Abrams are a psychedelic rock band from the US and this is their fourth album.
Abrams’ sound is an interesting one. The band fuse a few different genres and styles – psychedelic, alternative, stoner, sludge, grunge, and post-metal – into music that drips with gorgeous singing and emotive guitars. Continue reading “Abrams – In the Dark (Review)”
Somnuri are a sludge metal band from the US. and this is their second album.
Featuring an ex-member of Cleanteeth, Somnuri’s sound can best be described as something like progressive sludge metal. The promo blurb mentions bands such as High on Fire, Mastodon, Converge, Torche, and Baroness, and this sets the scene nicely. However, while all of the Continue reading “Somnuri – Nefarious Wave (Review)”
This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
This is the debut album from US metallers Ghastly Sound.
Having really enjoyed both Ghastly Sound and The Bottom, I’ve been looking forward to Have a Nice Day. It has not disappointed, quite the opposite in fact. Continue reading “Ghastly Sound – Have a Nice Day (Review)”
Ghastly Sound are a metal/hardcore band from the US and this is their second EP.
Oh Ghastly Sound, with this latest EP you’re really spoiling us. Already this year we were treated to your extremely enjoyable self-titled debut EP, and now, hardly any time at all later, you’ve now gifted us with your latest creation – The Bottom. Continue reading “Ghastly Sound – The Bottom (Review)”
Ghastly Sound are a metal/hardcore band from the US and this is their debut EP.
As much as I luuurrrvvvveeee the distortion of a good guitar, I do always like it when I come across a band that eschews this in favour of the primal heaviness of just drums and bass. Continue reading “Ghastly Sound – Ghastly Sound (Review)”
Lo-Pan are from the US and this is their fourth album of Stoner Rock.
Bursting straight out of the speakers with the kind of direct, fat riffing that lets you immediately know where their priorities lie, Lo-Pan make a noticeable entrance.
The lazy, melodic vocals recall the early 90’s where there was an embarrassment of lean, hungry vocalists filling the airwaves with choice melodies. Lo-Pan’s singer reminds me of these times and his voice is like liquid honey.
Like a joyous cross between Soundgarden and Torche; Lo-Pan give me a big happy smile and make me want to stomp around to their colossal riffs whilst grinning like a maniac.
The songs on Colossus are instant gratification and sound like they’re very much written with a live audience in mind. As such they’re high energy, catchy and have an easy rolling attitude about them.
Lo-Pan are surely the latest incarnation of the Stoner Rock gods, sent from on high to teach us lesser mortals to rock the fuck out.
So let’s do it.
Wonderbox Metal 