Featuring 35 minutes of 90s-styled old-school death metal, Eroded have produced a worthy and enjoyable album here. With war metal influences, (musically, if not thematically), and a Scandinavian veneer, Necropath is Hellishly good fun.
Now that’s a death metal album cover. I could look at the artwork for this for ages. Continue reading
On Fatalistic Uprisal of Abhorrent Creation Demonic Obedience offer up 33 minutes of malignant blackened death metal. Merging brutality with no small amount of mood and atmosphere, this is a very gratifying album. Continue reading
Ahh, I love the sound of Swedish death metal crushing its enemies in the morning, (what’s left of it at least – see later). This is especially the case when the style has a malignant blackened sheen to it, as it does with Gutter Instinct’s malevolent output. Having said that, with every release Gutter Instinct change and refine their sound, and this is true of this latest release, as we’ll see. Continue reading
Ahh, Swedish death metal. You just keep giving and giving and giving, don’t you? It was 2015 when I last encountered Wombbath, with Continue reading
I like death metal that combines technical playing with devastating riffs, a meaty production, and a singer that can growl with the best of them. Which is why I like Sewerborn very much. Containing a raging concoction of surprisingly charismatic brutality, as you listen to this it becomes quickly apparent that Ahtme know how to write a good song. Continue reading
Chimera contains 41 minutes of music that draws from a twisted death metal base, but builds progressive, technical, and psychedelic elements into it. This basic description really doesn’t do this album justice, however. Continue reading
This is an interesting release. Ostensibly old-school death metal that reeks of the underground and has a filthy, ugly delivery, there’s also a firmly atypical and non-standard side to these songs which makes Manor of Infinite Forms definitely stand out from the pack. Continue reading