Abyssus – Death Revival (Review)

Abyssus - Death RevivalThis is the second album from Abyssus, a Greek death metal band.

I’ve been an avid follower of Abyssus’ work for many years, (see here, here, here, here, and here), and their output never fails to put a smile on my face. Which is why it’s great to have a new album from the band. Seven tracks, 33 minutes; Abyssus bring their old-school death metal sound to the masses once more, and it’s damn good fun. Continue reading “Abyssus – Death Revival (Review)”

Aethereus – Leiden (Review)

Aethereus - LeidenAethereus are a death metal band from the US and this is their second album.

Leiden is a 55-minute death metal monstrosity that blends technical, progressive, and dissonant elements together into a very impressive package. The band’s Facebook page describes them as for fans of Obscura, Beyond Creation, and Gorguts, and that’s a good starting place from which to approach Leiden. Continue reading “Aethereus – Leiden (Review)”

Ohio Slamboys – Chop x Drill x Kill (Review)

Ohio Slamboys - Chop x Drill x KillThis is the second album from Ohio Slamboys, a brutal death metal band from France.

The first Ohio Slamboys album – Zombie Killing Process – was a fun frolic into zombie-infested territories, and Chop x Drill x Kill carries on this theme. Across 32 minutes the band chop, kill, and drill, (ahem), their way through meaty brutal death metal slam with the enthusiasm of people who really love their grisly work. Continue reading “Ohio Slamboys – Chop x Drill x Kill (Review)”

Descent – Order of Chaos (Review)

Descent - Order of ChaosDescent are an Australian death metal act and this is their second album.

Order of Chaos offers a tight 30 minutes of punishing death metal. Smashing together HM-2-influenced death metal with ferocious grindcore and caustic punk, Descent’s second album is a vicious beast. Continue reading “Descent – Order of Chaos (Review)”

Fit for an Autopsy – Oh What the Future Holds (Review)

Fit for an Autopsy - Oh What the Future HoldsFit for an Autopsy are a deathcore band from the US and this is their sixth album.

Both 2017’s The Great Collapse and 2019’s The Sea of Tragic Beasts demonstrated Fit for an Autopsy‘s superiority when it comes to deathcore. The band are just doing better things with the style than most other ostensibly similar bands out there. With that in mind, expectations were high for Oh What the Future Holds. Continue reading “Fit for an Autopsy – Oh What the Future Holds (Review)”

Worm Shepherd – Ritual Hymns (Review)

Worm Shepherd - Ritual HymnsWorm Shepherd are a blackened deathcore band and this is their second album.

It’s been less than a year since 2021’s In the Wake of Sol, but here we are already with another Worm Shepherd album. Not that I’m complaining, as that album was a solid slab of blackened atmosphere and crushing deathcore heaviness. Continue reading “Worm Shepherd – Ritual Hymns (Review)”

Necrophagous – In Chaos Ascend (Review)

Necrophagous - In Chaos AscendThis is the debut album from Necrophagous, a death metal band from Sweden.

Featuring ex-members of Visceral Bleeding and Entrails, In Chaos Ascend contains 45 minutes of groove-laden, blast beat-driven timeless death metal.

The promo blurb compares Necrophagous’ sound to a combination of the above two bands, along with Continue reading “Necrophagous – In Chaos Ascend (Review)”

Dakhma – Blessings of Amurdad (Review)

Dakhma - Blessings of AmurdadDakhma are a blackened death metal band from Switzerland and this is their second album.

Dakhma play an exotic form of blackened death metal that’s Zoroastrian-themed and highly detailed. Epic in scope and execution, Blessings of Amurdad offers a highly atmospheric exploration of extreme metal, without sacrificing the meaty, brutal riffs. The music is imbued with Middle Eastern influences that come to life not only Continue reading “Dakhma – Blessings of Amurdad (Review)”

Soul Remnants – Raising the Sacrificial Dagger (Review)

Soul Remnants - Raising the Sacrificial DaggerSoul Remnants are a death metal band from the US and this is their fourth album.

Following on from 2013’s Black and Blood and 2017’s Ouroboros, Soul Remnants have now returned with their longest album to date – 50 minutes of new material. If you’re unfamiliar with the band, a mix of old The Haunted and Hypocrisy, (with the occasional dash of Kataklysm and Amon Amarth), is a decent enough starting point to gain an initial idea of how their music roughly sounds, (although this is by no means a comprehensive description). Continue reading “Soul Remnants – Raising the Sacrificial Dagger (Review)”