Featuring an ex-member of Dark Funeral, Zornheym present us with a symphonic monster of black/death/heavy/extreme metal. Yes, a lot of genres are thrown into this one, to great effect. The Zornheim Sleep Experiment contains 37 minutes of the stuff, and it’s a damn good listen. Continue reading “Zornheym – The Zornheim Sleep Experiment (Review)”
While August was a slower month than some others have been this year for first class metal albums, it was still home to more than enough top releases to warrant this list. Continue reading “Monthly Overview – the Best of August 2021”
This is the seventh album from US black metallers Wolves in the Throne Room.
A new Wolves in the Throne Room album is a huge event, especially for me, as they’re essentially one of my favourite bands.
With a rawer, sharper sound than Continue reading “Wolves in the Throne Room – Primordial Arcana (Review)”
Featuring members of Winterfylleth and Foetal Juice, Necronautical play black metal influenced by the second wave, in particular the keyboard-enhanced symphonic side of it. To this is added a muscular death metal influence, which is streamlined by the blackened core of the band and used to add a lethal edge to the music. There’s also a progressive metal influence that can felt on occasion, usually in a particular riff, solo, or melody, for example. Continue reading “Necronautical – Slain in the Spirit (Review)”
Blackened melodies expand with fiery grace and keyboards swell with malevolent doom, only to be cruelly cast aside by cold, merciless slams when the moment is right. Worm Shepherd play a form of blackened deathcore that combines Continue reading “Worm Shepherd – In the Wake ov Sòl (Review)”
Fixation is an interesting blend of symphonic black metal and breakdown-heavy metalcore. Only a few bands are playing around with blackened elements in metalcore, to varying degrees of success, so it’s always good to hear another such act throw their interpretation of this unusual subgenre into the ring. Continue reading “The Ember, the Ash – Fixation (Review)”
If you have a craving for old-school symphonic/orchestral black metal in the style of bands such as Dimmu Borgir, Emperor, and Cradle of Filth, then Angeist is one for you. Across 45 minutes Angus Dei transport Continue reading “Anguis Dei – Angeist (Review)”
Brought to us by a member of Bihargam, Starer is a different proposition from that band, and offers 45 minutes of modern darkness for the listener to become absorbed by. Continue reading “Starer – 18° Below the Horizon (Review)”
We last caught up with Darkenhöld on 2014’s Castellum, although the band haven’t been doing nothing in the past six years; they’ve had an another album and a split release with Griffon since then. Darkenhöld specialise in old-school Continue reading “Darkenhöld – Arcanes & Sortilèges (Review)”
So, you fancy a good-sized chunk of Scandinavian death metal? That’s no problem, take your pick. What’s that? You also want a decent black metal influence to be felt? That’s easily done. Now you want a take on the style that’s highly melodic too? Sure, Continue reading “Foretoken – Ruin (Review)”