This is the second album from UK sludge/post-metal band Urzah.
A Tranquil Void is the 49-minute successor to 2024’s The Scorching Gaze. This debut record caused more than a few to pay attention to Urzah’s progressive, sludgy post-metal. Have they band managed to capitalise on this for its follow up? Continue reading “Urzah – A Tranquil Void (Review)”
Converge are a hardcore band from the US and this is their eleventh album, (or twelfth if you count their collaboration with Chelsea Wolfe).
A second Converge album in the space of a few months you say? Apparently so. Love Is Not Enough hasn’t even cooled, yet Converge are back at it again, treating the world to their distinctive brand of idiosyncratic hardcore. Continue reading “Converge – Hum of Hurt (Review)”
This is the third album from Japanese death metallers Pharmacist.
Vertebrae after Vertebrae consists of seven delightfully brutal pieces of rotten offal. Each one vomits forth a disgusting eruption of malignancy, as if Pharmacist have chewed on too much ancient Carcass and Exhumed and are now paying the price as their insides expel the horror in direct and horrible ways. Continue reading “Pharmacist – Vertebrae after Vertebrae (Review)”
Erdve are from Lithuania and play blackened hardcore/sludge and this is their third album.
Following on from 2018’s Vaitojimas and 2021’s Savigaila, Epigrama delivers 43 minutes of material for listeners to get stuck into. Erdve combine blackened hardcore, sludge, and metallic heaviness into a record that takes no prisoners. Continue reading “Erdve – Epigrama (Review)”
This is the third album from UK doom metallers Godthrymm.
After serving up a good starting point with 2020’s Reflections, followed by 2023’s even stronger Distortions, we are now gifted with Godthrymm’s latest, Projections. With a duration of 46 minutes it’s the band’s shortest, but does it continue their upwards trend regardless? Continue reading “Godthrymm – Projections (Review)”
Brought to us by the excellent 2 Promoters, 1 Pod podcast, tonight’s show promises to be something special. All three bands are exemplary in their own way, and all three are unmissable in their own right. Continue reading “We Lost the Sea/Overhead, the Albatross/Dimscûa – Academy 2, Manchester – 24/05/26 (Live Review)”
Tooms are an Irish progressive sludge metal band and this is their second album.
Tooms impressed with their 2020 debut The Orb Offers Massive Signals, so Karst is to be approached with great interest and expectation. Tooms have delivered 48 minutes of new material, and it’s worth paying attention to. Continue reading “Tooms – Karst (Review)”
This is the fourth album from The Fifth Alliance, a post-metal band from the Netherlands.
Having graced us with Death Poems in 2015 and then The Depth of the Darkness in 2019, The Fifth Alliance have returned once again, after what seems like an age, with the 38-minute Stenahoria. Armed with a new drummer and a new vocalist, The Fifth Alliance have been reborn in darkness. Continue reading “The Fifth Alliance – Stenahoria (Review)”
Hecate Enthroned are a black metal band from the UK and this is their seventh album.
Featuring members of Ba’al and Sidious in their ranks, legendary black metal act Hecate Enthroned return for the first time in seven years. What dark delights does The Corpse of a Titan, a Lament Long Buried bring to us? Continue reading “Hecate Enthroned – The Corpse of a Titan, a Lament Long Buried (Review)”
Monolord are a doom metal band from Sweden and this is their sixth album.
If you have never encountered Monolord before, then prepare yourself for classic doom metal shenanigans, seasoned with a contemporary delivery. The promo blurb should sort you out as a decent starting point, stating that the 43-minute Neverending is for fans of bands like Electric Wizard, Sleep, Windhand, Black Sabbath, Baroness, Yob, Red Fang, and Mastodon. Good company to keep. Continue reading “Monolord – Neverending (Review)”
Wonderbox Metal 