Misanthur – Ephemeris (Review)

Misanthur - EphemerisThis is the debut album from Polish black metallers Misanthur.

Ephemeris offers a 56-minute journey into darkness. Spreading itself across a range of styles and genres, including post-black metal, dark ambient, noise, doom, jazz, and industrial, the album is a multifaceted collection of apocalyptic soundscapes brought to vibrant life by a talented act. Continue reading “Misanthur – Ephemeris (Review)”

Sepulchre by the Sea – Ratiocinations (Review)

Sepulchre by the Sea - RatiocinationsThis is the latest EP from one-man UK post-black metal band Sepulchre by the Sea.

This is the follow up to 2020’s striking Conqueror Worm, which I really liked.

This EP provides us with 26 minutes of new material. The style is a mix of old and new, Continue reading “Sepulchre by the Sea – Ratiocinations (Review)”

Chrome Waves – The Rain Will Cleanse (Review)

Chrome Waves - The Rain Will CleanseChrome Waves are a shoegaze/post-black metal band from the US and this is their third album.

The Rain Will Cleanse gives us a 41-minute journey into shoegaze-style post-black metal. The band’s style is essentially that of a heavier, post-blackened, shoegaze act. If you’re a fan of bands like Alcest, as well as acts like Varaha and Agalloch, and a touch of Anathema, then this is one you’re sure to want to check out. Continue reading “Chrome Waves – The Rain Will Cleanse (Review)”

Wormwood – Arkivet (Review)

Wormwood - ArkivetThis is the third album from Swedish black metallers Wormwood.

This is Swedish melodic black metal that exists within a post-black metal framework, with the latter allowing the former a broader range than it usually benefits from. Wormwood’s music has an epic streak, an atmospheric proclivity, and a good grasp of emotion and depth. Arkivet is a mix of the classic and the contemporary, and the band have balanced these influences very well to produce an evocative and compelling album. Continue reading “Wormwood – Arkivet (Review)”

Underdark – Our Bodies Burned Bright on Re-Entry (Review)

Underdark - Our Bodies Burned Bright on Re-EntryUnderdark are a post-black metal band from the UK and this is their debut album.

Underdark combine black metal, post-rock, post-hardcore/screamo, and blackgaze into their sound. That might sound like a slightly strange mix of subgenres, but on Our Bodies Burned Bright on Re-Entry these influences all coalesce into a very effective and enjoyable 36 minutes of post-blackened darkness. Although Continue reading “Underdark – Our Bodies Burned Bright on Re-Entry (Review)”

Ulvik – Cascades (Review)

Ulvik - CascadesUlvik are a Canadian black metal band and this is their second album.

Cascades contains 32 minutes of atmospheric black metal. What it might lack in quantity it makes up for in quality. Ulvik have produced an enjoyable, satisfying slice of darkness here. Theirs is a largely aggressive strain of atmoblack, but one that’s not without nuance or dynamic differentiation. Continue reading “Ulvik – Cascades (Review)”

White Ward – Debemur Morti (Review)

White Ward - Debemur MortiThis is the latest EP from Ukrainian post-black metallers White Ward.

Released to commemorate record label Debemur Morti‘s 200th release, this new EP contains two tracks, with a total duration of 17 minutes. Continue reading “White Ward – Debemur Morti (Review)”

Ennoven – Empty Passes, Silent Trails (Review)

Ennoven - Empty Passes, Silent TrailsThis is the second album from Polish one-man post-black metal band Ennoven.

This is the follow up to 2014’s Redemption, which was a very enjoyable debut record. Empty Passes, Silent Trails, however, is on another level entirely. It contains only four tracks, but lasts 47 minutes, and spans a world of emotion and mood. Continue reading “Ennoven – Empty Passes, Silent Trails (Review)”

Klamm – Misanthropocene (Review)

Klamm - MisanthropoceneThis is the third album from black metal band Klamm.

Misanthropocene is an interesting and engaging album that offers the listener a modern and layered interpretation of black metal. The style is rooted in the atmospheric one, but also takes in elements of the melodic, avant-garde, and post-black Continue reading “Klamm – Misanthropocene (Review)”