This is the ninth album from Australian death metallers Psycroptic.
Whether it’s 2015’s Psycroptic, 2018’s As the Kingdom Drowns, or 2022’s Divine Council, Psycroptic always put out something special. The Pulse of Annihilation is no exception to this trend, as the band spend 40 minutes showing once again just why they are so highly regarded by extreme metal connoisseurs. Continue reading “Psycroptic – The Pulse of Annihilation (Review)”
This is the third album from US death metal band Fuming Mouth.
Fuming Mouth play a hybrid brand of death metal and hardcore, adopting an approach which sees them cover roughly 50% of each style across the record. The Ringing Bell contains 34 minutes of the band’s crushing material, so get ready to flail around wildly. Continue reading “Fuming Mouth – The Ringing Bell (Review)”
This is the third album from Ecchymosis, a death metal band from Thailand.
Thanatocorporeal Sculptures of Cryogenic Excruciation boasts the sort of brutal death metal assault that’ll cave in your skull before you even know what’s happening. Ecchymosis are frighteningly good at what they do, and across 27 minutes of murderous intensity they utterly annihilate the competition. Continue reading “Ecchymosis – Thanatocorporeal Sculptures of Cryogenic Excruciation (Review)”
This is the debut album from US black metal band Astral Alchemy.
Weaving Chilling Magical Dreamworlds unleashes 39 minutes of multifaceted black metal on the world. Astral Alchemy revel in the creation of an alluring mix of the ancient and the modern, leading to a record that captures the strengths from both remarkably well. Continue reading “Astral Alchemy – Weaving Chilling Magical Dreamworlds (Review)”
This is the second album from US death metallers Thætas.
Across 31 minutes of bone-crushing death metal The Irredeemable Age stomps and rages its way into the world. Brought to us by members of Asystole, Buckshot Facelift, and Reeking Aura, Thætas dish out the punishment in no uncertain terms. Continue reading “Thætas – The Irredeemable Age (Review)”
This is the third album from French black metal band Mourir.
Following on from 2020’s Animal Bouffe Animal and 2022’s Disgrâce, Nous, le Venin contains 41 minutes of new, ferociously grim material from Mourir. If you haven’t encountered Mourir before, then steel yourself before entering their threatening world. Continue reading “Mourir – Nous, le Venin (Review)”
This is the debut album from US hardcore band No Cure.
No Cure play a merciless form of metallic hardcore, laced with elements of death metal that provide extra kick. On It Is Going to Get Dark the band spend 34 minutes showing exactly what they can do, delivering a collection of energetic bruisers that hit the spot. Continue reading “No Cure – It Is Going to Get Dark (Review)”
This is the fourth album from US post-rock band If These Trees Could Talk.
The Hidden Hand contains 42 minutes of post-rock soundscapes for the listener to explore. If These Trees Could Talk are able guides, highlighting areas of interest and places to be wary of as these nine expressive tracks unfold. Continue reading “If These Trees Could Talk – The Hidden Hand (Review)”
Snag are a Screamo band from the US and this is their third album.
Snag play a form of Screamo that takes additional influences from other related styles, (and some less related), into itself very capably. Across 26 minutes All the Cages Holding Us Will One Day Turn to Dust has a lot to offer fans of emotive hardcore. Continue reading “Snag – All the Cages Holding Us Will One Day Turn to Dust (Review)”
This is the fifth album from dark/doom rock band Wailin Storms.
The Arsonist provides the listener with 47 minutes of material to become captivated by, and by Jove is it good. Wailin Storms have created a record that blends many styles and influences into one compelling whole. Continue reading “Wailin Storms – The Arsonist (Review)”
Wonderbox Metal 