This is the seventh album from one-man German black/doom metal metal band The Ruins of Beverast.
For some reason it feels like an age since The Thule Grimoires came out, but it was only actually 2021. As such, the arrival of Tempelschlaf feels like an occasion of note. The artist behind The Ruins of Beverast has amassed a great deal of experience and renown across his career – can Tempelschlaf keep the momentum going? Continue reading “The Ruins of Beverast – Tempelschlaf (Review)”
This is the sixth album from Ellende, a solo black metal band from Austria.
Following on from 2024’s Todbringerin, Zerfall contains 52 minutes of new material. The artist behind Ellende specialises in post-black metal that uses blackgaze elements to produce emotive, mood-focused music. Continue reading “Ellende – Zerfall (Review)”
This is the third album from Fuath, a one-man UK black metal band.
I enjoyed 2020’s II, so the appearance of III is a most welcome sight. Brought to us by the artist behind Saor, this is old-school black metal with an atmospheric focus. III contains four songs and clocks in at 43 minutes in total duration. Continue reading “Fuath – III (Review)”
Irk are a noise rock band from the UK and this is their second album.
I got to The Seeing House far later than I wanted to or should have. Despite earmarking it for review, it somehow slipped through my Carefully Crafted and Highly Professional reviewing process, only surfacing once more to shout in my face about a month and a half or so after I should have written about it. D’oh! Ah well, better late than ever, eh? Continue reading “Irk – The Seeing House (Review)”
Nemorous are a UK black metal band and this is their debut album.
What Remains When Hope Has Failed has been a long time coming for yours truly. Arising from the ashes of the mighty Wodensthrone, Nemorous gave us their self-titled debut EP in 2021, and it was gloriously good. I then had the privilege of seeing them play this release live a couple of years ago when they played with Continue reading “Nemorous – What Remains When Hope Has Failed (Review)”
This is quite the event. Legendary band Orange Goblin are calling it a day after 30 years, sadly, and this is their farewell tour. It’s sold out, which I’m happy for them about, as they’re a band who deserves all the success they have had and more. Tonight they’re joined by two other bands that I’m a fan of too, the mighty Grand Magus and the riff-tastic Urne. It promises to be a good one. Continue reading “End of Transmission: 1995-2025 The Final Tour – Orange Goblin/Grand Magus/Urne – Academy 2, Manchester – 13/12/25 (Live Review)”
Another year, another list. 2025 followed 2024 as it was meant to, and brought with it a plethora of new metal albums to get excited about. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2025”
Dimholt are a Bulgarian black metal band and this is their third album.
I enjoyed 2014’s Liberation Funeral and 2019’s Epistēmē – I had thought I reviewed the latter too, but apparently not. Which brings us to Metaform; 52 minutes of quality and enjoyable black metal. Continue reading “Dimholt – Metaform (Review)”
This is the debut album from international, (Iceland/US), black metallers Martröð.
Martröð is brought to us by current/ex-members of Chaos Moon, Häxanu, Osgraef, Ringarë, Manetheren, Vörnir, Wormlust, and a whole lot more. Draumsýnir Eldsins contains four songs spread over 37 minutes, and takes the listener on a journey into spectral dissonance. Continue reading “Martröð – Draumsýnir Eldsins (Review)”
This is the latest EP from Finnish grindcore legends Rotten Sound.
GRRIIIIINNNDDDDDDDDDDD! Hell yeah. This is what it’s all about. eight tracks in 10 minutes. Rotten Sound rage and burn all before them, and it’s devastatingly good fun. A quick shout out to 2018’s Suffer to Abuse and 2023’s Apocalypse, but other than that let’s get right down to business. Continue reading “Rotten Sound – Mass Extinction (Review)”
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