Featuring an ex-member of Cleanteeth, Somnuri’s sound can best be described as something like progressive sludge metal. The promo blurb mentions bands such as High on Fire, Mastodon, Converge, Torche, and Baroness, and this sets the scene nicely. However, while all of the Continue reading “Somnuri – Nefarious Wave (Review)”
Hyborian’s first album Vol. 1 was infectious and moreish, and made a strong impression. Volume II continues with Hyborian’s hyper-palatable style, providing 40 minutes of anthemic tunes that are near-impossible to dislike. Continue reading “Hyborian – Volume II (Review)”
This is riff-friendly sludge metal, with both a hardcore influence and an atmospheric one. There’s a mix of the harsh and the beautiful here, which is weighted towards the energetic former, but the latter is still an important part of the band’s sound too. Continue reading “Timeworn – Leave the Soul for Now (Review)”
Brond’s music mixes riff-focused modern rock and post-hardcore/rock, with progressive, stoner, and noise/math rock tendencies. Wow. Now there’s a description. Delivering eight tracks across almost 44 minutes of music, Graveyard Campfire is a well-realised and enjoyable release, despite my mangling together of various subgenres in an attempt to loosely categorise it. Continue reading “Brond – Graveyard Campfire (Review)”
Although classed as an EP, there’s still 29 minutes of material here to sink your teeth into.
I’ll say it straight away – Reminiscence is a massively enjoyable release. Continue reading “Empress – Reminiscence (Review)”
Although quite short at only 32 minutes in length, this is an album that’s undeniably enjoyable. Continue reading “Hyborian – Hyborian Vol. 1 (Review)”
After Druids’ very enjoyable 2016 album Cycles of Mobeum, they have now returned with this latest EP, featuring 21 minutes of new material. Continue reading “Druids – Spirit Compass (Review)”
Featuring rocking tunes, sludgy Southern vibes and progressive sensibilities, Machinations should easily appeal to fans of Baroness, Mastodon, Red Fang, Corrosion of Conformity and High on Fire. Continue reading “Hark – Machinations (Review)”
This is Modern Metal with a Stoner/Progressive edge, somewhat akin to a mix of Mastodon, Baroness and Deftones.
Dull Parade has a strong production and everything sounds loud and heavy. The band strike a good balance between polished and gritty.
The vocals vary between cleans, semi-cleans and rougher shouts. These are performed well and have an undeniable charisma to them. All three band members contribute vocals to this release, so there’s a decent amount of variety and vocal layering going on. Melodies and harmonies abound, all richly textured and enticing.
The songs can be rawkus and confrontational or more emotive and considered, either way there’s an undercurrent of raw emotional intensity to the tracks, helping to give them longevity and depth.
Dull Parade is a thoroughly enjoyable modern interpretation of Alternative Metal with catchy songs and emotive content. It’s also heavy and uncompromising in its vision for what loud music should be.