This is the third album from UK death metallers Cryptworm.
Infectious Pathological Waste offers up a 35-minute festering cesspit of death metal nastiness. Served to us by current and ex-members of Coffinborn, Cryptic Shift, and Rothadás, Cryptworm arrive covered in Continue reading “Cryptworm – Infectious Pathological Waste (Review)”
This is the debut album from US sludge metal band Mordeo.
Mordeo is a 41-minute slab of ugly crusty darkness. Fuelled by punk aggression and sludge hatred, this is music that wants to rend and destroy. Mordeo have unleashed a Continue reading “Mordeo – Mordeo (Review)”
Wildernesses are a post-rock/shoegaze band from the UK and this is their debut album.
Growth is a 44-minute record that brings together post-rock and shoegaze into a something unexpectedly special. The music of Wildernesses is detailed and textured, offering a vision of post-rock to the listener that’s Continue reading “Wildernesses – Growth (Review)”
This is the second album from German black metal band Antrisch.
Expedition III: Renitenzpfad is a 48-minute black metal album that’s spliced with a few different influences. Across these seven tracks Antrisch take the listener on a journey into history, and as they do so they Continue reading “Antrisch – Expedition III: Renitenzpfad (Review)”
This is the ninth album from Finnish melodic death/doom band Hanging Garden.
Isle of Bliss contains 48 minutes of engaging material. Hanging Garden’s mix of death and doom metal is heavily melodic, carries a Gothic flavour, and has an occasional blackened edge. It makes for a compelling record that should appeal to fans of a Continue reading “Hanging Garden – Isle of Bliss (Review)”
Winterfylleth are a UK black metal band and this is their ninth album.
2024’s The Imperious Horizon feels like it came out yesterday, but here we are again anyway, a brand new Winterfylleth record. Whereas its predecessor was icy, The Unyielding Season Continue reading “Winterfylleth – The Unyielding Season (Review)”
This is the third album from US black metal band Iron Firmament.
In the Land of Pre-Human Kings contains 42 minutes of atmospheric black metal, brought to the world by a band that clearly understand the style. Iron Firmament bring a range of influences together on this record, resulting in music that’s sure to Continue reading “Iron Firmament – In the Land of Pre-Human Kings (Review)”
This is the seventh album from Norwegian doom/stoner metal band Kal-El.
Hot on the heels of Astral Voyager Vol. 1 from last year, Kal-El have now returned with the promised second instalment of this double album. Astral Voyager Vol. 2 brings us 43 minutes of new material, so get ready to rock. Continue reading “Kal-El – Astral Voyager Vol. 2 (Review)”
This is the second album from Canadian death metallers Egregore.
It Echoes in the Wild is brought to us by current/ex-members of Mitochondrion and Funeral Circle, and is a light-swallowing maelstrom of black/death metal horror. Egregore have a well-developed personality, and this record allows them 48 minutes to express this freely. The results are Continue reading “Egregore – It Echoes in the Wild (Review)”
This is the fifth album from Portuguese metal/post-black metal band Gaerea.
It’s been very interesting to watch Gaerea develop over the years, peaking their black metal assault on 2022’s Mirage, before adding in a few different textures and influences on 2024’s very well-received Coma. The latter was the band’s biggest stylistic shift until that point. Loss delivers an even larger Continue reading “Gaerea – Loss (Review)”
Wonderbox Metal 