Teitan – Vákuum (Review)

Teitan - VákuumTeitan is a one-man black metal band from the Netherlands and this is his latest EP.

Vákuum contains 22 minutes of avant-garde black metal that’s played with skill and charisma.

This is atypical black metal that reminds me of the more experimental edges of the late 90s and early 00s black metal scenes. When bands like Dødheimsgard, Continue reading “Teitan – Vákuum (Review)”

Sol Kia – Zos Ethos (Review)

Sol Kia - Zos EthosThis is the debut album from Sol Kia, a Belgian experimental black metal band.

Zos Ethos features a member of Neptunian Maximalism, and contains 45 minutes of experimental psychedelic black metal. Continue reading “Sol Kia – Zos Ethos (Review)”

The Negative Bias – Tapeworm Pyramids (Review)

The Negative Bias - Tapeworm PyramidsThis is the latest EP from Austrian black metallers The Negative Bias.

Ever since first being exposed to The Negative Bias’s cosmic black metal on their split with Golden Dawn, I’ve been hungry for some more material from this band. As such, the 22 minutes on offer on Tapeworm Pyramids is very well-received. Continue reading “The Negative Bias – Tapeworm Pyramids (Review)”

Klamm – Misanthropocene (Review)

Klamm - MisanthropoceneThis is the third album from black metal band Klamm.

Misanthropocene is an interesting and engaging album that offers the listener a modern and layered interpretation of black metal. The style is rooted in the atmospheric one, but also takes in elements of the melodic, avant-garde, and post-black Continue reading “Klamm – Misanthropocene (Review)”

Awenden/Feminazgûl – Split (Review)

Awenden Feminazgul - SplitAwenden and Feminazgûl are both atmospheric black metal bands from the US, and they have teamed up for this split release; three songs, 30 minutes in total.

We start with a single track from Awenden, which is a solo act with guests, (vocals/flute). Continue reading “Awenden/Feminazgûl – Split (Review)”

Inferno – Paradeigma (Phosphenes of Aphotic Eternity) (Review)

Inferno - Paradeigma (Phosphenes of Aphotic Eternity)Inferno are a black metal band from the Czech Republic and this is their eighth album.

I always enjoy a new encounter with the work from Inferno. Both 2013’s Omniabsence Filled by His Greatness and 2017’s Gnosis Kardias (of Transcension and Involution) were enjoyable and satisfying examples of sophisticated black metal art. Continue reading “Inferno – Paradeigma (Phosphenes of Aphotic Eternity) (Review)”

Varde – Fedraminne (Review)

Varde - FedraminneThis is the debut album from Varde, a Norwegian black metal band.

Fedraminne contains 59 minutes of black metal that mixes folk influences into an atmospheric journey. Continue reading “Varde – Fedraminne (Review)”

Odraza – Rzeczom (Review)

Odraza - RzeczomThis is the second album from Polish black metallers Odraza.

On Rzeczom we get 45 minutes of black metal with avant-garde tendencies, which may be an apt description, but it doesn’t properly let you know what a real treat you’re in for should you choose to delve into Odraza’s world. Continue reading “Odraza – Rzeczom (Review)”

Schammasch – Hearts of No Light (Review)

Schammasch - Hearts of No LightSchammasch are a Black Metal band from Switzerland. This is their fourth album.

Was it really 2016 that the epic Triangle was released to an unsuspecting world? Apparently so. An incredibly strong release, it narrowly missed out on the top spot for my best albums of 2016 list. It was followed up in 2017 by the even more avant-garde EP The Maldoror Chants: Hermaphrodite, which provided a compelling dose of atmospheric material. Continue reading “Schammasch – Hearts of No Light (Review)”