This is the debut album from Dutch blackened post-punk/metal Ainsoph.
Ainsoph’s material is constructed from a sort of atypical blackened base that takes in elements of post-metal, post-rock, post-punk, avant-garde, progressive rock, doom, blackgaze, and jazz. It’s an eclectic mix on paper, but in execution Continue reading “Ainsoph – Ω – V (Review)”