this point. Serving up 33 minutes of utter nastiness, You’re Weak and You Know You’re Weak is here to rend and destroy. Let’s get to it then. Continue reading “Werewolves – You’re Weak and You Know You’re Weak (Review)”
