This is the sixth album by Italian power metallers Frozen Crown.
Frozen Crown are one of the absolute best in the business. Although 2024’s War Hearts didn’t ascend to the same stratospheric heights as 2023’s phenomenal Call of the North, it was still a great album, one that continues to get better with every spin. So, across ten tracks of new material, what does new record The Legend of the Six Kings have to offer us? Continue reading “Frozen Crown – The Legend of the Six Kings (Review)”
This is the second album by UK extreme metal band Burner.
Burner bring us 48 minutes of material to abandon all hope to on No One Is Coming to Save Us. Playing a hybrid style that’s as effective as it is unexpectedly multifaceted, Burner’s new record is a real powerhouse. Continue reading “Burner – No One Is Coming to Save Us (Review)”
This is the eleventh album from German progressive metal band The Ocean.
After 2023’s Holocene, The Ocean have returned a changed band, with a new drummer, two new guitarists, and two new vocalists. Bringing us 72 minutes of new material, Solaris is big, bold, and vast in scale and ambition. Continue reading “The Ocean – Solaris (Review)”
Mother of Millions are a Greek progressive metal band and this is their fifth album.
2024’s Magna Mater was a fantastic record, so the enigmatically titled T has a lot to live up to. Mother of Millions haven’t just reproduced that sterling record though, as T offers something that’s clearly Mother of Millions, but also has a personality distinct from its predecessor. Continue reading “Mother of Millions – T (Review)”
This is the fourth album by UK sludge metallers Remote Viewing.
Fusing doomy sludge heaviness with noise rock urgency and dynamics, Remote Viewing are here to cause damage and drag you down into the filth. Launching 40 minutes of material right at your uncaring face, State Violence will not be ignored. Continue reading “Remote Viewing – State Violence (Review)”
Russian Circles are an instrumental post-rock/metal band from the US. This is their ninth album.
Russian Circles can do no wrong. Sorry, but them’s the rules. More seriously, coming off the back of 2022’s fantastic Gnostic, Nine has big shoes to fill, but fill them it does. Across 39 minutes of new material, Russian Circles showcase their considerable talents in no uncertain terms. Continue reading “Russian Circles – Nine (Review)”
This is the sixth album from Canadian progressive metal band Protest the Hero.
Within contains 35 minutes of Protest the Hero’s inimitable brand of progressive metal. The band’s style has always been a happy marriage between chaos and beauty, to a greater or lesser extent depending on what you’re listening to, and Within continues their storied discography by contributing yet another Grade A winner. So much for spoilers, eh?
Protest the Hero operate in a Continue reading “Protest the Hero – Within (Review)”
This is the latest EP from UK metallers Red Method.
Vol 1: As in Life contains 29 minutes of material. Red Method blend nu-metal, metalcore, and industrial elements into their metallic cocktail, (as well as a smattering of occasional deathcore and djent), manifesting as a sound that’s nicely dark and heavy. Continue reading “Red Method – Vol 1: As in Life (Review)”
This is the fifth album from US heavy metallers Black Sites.
2021’s Untrue and 2024’s The Promised Land? were both quality metal records, so For Eternity appearing on the horizon was most welcome. Black Sites keep regularly pumping out good music, and album number five is no different in this regard. With a new lineup in tow, Black Sites deliver a masterclass in song-based heavy metal. Continue reading “Black Sites – For Eternity (Review)”
This is the fourth album from US experimental rock act Genghis Tron.
Following on from 2021’s change of direction Dream Weapon, Signal Fire contains 43 minutes of new material. Genghis Tron’s return is a most welcome one, and this time they’ve brought with them some older tools to build and destroy with. Continue reading “Genghis Tron – Signal Fire (Review)”
